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Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Opera
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater focus on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jephté
''Jephté'' (''Jephtha'') is an opera by the French composer Michel Pignolet de Montéclair. It takes the form of a ''tragédie en musique'' in a prologue and five acts (because of its subject matter it was also styled a ''tragédie biblique''). The libretto, by the Abbé Simon-Joseph Pellegrin, is based on the Biblical story of Jephtha. The oratorio was first performed at the Académie royale de musique, Paris on 28 February 1732. It was the first opera in France using a story from the Bible to appear on a public stage. For this reason, Cardinal de Noailles banned performances of the work for a time. Montéclair made revisions for revivals of the work in March 1732 and April 1737. In 1735, the soprano who had premiered Iphise, Catherine-Nicole Lemaure, was forced to appear in that year's revival via threats of imprisonment if she would not do so; therefore, she intentionally bombed the performance and was booed at by the audience.Julie Anne Sadie, ''Guide de la Musique baroque', Fay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armide (Lully)
''Armide'' is an opera in five acts by Jean-Baptiste Lully. The libretto by Philippe Quinault is based on Torquato Tasso's poem ''La Gerusalemme liberata'' (''Jerusalem Delivered''). The work is in the form of a tragédie en musique, a genre invented by Lully and Quinault. Critics in the 18th century regarded ''Armide'' as Lully's masterpiece. It continues to be well-regarded, featuring some of the best-known music in French baroque opera and being arguably ahead of its time in its psychological interest. Unlike most of his operas, ''Armide'' concentrates on the sustained psychological development of a character – not Renaud, who spends most of the opera under Armide's spell, but Armide, who repeatedly tries without success to choose vengeance over love. Performance history ''Armide'' was first performed on 15 February 1686 by the Paris Opera at the Théâtre du Palais-Royal, with scenery by Bérain, in the presence of the Grand Dauphin. The subject for the opera was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland (Lully)
''Roland'' is an opera with music by Jean-Baptiste Lully and a libretto by Philippe Quinault. It was first performed on January 8, 1685, at the Palace of Versailles by the Académie Royale de Musique (Paris Opera) and later, beginning on March 8, 1685, at the company's public theatre in Paris, the Théâtre du Palais-Royal. The story is derived from Ariosto's epic poem ''Orlando Furioso''. The opera takes the form of a tragédie en musique with an allegorical prologue and five acts. Roles There is also a chorus of Fairies, Islanders, Shepherds and Shepherdesses, Heroes and followers of Glory. Synopsis The opera opens with an allegorical prologue in which Démogorgon, King of the Fairies, sings the praises of Louis XIV and asks to see the story of the famous paladin Roland. Roland, the nephew of Charlemagne loves Angélique, the daughter of the King of Cathay, but, unbeknown to him, she is in love with Médor, a soldier in the army of Africa. In Act One, Roland gives Angà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amadis (Lully)
''Amadis'' or ''Amadis de Gaule'' (Amadis of Gaul) is a ''tragédie en musique'' in a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault based on Nicolas Herberay des Essarts' adaptation of Garci RodrÃguez de Montalvo's '' Amadis de Gaula''. It was premiered by the Paris Opera at the Théâtre du Palais-Royal sometime from January 15 to 18, 1684. There was a later production at Versailles without scenery or machines in 1685.Rosow 1992, pp. 103–104. Performance history ''Amadis'' was the first ''tragédie en musique'' to be based on chivalric rather than mythological themes; Lully's last three completed operas followed in this course. Louis XIV of France chose the theme. In the dance troupe the principal male dancers were Pierre Beauchamp, Louis-Guillaume Pécour and Lestang, and the principal female dancers were La Fontaine, Carré and Pesan. There were eight revivals of the opera in Paris between 1687 and 1771. Between 1687 and 1729 it was pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaëthon (Lully)
Phaeton, Phaëton, Phaethon, Phæton, or Phaëthon may refer to: Art * Phaëton (Lully), tragédie lyrique by Jean Baptiste Lully * ''Phaethon'' (composition), 1986 composition by Christopher Rouse * ''The Fall of Phaeton'' (Rubens), a painting by Peter Paul Rubens * Phaethon, a lost play by Euripides Astronomy * 3200 Phaethon, small asteroid or comet responsible for the Geminids meteor shower * Phaeton (hypothetical planet), a hypothetical fifth planet believed to have once existed between the orbits of Mars and Jupiter and whose destruction supposedly led to the formation of the asteroid belt * Phaethontis quadrangle, a region on Mars Biology *''Phaethon'', genus name of the three tropicbird species Greek mythology * Phaethon, son of Helios, personification of the Sun * Phaethon, guardian of the temples of Aphrodite * Phaethon (horse), one of the horses of Eos People * Phaethon, first king of the Bronze Age Molossians Physics * Dark photon, also called phaet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persée
''Persée'' (''Perseus'') is a tragédie lyrique with music by Jean-Baptiste Lully and a libretto by Philippe Quinault, first performed on 18 April 1682 by the Opéra at the Théâtre du Palais-Royal in Paris. Roles Synopsis ACT I: The Palace of King Céphée and Queen Cassiope of Ethiopia King Céphée expresses the terror his people feel for the snake-haired Mèduse: anyone who looks on her turns to stone. The goddess Juno has sent Mèduse to punish Queen Cassiope for her insolence in comparing her own beauty to that of the goddess. In an effort to appease Juno's wrath, Cassiope has prepared a celebration of games in her honour. We learn that Mérope, the queen's sister, secretly loves Persée. However, Persée loves and is loved by Andromède, the king's daughter. Andromède is betrothed to Phinée, her uncle, who, in an agony of jealousy, accuses her of not returning his love, suspecting that she loves another. Andromède assures him that she will fulfil her duty to love ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proserpine (Lully)
''Proserpine'' (''Proserpina'') is an opera with music by Jean-Baptiste Lully and a libretto by Philippe Quinault first performed at Saint-Germain-en-Laye on 3 February 1680. Roles Synopsis Based on Ovid's ''Metamorphoses'', the plot centers around the abduction of Proserpine by Pluton, with side plots concerning Cérès's love for Jupiter and the love intrigue between Alphée and Aréthuse. Recordings *''Proserpine'', soloists, Le Concert Spirituel, conducted by Hervé Niquet (Glossa, 2 CDs, 2008) *Proserpine, CMD German Opera Company of Berlin, conducted by Gertrude Heinz (CMD Recordings, digital download, 2022) References Further reading *''The New Grove French Baroque Masters'', ed. Graham Sadler (Macmillan, 1986) *''The Viking Opera Guide'', ed. Amanda Holden Amanda Louise Holden (born 16 February 1971) is an English actress, media personality, and singer. Since 2007, she has been a judge on the television talent show competition ''Britain's Got Talent'' on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bellérophon
''Bellérophon'' is an opera with music by Jean-Baptiste Lully and a libretto by Thomas Corneille and Bernard le Bovier de Fontenelle first performed by the Opéra at the Théâtre du Palais-Royal in Paris on 31 January 1679. The libretto is based on Hesiod's ''Theogony''. The opera played for nine months and was one of Lully's greatest successes. Roles Synopsis The queen Sténobée (soprano), spurned by Bellérophon (tenor) who loves the princess Philonoé (soprano), has the magician Amisodar (bass) turn the garden into a barren desert and summon a chimera which terrorizes the country of Lycia. Apollo (tenor) appears and all is solved. Modern performances The first performance in modern times was by Les Talens Lyriques conducted by Christophe Rousset Christophe Rousset (; born 12 April 1961) is a French harpsichordist and conductor, who specializes in the performance of Baroque music on period instruments. He is also a musicologist, particularly of opera and European mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psyché (opera)
''Psyché'' is an opera (''tragédie lyrique'') in a prologue and five acts composed by Jean-Baptiste Lully to a libretto by Thomas Corneille (adapted from Molière's original play for which Lully had composed the intermèdes). Based on the love story of Cupid and Psyche, ''Psyché'' was premiered on April 19, 1678 by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris. Background According to the '' Mercure Galant'', the opera ''Psyché'' was composed in three weeks; libretto, score and all. Although it is impossible to verify the truth of this statement, there is every reason to believe that Lully was in a hurry when writing this opera. In effect, the opera reuses the ''intermèdes'' from Molière's play. Since these ''intermèdes'' had met with such spectacular success seven years earlier, Lully must have felt that given his lack of time, he could at the very least attract a crowd with the promise of reviving the ''plainte italienne'' and the final ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isis (Lully)
''Isis'' is a French opera (''tragédie en musique'') in a prologue and five acts with music by Jean-Baptiste Lully and a libretto by Philippe Quinault, based on Ovid's ''Metamorphoses''. The fifth of Lully's collaborations with Quinault, it was first performed on 5 January 1677 before the royal court of Louis XIV at the Château de Saint-Germain-en-Laye and in August received a run of public performances at the Théâtre du Palais-Royal.Pitou 1983, pp. 239–241; Lajarte 1878pp. 31–32 It was Lully's first published score (partbooks in 1677); a full score was published in 1719. Performance history ''Isis'' was revived only once during the remaining 38 years of Louis XIV's reign, on 14 February 1704. It was revived again in 1717–1718 and 1732–1733. Roles The ballets were danced by Pierre Beauchamp, Louis Pécourt, Magny, and Boutteville. Synopsis Prologue The prologue, which includes the usual paean to Louis XIV, takes place in the palace of Fame (''La Renommée'') wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atys (Lully)
''Atys'' ('' Attis'') is a 1675 ''tragédie en musique'' — described in a 1708 revival as a ''tragédie mise en musique'' and today considered a ''tragédie lyrique'', a French form of opera — in a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault after Ovid's '' Fasti''. It was premiered for the royal court on 10 January the following year by Lully's Académie Royale de Musique (Paris Opera) at the Château de Saint-Germain-en-Laye. The first public performance took place in April 1676 at the Théâtre du Palais-Royal. Although ''Atys'' was met with indifference by Paris audiences, it became known as "the king's opera" because of Louis XIV's fondness for it; it was repeated for him in 1678, 1682 and 1708. Roles Plot and music outline The French style of opera, established in the 1670s by Lully, was in five acts with a prologue. Prologue Lully's prologues normally served to comment on current events at the court of Louis XIV in a way tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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