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Bellérophon
''Bellérophon'' is an opera with music by Jean-Baptiste Lully and a libretto by Thomas Corneille and Bernard le Bovier de Fontenelle first performed by the Opéra at the Théâtre du Palais-Royal in Paris on 31 January 1679. The libretto is based on Hesiod's ''Theogony''. The opera played for nine months and was one of Lully's greatest successes. Roles Synopsis The queen Sténobée (soprano), spurned by Bellérophon (tenor) who loves the princess Philonoé (soprano), has the magician Amisodar (bass) turn the garden into a barren desert and summon a chimera which terrorizes the country of Lycia. Apollo (tenor) appears and all is solved. Modern performances The first performance in modern times was by Les Talens Lyriques conducted by Christophe Rousset Christophe Rousset (; born 12 April 1961) is a French harpsichordist and conductor, who specializes in the performance of Baroque music on period instruments. He is also a musicologist, particularly of opera and European mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bellerophon
Bellerophon (; Ancient Greek: Βελλεροφῶν) or Bellerophontes (), born as Hipponous, was a hero of Greek mythology. He was "the greatest hero and slayer of monsters, alongside Cadmus and Perseus, before the days of Heracles", and his greatest feat was killing the Chimera (mythology), Chimera, a monster that Homer depicted with a lion's head, a goat's body, and a serpent's tail: "her breath came out in terrible blasts of burning flame." Bellerophon was also known for capturing the winged horse Pegasus with the help of Athena’s charmed bridle, and earning the disfavour of the gods after attempting to ride Pegasus to Mount Olympus to join them. Etymology One possible etymology that has been suggested is: Βελλεροφόντης (Bellerophóntēs) from Ancient Greek βέλεμνον (bélemnon), βελόνη (belóne), βέλος (bélos, "projectile, dart, javelin, needle, arrow") and -φόντης (-phóntēs, "slayer") from φονεύω (phoneúō, "to slay"). Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lully - Bellérophon - Score, Paris 1679 - Title Page
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italians in France, Italian-born French composer, Classical guitar, guitarist, List of classical violinists, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French citizenship, subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous ''comédie-ballets'', including ''L'Amour médecin'', ''George Dandin ou le Mari confondu'', ''Monsieur de Pourceaugnac'', ''Psyché (play), Psyché'' and his best known work, ''Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwritin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous ''comédie-ballets'', including ''L'Amour médecin'', ''George Dandin ou le Mari confondu'', ''Monsieur de Pourceaugnac'', ''Psyché'' and his best known work, ''Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Franciscan friar ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Aubry
Marie Aubry (1656–1704) was a French operatic soprano of the baroque period. She was the daughter of Léonard Aubry and Geneviève Béjart, sister of French actress Madeleine Béjart. While in the service of the Philippe I, Duke of Orléans's private music troupe, she was recruited by Pierre Perrin and Robert Cambert of the Académie Royale de Musique and became first soprano in the troupe of Jean-Baptiste Lully, creating for him roles in the following operas: Oriane in '' Amadis de Gaule'', Sangaride in '' Atys'', Philonoé in '' Bellérophon'', Io in ''Isis'', Andromède in ''Persée'', and the title role in '' Proserpine'', Aeglé in ''Thésée''. She and her brother Sébastien were supposedly implicated in the so-called assassination attempt of Lully by her lover Henri Guichard in 1675. Described as small, with white skin and black hair, she retired from the stage in 1684, because of obesity Obesity is a medical condition, sometimes considered a disease, in which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chimera (mythology)
The Chimera ( or ), also Chimaera (''Chimæra'') (Ancient Greek: , ''Chímaira'' means 'she-goat'), according to Greek mythology, was a monstrous fire-breathing hybrid creature, composed of different animal parts from Lycia, Asia Minor. It is usually depicted as a lion, with the head of a goat protruding from its back, and a tail that might end with a snake's head. It was an offspring of Typhon and Echidna and a sibling of monsters like Cerberus and the Lernaean Hydra. The term "chimera" has come to describe any mythical or fictional creature with parts taken from various animals, to describe anything composed of disparate parts or perceived as wildly imaginative, implausible, or dazzling. Family According to Hesiod, the Chimera's mother was a certain ambiguous "she", which may refer to Echidna, in which case the father would presumably be Typhon, though possibly (unlikely) the Hydra or even Ceto was meant instead. However, the mythographers Apollodorus (citing Hesiod as his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christophe Rousset
Christophe Rousset (; born 12 April 1961) is a French harpsichordist and conductor, who specializes in the performance of Baroque music on period instruments. He is also a musicologist, particularly of opera and European music of the 17th and 18th centuries and is the founder of the French music ensemble Les Talens Lyriques. Biography Rousset was born in Avignon, France on 12 April 1961. He studied harpsichord at La Schola Cantorum de Paris with Huguette Dreyfus, and subsequently at the Royal Conservatory of The Hague with Bob van Asperen winning the prestigious First Prize in the 7th Bruges Harpsichord Competition at the age of 22. This was followed by the creation of his own ensemble, Les Talens Lyriques, in 1991. At the heart of the ensemble is Rousset's research and expertise across the music of the Baroque, Classical and early Romantic periods. Having initially attracted the notice of the international press and record companies for his proficiency as a harpsichordist, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festival Of Beaune
The Festival de Beaune: ''Festival international d’opéra baroque'' is a month-long annual summer festival of baroque opera in Beaune, France. It is notable for revivals of many baroque operas and performances of Mozart on original instruments. More recently the town has also become host, in a different week, to the ''Festival international du film policier de Beaune'' - a festival of detective films. Founded in 1982, the Baroque Music Festival of Beaune has presented over 80 operas, over 30 of them significant revivals and world, European or French premières; over 100 oratorio and sacred music concerts, including 5 revivals or premières. In addition to recitals by individual performers. The festival also runs classes and voice workshops, the ''Académie de Chant baroque''. Venue The concerts take place in the Hospices de Beaune, 15th century, and in the Collégiale Notre-Dame de Beaune, 12th century, over four weekends in July. Notable opera revivals The following incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Corneille
Thomas Corneille (20 August 1625 – 8 December 1709) was a French lexicographer and dramatist. Biography Born in Rouen some nineteen years after his brother Pierre, the "great Corneille", Thomas's skill as a poet seems to have shown itself early. At the age of fifteen he composed a play in Latin which was performed by his fellow-pupils at the Jesuit school in Rouen, the Collège de Bourbon (now the Lycée Pierre Corneille). His first play in the French language, ''Les Engagements du hasard'', was probably first performed at the Hôtel de Bourgogne in 1647, although not published until 1656. ''Le Feint Astrologue'', imitated from the Spanish of Pedro Calderón de la Barca, and itself imitated in Dryden's ''An Evening's Love'', came the following year. After his brother's death, Thomas succeeded his vacant chair in the Académie française. He then turned his attention to philology, producing a new edition of the ''Remarques'' of CF Vaugelas in 1687. His ''Le Dictionnaire d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Jean-Baptiste Lully
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lycia
Lycia (Lycian language, Lycian: 𐊗𐊕𐊐𐊎𐊆𐊖 ''Trm̃mis''; el, Λυκία, ; tr, Likya) was a state or nationality that flourished in Anatolia from 15–14th centuries BC (as Lukka) to 546 BC. It bordered the Mediterranean Sea in what is today the Provinces of Turkey, provinces of Antalya Province, Antalya and Muğla Province, Muğla in Turkey as well some inland parts of Burdur Province. The state was known to history from the Late Bronze Age records of ancient Egypt and the Hittite Empire. Lycia was populated by speakers of the Luwian language group. Written records began to be inscribed in stone in the Lycian language (a later form of Luwian) after Lycia's involuntary incorporation into the Achaemenid Empire in the Iron Age. At that time (546 BC) the Luwian speakers were decimated, and Lycia received an influx of Persian speakers. Ancient sources seem to indicate that an older name of the region was Alope ( grc, Ἀλόπη}, ). The many cities in Ly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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