Tricking (heraldry)
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Tricking (heraldry)
Tricking is a method for indicating the tinctures (colours) used in a coat of arms by means of text abbreviations written directly on the illustration. Tricking and hatching are the two primary methods employed in the system of heraldry to show colour in black and white illustrations. Origin Heraldry has always had some methods to designate the tinctures of arms. The earliest such method was blazon, which is describing the arms by words. The earliest surviving blazon is from the work of Chrétien de Troyes from the late 1100s. The English heraldry system still uses a form of blazon almost unchanged since the reign of Edward I. Traditionally, images in heraldic manuscripts such as rolls of arms and armorials are all coloured. With the spread of the printing press, woodblock printing and copperplate engravings in the 1400s, there arose the need for designating the colours in uncoloured illustrations as well, since printing in full colour was too labour- and cost-intensive. As ...
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Tincture (heraldry)
Tincture is the limited palette of colours and patterns used in heraldry. The need to define, depict, and correctly blazon the various tinctures is one of the most important aspects of heraldic art and design. Development and history The use of tinctures dates back to the formative period of European heraldry in the twelfth and thirteenth centuries. The range of tinctures and the manner of depicting and describing them has evolved over time, as new variations and practices have developed. The basic scheme and rules of applying the heraldic tinctures dates back to the 12th century. The earliest surviving coloured heraldic illustrations, from the mid-thirteenth century, show the standardized usage of two metals, five colours, and two furs. Since that time, the great majority of heraldic art has employed these nine tinctures. Over time, variations on these basic tinctures were developed, particularly with respect to the furs. Authorities differ as to whether these variations shou ...
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Cristian Urstis
Christian Wurstisen ( la, Christianus Urstisius) (23 December 1544 – 29 March 1588) was a mathematician, theologician, historian from Basel. His name is also given as ''Wursteisen, Wurzticius, Ursticius, Urstisius'', or ''Urstis''. Life In 1565, he became professor of mathematics at the Basel University, and in 1585 professor of theology. The next year, the city magistrate appointed him to the academy as a town historian, a position he held until his death. He was buried in Münster. The second edition of Nicolaus Copernicus's De revolutionibus orbium coelestium had been printed in Basel. Wurstisen is credited to have first introduced Copernicus' work to Galileo Galilei, while Galilei's adoption of heliocentrism was often attributed to Michael Maestlin. Christian Wurstisen is mentioned by name in Galileo's ''Dialogue''. This attribution has been challenged, however, and another similarly named man, Christopher Wursteisen, has been credited with introducing Copernicus's the ...
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Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ...
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Otto Titan Von Hefner
Otto is a masculine German given name and a surname. It originates as an Old High German short form (variants ''Audo'', ''Odo'', ''Udo'') of Germanic names beginning in ''aud-'', an element meaning "wealth, prosperity". The name is recorded from the 7th century ( Odo, son of Uro, courtier of Sigebert III). It was the name of three 10th-century German kings, the first of whom was Otto I the Great, the first Holy Roman Emperor, founder of the Ottonian dynasty. The Gothic form of the prefix was ''auda-'' (as in e.g. '' Audaþius''), the Anglo-Saxon form was ''ead-'' (as in e.g. ''Eadmund''), and the Old Norse form was '' auð-''. The given name Otis arose from an English surname, which was in turn derived from ''Ode'', a variant form of ''Odo, Otto''. Due to Otto von Bismarck, the given name ''Otto'' was strongly associated with the German Empire in the later 19th century. It was comparatively frequently given in the United States (presumably in German American families) during t ...
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College Of Arms
The College of Arms, or Heralds' College, is a royal corporation consisting of professional Officer of Arms, officers of arms, with jurisdiction over England, Wales, Northern Ireland and some Commonwealth realms. The heralds are appointed by the Monarchy of the United Kingdom, British Sovereign and are delegated authority to act on behalf of the Crown in all matters of heraldry, the granting of new coat of arms, coats of arms, Genealogy, genealogical research and the recording of pedigree chart, pedigrees. The College is also the official body responsible for matters relating to the flying of flags on land, and it maintains the official registers of flags and other national symbols. Though a part of the Royal Household of the United Kingdom, the College is self-financed, unsupported by any public funds. Founded by royal charter in 1484 by King Richard III of England, Richard III, the College is one of the few remaining official heraldic authority, heraldic authorities in Europe. ...
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Herald
A herald, or a herald of arms, is an officer of arms, ranking between pursuivant and king of arms. The title is commonly applied more broadly to all officers of arms. Heralds were originally messengers sent by monarchs or noblemen to convey messages or proclamations—in this sense being the predecessors of modern diplomats. In the Hundred Years' War, French heralds challenged King Henry V to fight. During the Battle of Agincourt, the English herald and the French herald, Montjoie, watched the battle together from a nearby hill; both agreed that the English were the victors, and Montjoie provided King Henry V, who thus earned the right to name the battle, with the name of the nearby castle. Like other officers of arms, a herald would often wear a surcoat, called a tabard, decorated with the coat of arms of his master. It was possibly due to their role in managing the tournaments of the Late Middle Ages that heralds came to be associated with the regulation of the kni ...
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Sable (heraldry)
In heraldry, sable () is the tincture black Black is a color which results from the absence or complete absorption of visible light. It is an achromatic color, without hue, like white and grey. It is often used symbolically or figuratively to represent darkness. Black and white ..., and belongs to the class of dark tinctures, called "colours". In engravings and line drawings, it is sometimes depicted as a region of crossed horizontal and vertical lines, or else marked with ''sa.'' as an abbreviation. The name derives from the black fur of the sable, a species of marten. Poetic meanings Centuries ago, arms were often described poetically and the tinctures were connected to different gemstones, flowers and heavenly bodies. Sable usually represented the following: * Of jewels, the diamond * Of heavenly bodies, Saturn * Of flowers, the herb nightshade, in these circumstances also called dwal Gallery File:Arms of Dalzell, Earl of Carnwath.svg, Arms of Dalziel family o ...
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Vert (heraldry)
In classical heraldry, vert () is the tincture equivalent to the colour "green". It is one of the five dark tinctures (''colours''). The word ''vert'' is simply the French for "green". It is used in English in the sense of a heraldic tincture since the early 16th century. In Modern French, ''vert'' is not used as a heraldic term. Instead, the French heraldic term for green tincture is ''sinople''. This has been the case since c. the 16th century. In medieval French heraldry, ''vert'' also meant "green" while ''sinople'' was a shade of red. Vert is portrayed by the conventions of heraldic "hatching" (in black and white engravings) by lines at a 45-degree angle from upper left to lower right, or indicated by the abbreviation vt. when a coat of arms is tricked. The colour green is commonly found in modern flags and coat of arms, and to a lesser extent also in the classical heraldry of the Late Middle Ages and the Early Modern period. Green flags were historically carried by Ottokar ...
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Gules
In heraldry, gules () is the tincture with the colour red. It is one of the class of five dark tinctures called "colours", the others being azure (blue), sable (black), vert (green) and purpure (purple). In engraving, it is sometimes depicted by hatching of vertical lines. In tricking—abbreviations written in areas to indicate their tinctures—it is marked with gu.. Etymology The term ''gules'' derives from the Old French word , literally "throats" (related to the English ''gullet''; modern French ), but also used to refer to a fur neckpiece, usually made of red fur. A.C. Fox-Davies states that the term originates from the Persian word , "rose", but according to Brault, there is no evidence to support this derivation. Examples Gules is the most widely used heraldic tincture. Through the sixteenth century, nearly half of all noble coats of arms in Poland had a field gules with one or more argent charges on them. Examples of coats of arms consisting of purely a red s ...
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Azure (heraldry)
In heraldry, azure ( , ) is the tincture with the colour blue, and belongs to the class of tinctures called "colours". In engraving, it is sometimes depicted as a region of horizontal lines or else is marked with either az. or b. as an abbreviation. The term azure shares origin with the Spanish word "azul", which refers to the same color, deriving from hispanic Arabic ''lazawárd'' the name of the deep blue stone now called lapis lazuli. The word was adopted into Old French by the 12th century, after which the word passed into use in the blazon of coats of arms. As an heraldic colour, the word ''azure'' means "blue", and reflects the name for the colour in the language of the French-speaking Anglo-Norman nobles following the Norman Conquest of England. A wide range of colour values is used in the depiction of azure in armory and flags, and in common usage it is often referred to simply as 'blue'. In addition to the standard blue tincture called azure, there is a lighter blue ...
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Argent (heraldry)
In heraldry, argent () is the tincture of silver, and belongs to the class of light tinctures called "metals". It is very frequently depicted as white and usually considered interchangeable with it. In engravings and line drawings, regions to be tinctured ''argent'' are either left blank, or indicated with the abbreviation ''ar''. The name derives from Latin ''argentum'', translated as "silver" or "white metal". The word ''argent'' had the same meaning in Old French ''blazon'', whence it passed into the English language. In some historical depictions of coats of arms, a kind of silver leaf was applied to those parts of the device that were argent. Over time, the silver content of these depictions has tarnished and darkened. As a result, it can sometimes be difficult to distinguish regions that were intended as "argent" from those that were "sable". This leaves a false impression that the rule of tincture has been violated in cases where, when applied next to a dark colour, arge ...
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Or (heraldry)
In heraldry, or (/ɔːʁ/; French for "gold") is the tincture of gold and, together with argent (silver), belongs to the class of light tinctures called "metals", or light colours. In engravings and line drawings, it is hatched using a field of evenly spaced dots. It is very frequently depicted as yellow, though gold leaf was used in many illuminated manuscripts and more extravagant rolls of arms. The word "gold" is occasionally used in place of "or" in blazon, sometimes to prevent repetition of the word "or" in a blazon, or because this substitution was in fashion when the blazon was first written down, or when it is preferred by the officer of arms. The use of "gold" for "or" (and "silver" for "argent") was a short-lived fashion amongst certain heraldic writers in the mid-20th century who attempted to "demystify" and popularise the subject of heraldry. "Or" is sometimes spelled with a capital letter (e.g. "Gules, a fess Or") so as not to confuse it with the conjunction "or". ...
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