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Torvaldo E Dorliska
''Torvaldo e Dorliska'' is an operatic dramma semiserio in two acts by Gioachino Rossini to an Italian libretto by Cesare Sterbini, based on the novel/memoir ' (1787–1790) by the revolutionary Jean-Baptiste Louvet de Couvrai, whose work was the source of the '' Lodoïska'' libretto set by Luigi Cherubini (1791), and ''Lodoiska'' set by Stephen Storace (1794), and Simon Mayr (1796). ''Torvaldo e Dorliska'' is a rescue opera with an eventual happy ending. The inclusion of buffo roles is the reason for its designation as a 'semiserio' work, similar to Rossini's ''La gazza ladra''. Performance history ''Torvaldo and Dorliska'' was first performed at the Teatro Valle, Rome, on 26 December 1815. It remained in the repertory and appeared in several Italian cities including Venice for the next twenty five years, though it was never a great critical success. While there were no productions staged in London nor New York, it was staged in ten European cities in the ten years after its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Semiseria
Opera semiseria ('semi-serious opera') is an Italian genre of opera, popular in the early and middle 19th century. Related to the opera buffa, opera semiseria contains elements of comedy but also of pathos, sometimes with a pastoral setting. It can usually be distinguished from tragic operas or melodramas by the presence of a basso buffo. One of the better-known examples is Gaetano Donizetti's ''Linda di Chamounix''. Another example is Gioacchino Rossini's ''La gazza ladra''. Vincenzo Bellini's ''La sonnambula'' has all the characteristics of the genre except the presence of the required basso buffo and is regarded as both opera seria ''Opera seria'' (; plural: ''opere serie''; usually called '' dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to ab ... and opera semiseria. References See also * :Opera semiseria {{Opera genres Opera genres It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Gossett
Philip Gossett (September 27, 1941 – June 12, 2017) was an American musicologist and historian, and Robert W. Reneker Distinguished Service Professor of Music at the University of Chicago. His lifelong interest in 19th-century Italian opera began with listening to Metropolitan Opera broadcasts in his youth. ''Divas and Scholars: Performing Italian Opera'', a major work on the subject, won the Otto Kinkeldey Award of the American Musicological Society as best book on music of 2006. Philip Gossett's contributions to opera scholarship and how they can influence operatic performance may best be summed up by ''Newsdays comment that "some encomiasts claim that soprano Maria Callas did as much for Italian opera as Arturo Toscanini or Verdi. Musicologist Philip Gossett arguably has done as much for Italian opera as any of those geniuses." Career Gossett earned degrees from the Juilliard School, Amherst College, and Princeton University. He studied in Paris on a Fulbright Scholarship. At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Osborne (music Writer)
Charles Thomas Osborne (24 November 1927 – 23 September 2017) was an Australian journalist, theatre and opera critic, poet and novelist.Campbell, Ian. Obituary - Charles Osborne. Opera, November 2017, Vol.68 No.11, p4133. He was the assistant editor of '' The London Magazine'' from 1958 until 1966, literature director of the Arts Council of Great Britain from 1971 until 1986, and chief theatre critic of '' Daily Telegraph'' (London) from 1986 to 1991. He is the only author the Agatha Christie Estate has ever allowed to produce adapted works in her name. Life and career Osborne was born in Brisbane, Australia. He taught himself to play the piano and at aged 18 he began singing lessons. Osborne's father hailed originally from Devon and his mother was from Vienna, a fact to which he attributes his lifelong love of opera. He went to school locally, then studied at the University of Queensland. Osborne then worked in literary and musical journalism and in repertory theatre in A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Víctor Pablo Pérez
Víctor Pablo Pérez (born 1954, Burgos) is a Spanish conductor known for specializing in zarzuelas. He was principal conductor and artistic director of the Symphony Orchestra of Asturias 1980-1988, and then of the Orquesta Sinfónica de Tenerife The Orquesta Sinfónica de Tenerife (OST, "Tenerife Symphony Orchestra") is an orchestra in the city of Santa Cruz de Tenerife on the island of Tenerife in the Canary Islands. The Tenerife Symphony Orchestra is considered one of the best symphon .... Discography * Francisco Barbieri: '' El barberillo de Lavapiés''Gramophone Classical Good Cd Guide 1998 - Page 63 1997 "BARBIERI... Victor Pablo Perez, who secures orchestral playing of a finesse all too rare in this sphere. Shorn of the raucous and crude sonorities with which many zarzuela performances have been fobbed off. this classic work heard here in Barbieri's ." * Gonzalo Roig: :es:Cecilia Valdés References External linksBiography 1954 births Living people Span ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naxos Records
Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records which focuses on classical music. Naxos Musical Group encompasses about 17 labels including Naxos Records, Naxos Audiobooks, and Naxos Books (ebooks). There are about an additional 50 labels that are independent of the Naxos Musical Group with a wide range of offerings. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong. Naxos Records Naxos Records is a record label specializing in classical music. The company was known for its budget pricing of discs, with simpler artwork and design than most other labels. In the 1980s, Naxos primarily recorded central and eastern European symphony orchestras, often with lesser-known conductors, as well as upcoming and unknown musicians, to minimize recording costs and maintain its budget prices. In more recent years, Naxos has taken advan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro De Marchi (conductor)
Alessandro De Marchi (born 1962) is an Italian conductor, best known for his interpretation of baroque oratorios and operas, as leader of the Academia Montis Regalis orchestra, and director of the orchestra's foundation in Mondovì Mondovì (; pms, Ël Mondvì , la, Mons Regalis) is a town and ''comune'' (township) in Piedmont, northern Italy, about from Turin. The area around it is known as the Monregalese. The town, located on the Monte Regale hill, is divided into ..., ''Mons Regalis,'' one of the oldest towns of Piedmont. He was a student of the Accademia Nazionale di Santa Cecilia in Rome and the Schola Cantorum Basiliensis. Since 2010 De Marchi has succeeded René Jacobs as director of the Innsbruck Festwochen der Alten Musik. In addition to recordings with his home ensemble of Italian baroque works, De Marchi has recorded Rossini's '' Torvaldo e Dorliska'' and '' La pietra del paragone'' (The Touchstone) with the Czech Chamber Soloists, Brno and conducted Mozart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Zedda
Alberto Zedda (2 January 19286 March 2017) was an Italian conductor and musicologist whose specialty was the 19th-century Italian repertoire. Alberto Zedda was born in Milan, Italy, where he accomplished his education in music and humanities, completed at the Musical Palaeography School of Cremona. In 1957 he won the International Italian Radio and Television Competition for Conductors and thereafter was invited to appear with important Institutions in Italy (La Scala, Santa Cecilia, Maggio Musicale Fiorentino, the TV-Radio Orchestras of Rome, Turin, Milan, Naples…) and abroad in Germany, Holland, Belgium, France, Spain, Poland, Russia, Israel, United States, China, Japan… Besides the symphonic activity, Alberto Zedda has developed an outstanding career in opera: La Scala, San Carlo, La Fenice, Massimo di Palermo, Comunale di Bologna, Regio di Torino, Covent Garden, Marinski, Vienna, San Francisco, Los Angeles, Paris, Helsinki, Tel Aviv, Warsaw, Lisboa, Barcelona, Madrid, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina ( Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Galli (bass)
Filippo Galli (1783 – 3 June 1853, in Paris) was an Italian opera singer who began his career as a tenor in 1801 but went on to become one of the most acclaimed basses of the '' bel canto'' era, with a voice known for its wide range, extreme agility, and expressivity, and a remarkable gift for acting. Early life Born in Rome, Galli was a marginal buffo tenor, appearing in Naples, Bologna, Parma, and Turin, primarily in the works of Nasolini, Generali, and Zingarelli. It is said that following an illness in 1810, his voice changed markedly into that of bass, but this may have been a cover story for his technical transition into the bass repertoire upon the advice of the composer Giovanni Paisiello or singer Luigi Marchesi. Galli's younger brother Vincenzo was also an opera singer noted for his performances in ''basso buffo'' roles. Career as bass His new career took rise in 1812: his meeting with Rossini allowed him to sing ''L'inganno felice'' on 1 August at the Teatro S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
