Totentanz (Distler)
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Totentanz (Distler)
''Totentanz'' (Danse Macabre), Opus number, Op. 12/2, is a composition of 14 motets by Hugo Distler which he composed in 1934 for Totensonntag. The work was inspired by the medieval ''Lübecker Totentanz''. The music is interspersed with twelve spoken texts. The motets are scored for a four-part choir a cappella, while the texts can be recited by one or more speakers. The text for the sung parts is taken from the Baroque poem ''Der Cherubinische Wandersmann'' by Angelus Silesius. The spoken stanzas were written by Johannes Klöcking, a contemporary of Distler. Text and music In 1934, Distler, then 26, was inspired by the medieval ', which would be destroyed in World War II. He chose stanzas from the Baroque poem ''Der Cherubinische Wandersmann'' (''The Cherubinic Pilgrim'') by Angelus Silesius and used them as text for 14 choral sections. The spoken poems connecting the choral sections were written by , an acquaintance of the composer. They are a paraphrase of poetry from ''Lüb ...
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Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ...
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Schott Music
Schott Music () is one of the oldest German music publishers. It is also one of the largest music publishing houses in Europe, and is the second oldest music publisher after Breitkopf & Härtel. The company headquarters of Schott Music were founded by Bernhard Schott in Mainz in 1770. Schott Music is one of the world's leading music publishers. It represents many important composers of the 20th and 21st centuries, and its publishing catalogue contains some 31,000 titles on sale and over 10,000 titles on hire. The repertoire ranges from complete editions, stage and concert works to general educational literature, fine sheet music editions and multimedia products. In addition to the publishing houses of Panton, Ars-Viva, Ernst Eulenburg, Fürstner, Cranz, Atlantis Musikbuch and Hohner-Verlag, the Schott group also includes two recording labels, Wergo (for new music) and Intuition (for Jazz), as well as eight specialist magazines. The Schott Music group also includes the printing ...
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Heinz Ostermann
The H. J. Heinz Company is an American food processing company headquartered at One PPG Place in Pittsburgh, Pennsylvania. The company was founded by Henry J. Heinz in 1869. Heinz manufactures thousands of food products in plants on six continents, and markets these products in more than 200 countries and territories. The company claims to have 150 number-one or number-two brands worldwide. Heinz ranked first in ketchup in the US with a market share in excess of 50%; the Ore-Ida label held 46% of the frozen potato sector in 2003. Since 1896, the company has used its " 57 Varieties" slogan; it was inspired by a sign advertising 21 styles of shoes, and Henry Heinz chose the number 57 even though the company manufactured more than 60 products at the time, because "5" was his lucky number and "7" was his wife's. In February 2013, Heinz agreed to be purchased by Berkshire Hathaway and the Brazilian investment firm 3G Capital for $23billion. On March 25, 2015, Kraft announced its m ...
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Will Quadflieg
Friedrich Wilhelm "Will" Quadflieg (; 15 September 1914 – 27 November 2003) was a German actor from Oberhausen. He was the father of actor Christian Quadflieg. He is considered one of Germany's best post-war actors. One of his most widely recognized roles was in the title role in the 1960 film ''Faust''. He also starred in a number of other roles. Quadflieg died from pulmonary embolism. Filmography *1938: '' The Muzzle'' - Rabanus, maler *1940: '' Das Herz der Königin'' - Olivier *1940: '' Kora Terry'' - Michael Varany *1941: ''My Life for Ireland'' - Michael O'Brien jun *1942: ''Destiny'' - Dimo *1942: '' The Red Terror'' - Peter Aßmuss *1942: ''Der große Schatten'' - Robert Jürgensen *1944: ''Die Zaubergeige'' - Violinist Andreas Halm *1944: ''Philharmoniker'' - Alexander Schonath *1945: '' Anna Alt'' - Joachim Alt, ein Komponist *1950: '' The Lie'' - Harry Altenberger *1951: ''Die Tödlichen Träume'' - Winter / Barravas / Florestan *1951: ''Das ewige Spiel'' - Wern ...
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Willi Gundlach
Willi Gundlach (born 15 May 1929) is a German choral conductor and academic. He taught at the music department of the Technical University of Dortmund. He researched and edited works by Fanny Hensel-Mendelssohn. He founded and conducted a chamber choir at the university and recorded with them, including operas for the Kurt Weill Foundation. After his retirement from teaching, he cofounded and organised a concert series at St. Peter, Syburg, including organ concerts and vocal concerts with notable performers. Career Born in Oberhausen, Gundlach studied first to be an elementary teacher at the Pädagogische Hochschule (PH, School of education) in Braunschweig. He studied to be a teacher of higher education in Hanover, at both the Musikhochschule and the Technical University. He studied musicology in Kiel and at the Cologne University, promoted to Ph.D. in 1969. Gundlach first taught at the PH Flensburg, then from 1963 at the PH Dortmund. In 1980, he was appointed professor of m ...
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Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of molded plastic. The recorders' internal and external proportions vary, but the bore i ...
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Kassel
Kassel (; in Germany, spelled Cassel until 1926) is a city on the Fulda River in northern Hesse, Germany. It is the administrative seat of the Regierungsbezirk Kassel and the district of the same name and had 201,048 inhabitants in December 2020. The former capital of the state of Hesse-Kassel has many palaces and parks, including the Bergpark Wilhelmshöhe, which is a UNESCO World Heritage Site. Kassel is also known for the '' documenta'' exhibitions of contemporary art. Kassel has a public university with 25,000 students (2018) and a multicultural population (39% of the citizens in 2017 had a migration background). History Kassel was first mentioned in 913 AD, as the place where two deeds were signed by King Conrad I. The place was called ''Chasella'' or ''Chassalla'' and was a fortification at a bridge crossing the Fulda river. There are several yet unproven assumptions of the name's origin. It could be derived from the ancient ''Castellum Cattorum'', a castle of the ...
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Bruno Grusnick
Bruno Grusnick (18 October 1900 – 4 August 1992) was a German musicologist and church musician. Life Grusnick came from Spandau and had already become acquainted with the musical aspirations of the German Youth Movement as a youth and student. From 1919 to 1925, in addition to music and musicology, he also studied German, English and sport. In the field of music and musicology, Hermann Kretzschmar, Max Friedlaender, Johannes Wolf, Curt Sachs, Georg Schünemann and Wilibald Gurlitt were among his teachers. On 1 April 1928, he came to Lübeck as Studienrat to the . On 4 May 1928, he founded the ''Lübeck Singing and Playing Circle'', which was influenced by the , to spend their free time together doing sports, hiking and making music together. But already in the founding year, there were also public performances: for example, at the folk dance festival in the Wallanlagen and on 21 October a first spiritual concert. He soon met the pastor of the , who had also been appointed ...
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Bärenreiter
Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also has offices in Basel, London, New York and Prague. The company is currently managed by Barbara Scheuch-Vötterle and Leonhard Scheuch. Since 1951, the company's focus has been on the New Complete Editions series for various composers. These are urtext editions, and cover the entire work of the selected composer. Series include: J. S. Bach (the ''Neue Bach-Ausgabe'', a joint project with the Deutscher Verlag für Musik), Berlioz, Fauré, Gluck, Handel, Janáček, Mozart (Neue Mozart-Ausgabe), Rossini, Saint-Saëns, Schubert (New Schubert Edition), Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his ...
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Mensurstrich
(''plural'' ) is a German term used in musical notation to denote a barline that is drawn between staves, but not across them. It is typically seen in modern editions of Medieval and Renaissance vocal polyphony, where it is intended to allow modern performers the convenience of barlines without having them interfere with the music, which was originally written without barlines. In most cases note values are allowed to cross over a without requiring a tie. The convention of the was introduced by German musicologists such as Heinrich Besseler in the 1920s and became common in editorial practice by the mid-20th century. It is frequently applied in academic editions of 15th and 16th century music such as those in the multi-volume ''Corpus mensurabilis musicae'' published by the American Institute of Musicology. A few modern composers (such as Hugo Distler, whose vocal music is reminiscent of Renaissance vocal polyphony) have made a practice of using it in their music in order to ...
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