Tomb Paintings Of Sindh
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Tomb Paintings Of Sindh
Tomb paintings of Sindh are found mainly in the Shahdadkot tehsil of Qamber-Shahdadkot in Sindh, Pakistan. During the Kalhora period (1680–1784 AD) wall paintings became common. They often depicted folk tales, scenes from rustic life, the tribal chiefs and their battles. The Jamali tombs Larkana and Qamber-Shahdadkot, are famous for the paintings, which depict the romances of Sassui Punnhun,''Tales of the Old Sind'', Charles Augustus Kincaid; H. Milford. Oxford University Press, 1922 Momal Rano, Suhni Mehar, Layla and Majnun and Noori Jam Tamachi. See also * Sindhi folk tales Sindhi folktales ( sd, لوڪ سنڌي ڪهاڻيون) play an important part in the culture of the Sindhi people of southern Pakistan. Pakistan's Sindh province abounds in fairy-tales and folktales that form its folklore. Some of these folktales ... References External links History of Kalhoras Indian folk art Pakistani art Indian painting Pakistani paintings Sindhi folklore {{art-stub ...
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Shahdadkot
Shahdadkot ( sd, شھدادڪوٽ; ur, ) is the most populated and largest Tehsil of Qambar Shahdadkot District of Sindh, Pakistan. It was named after the town founder Shahdad Khan Khuhawar. It is located around 51 kilometres northwest of Larkana and 34 kilometers north of Qambar. The town is in close proximity to three districts of Balochistan namely Khuzdar, Jhal Magsi and Jaffarabad in the west and north of the district. It is linked on the M8 motorway route between Gwadar and Ratodero. Town is also a political stronghold of Pakistan People's Party since 1970. The town was also the constituency of the former prime minister of Pakistan, Benazir Bhutto. PPP MPA Nadir Khan Magsi has been elected for more than 3 decades now. Sports Cricket is the main sports played by the majority of the citizens besides that Football is also prevalent when Sindh Balochistan inter provincial tournaments are held. There is one official Cricket stadium where Cricket tournaments are held over ...
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Sindh
Sindh (; ; ur, , ; historically romanized as Sind) is one of the four provinces of Pakistan. Located in the southeastern region of the country, Sindh is the third-largest province of Pakistan by land area and the second-largest province by population after Punjab. It shares land borders with the Pakistani provinces of Balochistan to the west and north-west and Punjab to the north. It shares International border with the Indian states of Gujarat and Rajasthan to the east; it is also bounded by the Arabian Sea to the south. Sindh's landscape consists mostly of alluvial plains flanking the Indus River, the Thar Desert in the eastern portion of the province along the international border with India, and the Kirthar Mountains in the western portion of the province. The economy of Sindh is the second-largest in Pakistan after the province of Punjab; its provincial capital of Karachi is the most populous city in the country as well as its main financial hub. Sindh is home ...
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Pakistan
Pakistan ( ur, ), officially the Islamic Republic of Pakistan ( ur, , label=none), is a country in South Asia. It is the world's List of countries and dependencies by population, fifth-most populous country, with a population of almost 243 million people, and has the world's Islam by country#Countries, second-largest Muslim population just behind Indonesia. Pakistan is the List of countries and dependencies by area, 33rd-largest country in the world by area and 2nd largest in South Asia, spanning . It has a coastline along the Arabian Sea and Gulf of Oman in the south, and is bordered by India to India–Pakistan border, the east, Afghanistan to Durand Line, the west, Iran to Iran–Pakistan border, the southwest, and China to China–Pakistan border, the northeast. It is separated narrowly from Tajikistan by Afghanistan's Wakhan Corridor in the north, and also shares a maritime border with Oman. Islamabad is the nation's capital, while Karachi is its largest city and fina ...
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Kalhora
The Kalhora () is a Sindhi tribe of Sindh, Pakistan, they claim Arab origin and direct descendants from Al-Hakim I and ultimately Abbas ibn Abd al-Muttalib, companion and paternal uncle of Islamic prophet Muhammad. They founded the Kalhora Dynasty that ruled the Sindh stretched from Karachi to Multan and Dera Ghazi Khan for nearly a century from 1701 – 1783 CE. See also * Mian Atur Khan Kalhoro * Tomb paintings of Sindh * Battle at Khore * Battle of Kachhi Battle of Kachhi was fought between His Highness The Khan of Kalat Mir Abdullah Khan Brauhvi and Main Noor Mohammad Kalhoro Amir of Sindh to establish their rule in Kachhi. In the year 1142 AH (1729 AD) Murad Kaleri , was appointed by Main No ... References Social groups of Pakistan Sindhi tribes Surnames Kalhora dynasty {{Pakistan-ethno-stub ...
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Sassui Punnhun
Sassi Punnuh or Sassui Punhun ( sd, سَسُئيِ پُنهوُن) is a love story from Punjabi, Sindhi, and Balochi folklore. The story is about a faithful lover who will endure any difficulty while seeking her beloved husband who was separated from her by rivals. The story also appears in Shah Jo Risalo and forms part of seven popular tragic romances from Sindh, Pakistan. The other six tales are ''Umar Marvi'', ''Sohni Mehar'', ''Lilan Chanesar'', ''Noori Jam Tamachi'', ''Sorath Rai Diyach'', and '' Momal Rano'' commonly known as the Seven Queens of Sindh, or the Seven heroines of Shah Abdul Latif Bhittai. Punnu Mir Punnhun Khan (Mir Dostein) was the son of Mir Aalii or Ari, a baloch king of Kech, Balochistan. Sassi Sassi was the daughter of the Raja of Bhambore in Sindh (now in Pakistan). Upon Sassi's birth, astrologers predicted that she was a bane on the royal family's honour. The Raja ordered that the child be put in a wooden box and thrown in the Sindhu. A washer ...
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Momal Rano
Momal Rano or Mumal Rano ( sd, مومل راڻو) is a romantic tale of Momal and Rano from the Sindhi folklore and Rajasthani folklore. It is a multifaceted story that entails adventure, magic, schemes, beauty, love, ordeals of separation and above all romantic tragedy. The fame of the story is ascribed to Ganj or Shah Jo Risalo; the poetry book Shah Abdul Latif Bhittai wrote, which also included other stories like ''Umar Marui'', ''Sohni Mehar'', ''Sassui Punhun'', ''Noori Jam Tamachi'', ''Sorath Rai Diyach'' and ''Lilan Chanesar''. The protagonists of these seven tales are women; hence, including Momal, all have remained cultural icons in Sindhi Literature and known as the Seven Heroines () of Shah Abdul Latif Bhittai. Earlier, apart from Shah Abdul Latif Bhittai, several other poets, like Shah Inat Rizvi, for instance, wrote verses on this tale and many others after Latif's demise, like Tajal Bewas and Shaikh Ayaz (to quote a few) tried upon the same tale; hence all broadened ...
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Suhni Mehar
''Shah Jo Risalo'' ( sd, شاھ جو رسالو) is a poetic compendium of famous Sindhi Sufi poet Shah Abdul Latif Bhittai. In fact, it is many compendia, for Shah Abdul Latif's poetry in various forms of bayt and wai was compiled by many of his devotees during his lifetime and after his death. The devotees compiled his poetry and designated it as Shah Jo Risalo or Poetry of Shah. Ernest Trumpp called it Diwan when he edited the ''Risalo'' and published it from Leipzig, Germany in 1866 A.D. Afterwards, many scholars and linguists have published the Shah Jo Risalo with their own compilations, hence many editions are available. Shah Jo Risalo, written in very pure and concise Sindhi verses, is great storehouse for Muslims but also for the Hindus. Shah Abdul Latif has hidden his mystical ideas under layers of symbols taken from all spheres of life as well as from the classical Sufi tradition, and particularly from Maulana Rumi's Mathnawi. Surs (chapters) The traditional comp ...
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Layla And Majnun
''Layla & Majnun'' ( ar, مجنون ليلى ; '''Layla's Mad Lover) is an old story of Arab origin, about the 7th-century Bedouin poet Qays ibn al-Mulawwah and his ladylove Layla bint Mahdi (later known as Layla al-Aamiriya). "The Layla-Majnun theme passed from Arabic to Persian, Turkish, and Indian languages", through the narrative poem composed in 584/1188 by the Persian poet Nizami Ganjavi, as the third part of his ''Khamsa''. It is a popular poem praising their love story. Qays and Layla fell in love with each other when they were young, but when they grew up Layla's father didn't allow them to be together. Qays became obsessed with her. His tribe Banu 'Amir and the community gave him the epithet of ''Majnūn'' ( "crazy", lit. "possessed by Jinn"). Long before Nizami, the legend circulated in anecdotal forms in Iranian ''akhbar''. The early anecdotes and oral reports about Majnun are documented in ''Kitab al-Aghani'' and Ibn Qutaybah's ''Al-Shi'r wa-l-Shu'ara'.'' Th ...
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Noori Jam Tamachi
''Noori Jam Tamachi'' ( sd, نوري ڄام تماچي) is a famous tale of Prince Jam Tamachi's falling in love with the charming fisherwoman Noori. Noori makes Jam happy with her perfect surrender and obedience which causes him to raise her above all the other queens.The story also appears in Shah Jo Risalo and forms part of seven popular tragic romances from Sindh, Pakistan. The other six tales are ''Umar Marvi'', ''Sassui Punnhun'', ''Sohni Mehar'', ''Lilan Chanesar'', ''Sorath Rai Diyach'' and '' Momal Rano'' commonly known as the Seven Queens of Sindh, or the Seven heroines of Shah Abdul Latif Bhittai. It is the only story of the lot of fulfilled love and happiness and not of burning love and helpless search. Overview Jam Tamachi was a Samma prince, a ruler of Sindh, Thatta, Pakistan. There are three lakes lying between Jherruk and Thatta, called the Keenjhar, the Chholmari and Sonahri. On the banks of Keenjhar, broken walls are still visible that mark the site of an ...
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Sindhi Folk Tales
Sindhi folktales ( sd, لوڪ سنڌي ڪهاڻيون) play an important part in the culture of the Sindhi people of southern Pakistan. Pakistan's Sindh province abounds in fairy-tales and folktales that form its folklore. Some of these folktales (قصا) are particularly important for the development of higher literature in Sindhi, since they were to form the core of mystical tales of Sindh immortalized by Shah Abdul Latif Bhittai, and are generally known as Heroines of Shah (شاه جون سورميون). Many of these folktales, especially those that deal with love stories, are well known in Sindh. Among them, the story of Sassui Punhun is probably the most famous. In it, a beautiful Indus girl named Sassui, brought up by a washerman's family in Bhambore, attracts many lovers. Finally, the prince of Kecch falls in love with her. His family is dismayed and eventually make the couple drunk and carry the lover away. Sassui finds herself alone in the morning. She follows the t ...
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Indian Folk Art
Tribal art is the visual arts and material culture of indigenous peoples. Also known as non-Western art or ethnographic art, or, controversially, primitive art, Dutton, Denis, Tribal Art'. In Michael Kelly (editor), ''Encyclopedia of Aesthetics. New York: Oxford University Press, 1998. tribal arts have historically been collected by Western anthropologists, private collectors, and museums, particularly ethnographic and natural history museums. The term "primitive" is criticized as being Eurocentric and pejorative.Perkins and Morphy 132 Description Tribal art is often ceremonial or religious in nature. Typically originating in rural areas, tribal art refers to the subject and craftsmanship of artifacts from tribal cultures. In museum collections, tribal art has three primary categories: * African art, especially arts of Sub-Saharan Africa * Art of the Americas * Oceanic art, originating notably from Australia, Melanesia, New Zealand, and Polynesia. Collection of tribal arts ...
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Pakistani Art
] Pakistani art ( ur, ) has a long tradition and history. It consists of a variety of art forms, including painting, sculpture, calligraphy, pottery, and textile arts such as woven silk. Geographically, it is a part of Indian subcontinent art, including what is now Pakistan. History After independence in 1947, there were only two major art schools in Pakistan - the Mayo School of Art and the Department of Fine Arts at the Punjab University. Early pioneers of Pakistani art include Abdur Rahman Chughtai who painted with Mughal and Islamic styles, and Ahmed Parvez who was among the early modernists of Pakistan. In the 1960s and 1970s, calligraphic styles emerged in Pakistan, with notable artists being Iqbal Geoffrey and Sadequain. The Karachi School of Art, the first art institution in Karachi, was founded in 1964 by Rabia Zuberi. In the 21st century, graffiti started becoming popular in Pakistan, with the emergence of artists such as Sanki King, and Asim Butt. The latter al ...
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