Toshiko Akiyoshi Plays Gershwin's Porgy And Bess
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Toshiko Akiyoshi Plays Gershwin's Porgy And Bess
''Toshiko Akiyoshi Plays Gershwin's "Porgy and Bess"'' is a 2016 recording by jazz pianist Toshiko Akiyoshi. Track listing #" Summertime" #"I Got Plenty o' Nuttin'" #"I Loves You, Porgy" #"My Man's Gone Now" #"A Woman Is A Sometime Thing" #"It Ain't Necessarily So" #"Bess, You Is My Woman Now" #"Bess, O Where's My Bess" #"A Red-Haired Woman" ''all music composed by George Gershwin'' Personnel * Toshiko Akiyoshi – piano *Paul Gill – bass (tracks 2, 8, 9) *Yasushi Nakamura (中村 恭士) – bass (tracks 5, 6, 7) * George Mraz – bass (tracks 3, 4) *Mark Taylor – drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ... (tracks 4~8) *Rodney Green – drums (tracks 2, 9) References *Studio Songs YZSO 10065jazzdisco.org
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Toshiko Akiyoshi
is a Japanese–American jazz pianist, composer, arranger, and bandleader. Akiyoshi received fourteen Grammy Award nominations and was the first woman to win Best Arranger and Composer awards in ''Down Beat'' magazine's annual Readers' Poll. In 1984, she was the subject of the documentary '' Jazz Is My Native Language''. In 1996, she published her autobiography, ''Life with Jazz'', and in 2007 she was named an NEA Jazz Master by the U.S. National Endowment for the Arts. Biography Akiyoshi was born in Liaoyang, Manchuria, to Japanese colonists, the youngest of four sisters. In 1945, after World War II, Akiyoshi's family lost their home and returned to Japan, settling in Beppu. A local record collector introduced her to jazz by playing a record of Teddy Wilson playing "Sweet Lorraine." She immediately loved the sound and began to study jazz. In 1952, during a tour of Japan, pianist Oscar Peterson discovered her playing in a club on the Ginza. Peterson was impressed and convinc ...
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Jazz Conversations
''Jazz Conversations, The Other Side of Monday Michiru'' is a 2015 recording by jazz pianist Toshiko Akiyoshi and her daughter singer/flutist Monday Michiru, released in Japan by Victor Entertainment. Track listing #"Long Yellow Road" (Akiyoshi, Michiru) #"First Night" (Akiyoshi) #"Love and Life" (Michiru) #"Warning: Success May Be Hazardous To Your Health" (Akiyoshi) #"New Girl In Town (Where Are We?)" (Michiru) #"Broken Dreams" (Tabackin, Michiru) #"Dreaming" (Michiru) #"Ain't Gonna Ask No more" (Akiyoshi, Michiru) #"Frog" (Michiru) #" One Note Samba" ( Jobim, Mendonça) Personnel * Toshiko Akiyoshi – piano *Monday Michiru – vocals, flute *Paul Gill – bass *Mark Taylor – drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ... References *Victor Entertainment VICJ-6 ...
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My Long Yellow Road
''My Long Yellow Road'' is a (mostly) solo studio recording by jazz pianist Toshiko Akiyoshi. Track listing Disc 1 # "Long Yellow Road" (Akiyoshi) # "I Loves You Porgy" ( Gershwin) # "No Moon at All" (Mann, Evans) # "Invention In 2 Voices in D Minor" ( Bach) # "Count Your Blessings Instead Of Sheep" (Berlin) # "Repose" (Akiyoshi) # "That Old Devil Moon" ( Harburg, Lane) # " Polka Dots and Moonbeams" (Burke, Van Heusen) # " Tempus Fugit" (Powell) Disc 2 # "I'm Old Fashioned" ( Kern, Mercer) # "Desert Moon" (Sasaki) # " It Was a Very Good Year" (Drake) # "Memory" (Akiyoshi) # "Sophisticated Lady" (Ellington, Mills, Parish A parish is a territorial entity in many Christian denominations, constituting a division within a diocese. A parish is under the pastoral care and clerical jurisdiction of a priest, often termed a parish priest, who might be assisted by one or m ...) # "The Village" (Akiyoshi) # "Feast In Milano" ...
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Summertime (George Gershwin Song)
"Summertime" is an aria composed in 1934 by George Gershwin for the 1935 opera ''Porgy and Bess''. The lyrics are by DuBose Heyward, the author of the novel '' Porgy'' on which the opera was based, and Ira Gershwin. The song soon became a popular and much-recorded jazz standard, described as "without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of blacks in the southeast United States from the early twentieth century". Composer and lyricist Stephen Sondheim characterized Heyward's lyrics for "Summertime" and "My Man's Gone Now" as "the best lyrics in the musical theater". ''Porgy and Bess'' Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period. Gershwin had completed setting DuBose Heyward's poem to music by February 1934, and spent the next 20 months completing a ...
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I Got Plenty O' Nuttin'
"I Got Plenty o' Nuttin " is a song composed in 1934 by George Gershwin for the 1935 "folk-opera" ''Porgy and Bess'' (1934). The lyrics are by DuBose Heyward, the author of the novel '' Porgy'' on which the opera was based, and Ira Gershwin. It is one of the most famous songs from the opera (along with " Summertime", "It Ain't Necessarily So", and " Bess, You Is My Woman Now") and it has been recorded by hundreds of singers and music groups. The song expresses a cheerful acceptance of poverty as freedom from worldly cares. The singer says he has the most important things in life, " 'Cause de things dat I prize, / Like de stars in de skies / All are free". Most of all, he's "got my gal, got my Lord, got my song". ''Porgy and Bess'' Porgy sings the song in Act 2 after he and Bess have been living together, expressing his new happiness.Patrick M. Liebergen, "I Got Plenty of Nuttin' ", ''Singer's Library of Arias'', Alfred Music, 2008, pp. 22ff. Like several other ...
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I Loves You, Porgy
"I Loves You, Porgy" is a duet from the 1935 opera ''Porgy and Bess'' with music by George Gershwin and lyrics by Ira Gershwin. It was performed in the opera's premiere in 1935 and on Broadway the same year by Anne Brown and Todd Duncan. They recorded the song on volume 2 of the album '' Selections from George Gershwin's Folk Opera Porgy and Bess'' in 1942. The duet occurs in act 2, scene 3, Catfish Row, where Porgy promises Bess that he will protect her. Bess has a lover, Crown, who is abusive and continually seduces her. The song was popularised by Nina Simone's adaptation from her first album, '' Little Girl Blue''. Analysis Lyrics In the lyrics Bess is asking Porgy to stop her from going with Crown, her abusive lover. During the early stages of the opera, Bess' opening stanza was cut out. The re-addition of this stanza into the opera proved crucial in demonstrating Bess' feelings towards Porgy and Crown, as well as showing the extent of Bess's self-understanding. In contrast ...
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My Man's Gone Now
"My Man's Gone Now" is an aria composed by George Gershwin, with lyrics by DuBose Heyward, written for the opera ''Porgy and Bess'' (1935). Sung in the original production by Ruby Elzy, it has been covered by many singers, notably Ella Fitzgerald (on the 1958 ''Porgy and Bess'' album), Leontyne Price, Audra McDonald (who would later sing the part of Bess), Nina Simone, Sarah Vaughan, and Shirley Horn, among others. In the opera In the opera, the aria is sung by Serena, the grieving widow, at her husband Robbins's wake. He has been murdered by Crown, a drunken stevedore, during a crap game played in the courtyard of Catfish Row. She sings that she will no longer hear his footsteps coming up stairs and that "ol man sorrow" will be her companion from now on, telling her she is old. The aria's music and lyrics refer to popular African American spiritual songs and are accompanied by melodic wails which are picked up by the chorus. Versions *Leontyne Price, who regularly played Bess ...
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It Ain't Necessarily So
"It Ain't Necessarily So" is a popular song with music by George Gershwin and lyrics by his brother Ira Gershwin. The song comes from the Gershwins' opera ''Porgy and Bess'' ( 1935) where it is sung by the character Sportin' Life, a drug dealer, who expresses his doubt about several statements in the Bible. The song's melody also functions as a theme for Sportin' Life's character. Controversy The song is controversial for casting doubt on the veracity of the Bible in its central lyrics: "It ain't necessarily so, It ain't necessarily so, The t'ings dat yo' li'ble, To read in de Bible, It ain't necessarily so." The song was criticized by the composer Hall Johnson for depicting African Americans as unfaithful. Influence of Jewish blessings The first and most direct example of influence occurs at the start of the song; the melody and phrasing is nearly identical to the blessing incanted before reading from the Torah. The words "It ain't necessarily so" stand in place of ''Bar'c ...
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Bess, You Is My Woman Now
"Bess, You Is My Woman Now" is a duet with music by George Gershwin and lyrics by Ira Gershwin and DuBose Heyward. This song comes from the Gershwins' opera ''Porgy and Bess'' (1935) where it is sung by the main character Porgy and his beloved Bess. They express their love for each other and say that they now belong together. The song has been covered a number of times by many artists ( ''Porgy and Bess'' (Ella Fitzgerald and Louis Armstrong album), 1958). In 1959, Harry Belafonte recorded a duet with Lena Horne on their album ''Porgy and Bess''. In 1954 Harry James released a version on his album ''Trumpet After Midnight'' ( Columbia CL-553). Barbra Streisand recorded this song on her ''The Broadway Album'' from 1985, named "I Loves You, Porgy "I Loves You, Porgy" is a duet from the 1935 opera ''Porgy and Bess'' with music by George Gershwin and lyrics by Ira Gershwin. It was performed in the opera's premiere in 1935 and on Broadway the same year by Anne Brown and Todd Duncan. ...
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George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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George Mraz
George Mraz (born Jiří Mráz; 9 September 1944 – 16 September 2021) was a Czech-born American jazz bassist and alto saxophonist. He was a member of Oscar Peterson's group, and worked with Pepper Adams, Stan Getz, Michel Petrucciani, Stephane Grappelli, Tommy Flanagan, Jimmy Raney, Chet Baker, Joe Henderson, John Abercrombie, John Scofield, and Richie Beirach, among others. During the 1970s, he was a member of the New York Jazz Quartet and The Thad Jones/Mel Lewis Orchestra, and in the 1980s a member of Quest. He also appeared with Joe Lovano, Hank Jones and Paul Motian on Lovano's records '' I'm All For You'' and '' Joyous Encounter''. Discography As leader/co-leader * 1977: ''Alone Together'' with Masaru Imada ( Three Blind Mice) * 1992: ''Catching Up'' * 1995: ''Jazz'' with Richie Beirach, Billy Hart, Larry Willis, Rich Perry * 1995: ''My Foolish Heart'' with Richie Beirach, Billy Hart * 1997: ''Bottom Lines'' with Cyrus Chestnut, Al Foster, Rich Perry * 1999 ...
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