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Transitional Porcelain
Transitional porcelain is Jingdezhen porcelain, manufactured at China's principle ceramic production area, in the years during and after the transition from Ming to Qing. As with several previous changes of dynasty in China, this was a protracted and painful period of civil war. Though the start date of Qing rule is customarily given as 1644, when the last Ming emperor hanged himself as the capital fell, the war had really begun in 1618 and Ming resistance continued until 1683. During this period, the Ming system of large-scale manufacturing in the imperial porcelain factories, with orders and payments coming mainly from the imperial court, finally collapsed, and the officials in charge had to turn themselves from obedient civil servants into businessmen, seeking private customers, including foreign trading companies from Europe, Japanese merchants, and new domestic customers. These new customers led to major changes in the style of porcelain, most of it painted in underglaze coba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ko Sometsuke
Tianqi porcelain or ''ko sometsuke'' refers to Chinese underglaze blue porcelain made in the unofficial kilns of Jingdezhen (景德镇) for a largely Japanese market in the 17th century. The term ''Tianqi'' (天啓; ''tenkei'' in Japanese) is a reference to the era name of the reign of the Tianqi Emperor (r. 1621–1628) during the late Ming dynasty, but the style and the name are not limited to his reign. Over the same period the related Transitional porcelain was being made. Generally speaking, Tianqi porcelain was one variety of porcelain among various styles of the Jingdezhen unofficial kilns from a time of production breakdown of the official kilns at the death of the Wanli Emperor in 1620 to a time of reorganization in 1683 during the reign of the Kangxi Emperor during the Qing dynasty. The Tianqi ware, and other associated wares, display a refreshing spontaneity of design that makes them unique in Chinese ceramic history. The influence of the master landscape artist Dong Qic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rose Kerr (art Historian)
Rose Kerr (born February 1953) is an English art historian specializing in Chinese art, especially Chinese ceramics, on which she has written a number of books. After studying Mandarin and Chinese art at the School of Oriental and African Studies (1971–75), she worked at the Percival David Foundation (1976–78). She joined the Far Eastern Department of the Victoria and Albert Museum in 1978. She became the Keeper of the Far Eastern Department in 1987, a post she held until her retirement in 2003. In 2015, she was made an honorary citizen of Jingdezhen, China, the historic centre of Chinese porcelain production, in recognition of her academic research on Jingdezhen ceramics, and her promotion of cultural exchange between the United Kingdom and China. She was the first non-Chinese citizen to be so honoured. Early life Rose Kerr was born in February 1953. She graduated in Chinese studies from the School of Oriental and African Studies in London, and was one of a handful of Britis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wucai
''Wucai'' (五彩, "Five colours", "Wuts'ai" in Wade-Giles) is a style of decorating white Chinese porcelain in a limited range of colours. It normally uses underglaze cobalt blue for the design outline and some parts of the images, and overglaze enamels in red, green, and yellow for the rest of the designs. Parts of the design, and some outlines of the rest, are painted in underglaze blue, and the piece is then glazed and fired. The rest of the design is then added in the overglaze enamels of different colours and the piece fired again at a lower temperature of about 850°C to 900°C. It has its origins in the ''doucai'' technique. The usual distinction made with ''doucai'', which also combines underglaze blue with overglaze enamels in other colours, is that in ''wucai'' only parts of the design include blue, and these cover wider areas, and are often rather freely painted. In ''doucai'' the whole design is outlined in the blue, even if parts are overlaid by the enamels and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sima Guang
Sima Guang (17 November 1019 – 11 October 1086), courtesy name Junshi, was a Chinese historian, politician, and writer. He was a high-ranking Song dynasty scholar-official who authored the monumental history book ''Zizhi Tongjian''. Sima was a political conservative who opposed Wang Anshi's reforms. Early life Sima Guang was named after his birthplace Guāng Prefecture, where his father Sima Chi () served as a county magistrate in Guangshan County. The Simas were originally from Xia County in Shǎn Prefecture, and claimed descent from Cao Wei's official Sima Fu in the 3rd century. A famous anecdote relates how the young Sima Guang once saved a playmate who had fallen into an enormous vat full of water. As other children scattered in panic, Sima Guang calmly picked up a rock and smashed a hole in the base of the pot. Water leaked out, and his friend was saved from drowning. At age 6, Sima Guang once heard a lecture on the 4th-century BC history book '' Zuo Zhuan''. Fascinat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tea Ceremony
An East Asian tea ceremony, or ''Chádào'' (), or ''Dado'' ( ko, 다도 (茶道)), is a ceremonially ritualized form of making tea (茶 ''cha'') practiced in East Asia by the Chinese, Japanese, and Koreans. The tea ceremony (), literally translated as either "''way of tea''", "''etiquette for tea or tea rite''", or "''art of tea''" in any of the three East Asian languages, is a cultural activity involving the ceremonial preparation and presentation of tea. The Japanese tea ceremony and Korean tea ceremony were influenced by the Chinese tea culture during ancient and medieval times, starting in the 9th century when tea was first introduced to Japan and Korea from China. One can also refer to the whole set of rituals, tools, gestures, etc. used in such ceremonies as tea culture. All of these tea ceremonies and rituals contain "an adoration of the beautiful among the sordid facts of everyday life", as well as refinement, an inner spiritual content, humility, restraint and simplicity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shen Shitong
__NOTOC__ Shen may refer to: * Shen (Chinese religion) (神), a central word in Chinese philosophy, religion, and traditional Chinese medicine; term for god or spirit * Shen (clam-monster) (蜃), a shapeshifting Chinese dragon believed to create mirages * Shenendehowa Central School District, abbreviated as Shen * Shen ring, an Ancient Egyptian hieroglyphic symbol, a form of cartouche Surnames * Shěn (surname), the most common Chinese surname Shen (沈) * Shēn (surname), Chinese surname Shen (申) * Shèn (surname), Chinese surname Shen (慎) Places * Shen, an ancient place in Israel/Palestine (mentioned in ) * Shen County (莘县), in Shandong, China * State of Shen, (申国) Chinese vassal state during the Zhou dynasty * Shen (申) or Shēnchéng (申城, City of Shen), an alternate name of Shanghai * Shenyang (沈阳), a city in Liaoning, China Entertainment * Shen (character), a character in Ender's Game * Shén, a fictional race from the world of Tékumel * Shen, a charact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dong Qichang
Dong Qichang (; courtesy name Xuanzai (玄宰); 1555–1636), was a Chinese painter, calligrapher, politician, and art theorist of the later period of the Ming dynasty. Life as a scholar and calligrapher Dong Qichang was a native of Hua Ting (located in modern-day Shanghai), the son of a teacher and somewhat precocious as a child. At 12 he passed the prefectural Civil service entrance examination and won a coveted spot at the prefectural Government school. He first took the imperial civil service exam at seventeen, but placed second to a cousin because his calligraphy was clumsy. This led him to train until he became a noted calligrapher. Once this occurred he rose up the ranks of the imperial service passing the highest level at the age of 35. He rose to an official position with the Ministry of Rites. His positions in the bureaucracy were not without controversy. In 1605 he was giving the exam when the candidates demonstrated against him causing his temporary retirement. In ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tianqi Emperor
The Tianqi Emperor (23 December 1605 – 30 September 1627), personal name Zhu Youjiao (), was the 16th Emperor of the Ming dynasty, reigning from 1620 to 1627. He was the eldest son of the Taichang Emperor and a elder brother of the Chongzhen Emperor, who succeeded him. " Tianqi", the era name of his reign, means "heavenly opening". Biography Zhu Youjiao became emperor at the age of 15, following the death of his father, the Taichang Emperor, who ruled less than a month. He did not pay much attention to state affairs, and was accused of failing in his filial duties to his late father by not continuing the latter's wishes. It is possible that Zhu Youjiao suffered from a learning disability or something more. He was illiterate and showed no interest in his studies. However, he was an outstanding carpenter and craftsman, often spending vast amounts of time on woodworking and instructing his servants to sell his creations undercover on the market just to see how much they were wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tianqi Porcelain
Tianqi porcelain or ''ko sometsuke'' refers to Chinese underglaze blue porcelain made in the unofficial kilns of Jingdezhen (景德镇) for a largely Japanese market in the 17th century. The term ''Tianqi'' (天啓; ''tenkei'' in Japanese) is a reference to the era name of the reign of the Tianqi Emperor (r. 1621–1628) during the late Ming dynasty, but the style and the name are not limited to his reign. Over the same period the related Transitional porcelain was being made. Generally speaking, Tianqi porcelain was one variety of porcelain among various styles of the Jingdezhen unofficial kilns from a time of production breakdown of the official kilns at the death of the Wanli Emperor in 1620 to a time of reorganization in 1683 during the reign of the Kangxi Emperor during the Qing dynasty. The Tianqi ware, and other associated wares, display a refreshing spontaneity of design that makes them unique in Chinese ceramic history. The influence of the master landscape artist Dong Qi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manchu People
The Manchus (; ) are a Tungusic East Asian ethnic group native to Manchuria in Northeast Asia. They are an officially recognized ethnic minority in China and the people from whom Manchuria derives its name. The Later Jin (1616–1636) and Qing (1636–1912) dynasties of China were established and ruled by the Manchus, who are descended from the Jurchen people who earlier established the Jin dynasty (1115–1234) in northern China. Manchus form the largest branch of the Tungusic peoples and are distributed throughout China, forming the fourth largest ethnic group in the country. They can be found in 31 Chinese provincial regions. Among them, Liaoning has the largest population and Hebei, Heilongjiang, Jilin, Inner Mongolia and Beijing have over 100,000 Manchu residents. About half of the population live in Liaoning and one-fifth in Hebei. There are a number of Manchu autonomous counties in China, such as Xinbin, Xiuyan, Qinglong, Fengning, Yitong, Qingyuan, Weichang, Kua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Für Ostasiatische Kunst Dahlem Berlin Mai 2006 039
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 countries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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