I Loves You, Porgy
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I Loves You, Porgy
"I Loves You, Porgy" is a duet from the 1935 opera ''Porgy and Bess'' with music by George Gershwin and lyrics by Ira Gershwin. It was performed in the opera's premiere in 1935 and on Broadway the same year by Anne Brown and Todd Duncan. They recorded the song on volume 2 of the album '' Selections from George Gershwin's Folk Opera Porgy and Bess'' in 1942. The duet occurs in act 2, scene 3, Catfish Row, where Porgy promises Bess that he will protect her. Bess has a lover, Crown, who is abusive and continually seduces her. The song was popularised by Nina Simone's adaptation from her first album, '' Little Girl Blue''. Analysis Lyrics In the lyrics Bess is asking Porgy to stop her from going with Crown, her abusive lover. During the early stages of the opera, Bess' opening stanza was cut out. The re-addition of this stanza into the opera proved crucial in demonstrating Bess' feelings towards Porgy and Crown, as well as showing the extent of Bess's self-understanding. In contrast ...
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Porgy And Bess
''Porgy and Bess'' () is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play '' Porgy'', itself an adaptation of DuBose Heyward's 1925 novel of the same name. ''Porgy and Bess'' was first performed in Boston on September 30, 1935, before it moved to Broadway in New York City. It featured a cast of classically trained African-American singers—a daring artistic choice at the time. A 1976 Houston Grand Opera production gained it a renewed popularity after languishing in the doldrums of the 1960s and early 1970s, and it is now one of the best known and most frequently performed operas. The libretto of ''Porgy and Bess'' tells the story of Porgy, a disabled black street beggar living in the slums of Charleston. It deals with his attempts to rescue Bess from the clutches of Crown, her violent and possessive lover, and Sportin' Life ...
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Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ...
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Summertime (George Gershwin Song)
"Summertime" is an aria composed in 1934 by George Gershwin for the 1935 opera ''Porgy and Bess''. The lyrics are by DuBose Heyward, the author of the novel '' Porgy'' on which the opera was based, and Ira Gershwin. The song soon became a popular and much-recorded jazz standard, described as "without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of blacks in the southeast United States from the early twentieth century". Composer and lyricist Stephen Sondheim characterized Heyward's lyrics for "Summertime" and "My Man's Gone Now" as "the best lyrics in the musical theater". ''Porgy and Bess'' Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period. Gershwin had completed setting DuBose Heyward's poem to music by February 1934, and spent the next 20 months completing a ...
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Journal Of American Folklore
The ''Journal of American Folklore'' is a peer-reviewed academic journal published by the American Folklore Society. Since 2003, this has been done on its behalf by the University of Illinois Press. The journal has been published since the society's founding in 1888. It publishes on a quarterly schedule and incorporates scholarly articles, essays, and notes relating to its field. It also includes reviews of books, exhibitions and events. Editors The following people have been editor-in-chief An editor-in-chief (EIC), also known as lead editor or chief editor, is a publication's editorial leader who has final responsibility for its operations and policies. The highest-ranking editor of a publication may also be titled editor, managing ... of the journal:''Journal of American Folklore'', Centennial Index, Vol. 101, No. 402, pp.20–49 References External links * Quarterly journals Publications established in 1888 English-language journals University of Illinois Pres ...
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University Of Liverpool
, mottoeng = These days of peace foster learning , established = 1881 – University College Liverpool1884 – affiliated to the federal Victoria Universityhttp://www.legislation.gov.uk/ukla/2004/4 University of Manchester Act 2004. legislation.gov.uk (4 July 2011). Retrieved on 14 September 2011.1903 – royal charter , type = Public , endowment = £190.2 million (2020) , budget = £597.4 million (2020–21) , city = Liverpool , country = England , campus = Urban , coor = , chancellor = Colm Tóibín , vice_chancellor = Dame Janet Beer , head_label = Visitor , head = The Lord President of the Council '' ex officio'' , students = () , undergrad = () , postgrad = () , colours = The University , affiliations = Russell Group, EUA, N8 Group, NWUA, AACSB, AMBA, EQUIS, EASN, Universities UK , website = , logo = Universit ...
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The Musical Quarterly
''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including Carl Engel (1930–1944), Gustave Reese (1944-45), Paul Henry Lang, who edited the journal for over 25 years, from 1945 to 1973, Joan Peyser (1977–84), Eric Salzman who served as editor from 1984 to 1991 and several others. Since 1993 ''The Musical Quarterly'' has been edited by Leon Botstein, president of Bard College and principal conductor of the American Symphony Orchestra. Originally published by G. Schirmer, Inc., it is published by Oxford University Press. References External links * Articles published before 1923at the Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, i ...
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Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ...
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New England Conservatory
The New England Conservatory of Music (NEC) is a private music school in Boston, Massachusetts. It is the oldest independent music conservatory in the United States and among the most prestigious in the world. The conservatory is located on Huntington Avenue along the Avenue of the Arts near Boston Symphony Hall. NEC is home to 750 students pursuing undergraduate and graduate studies, with 1400 more in its Preparatory School and School of Continuing Education. It offers bachelor's degrees in classical performance, contemporary improvisation, composition, jazz, musicology, and music theory, as well as graduate degrees in accompaniment, conducting, and vocal pedagogy. The conservatory has also partnered with Harvard University and Tufts University to create joint double-degree, five-year programs and provide multi-passionate students access to Boston's premier academic resources. The New England Conservatory's faculty and alumni comprise nearly fifty percent of the Boston Sy ...
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Half Cadence
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage or ...
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Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and edit ...
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Amos 'n' Andy
''Amos 'n' Andy'' is an American radio sitcom about black characters, initially set in Chicago and later in the Harlem section of New York City. While the show had a brief life on 1950s television with black actors, the 1928 to 1960 radio show was created, written and voiced by two white actors, Freeman Gosden Freeman Fisher "Gozzie" Gosden (May 5, 1899 – December 10, 1982) was an American radio comedian, actor and pioneer in the development of the situation comedy form. He is best known for his work in the radio series ''Amos 'n' Andy''. Life and ... and Charles Correll, who played Amos Jones (Gosden) and Andrew Hogg Brown (Correll), as well as incidental characters. On television, 1951–1953, black actors took over the majority of the roles; white characters were infrequent. ''Amos 'n' Andy'' began as one of the first radio comedy series and originated from station WMAQ (AM), WMAQ in Chicago. After the first broadcast in 1928, the show became a hugely popular series, ...
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Naomi André
Naomi André is an American scholar of music. She is the David G. Frey Distinguished Professor in Music at the University of North Carolina at Chapel Hill. She is also the first scholar-in-residence of the Seattle Opera and the Des Moines Metro Opera. Biography André grew up the only child of a single mother. Her mother sang high coloratura soprano and studied operatic singing at the Juilliard School. She received her B.A. from Barnard College in 1989. She was the first black woman to earn a Ph.D. from Harvard University’s department of music in 1996. André taught at the University of Michigan, first at the University of Michigan School of Music, Theatre & Dance, then at the College of Literature, Science, and the Arts until 2022, when she joined the faculty of the University of North Carolina at Chapel Hill. Her scholarship focuses on 19th century Italian Opera as well as the issues of race, representation and gender in Opera with an expertise in the works of composer Giusep ...
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