Tokugawa Art Museum
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Tokugawa Art Museum
The is a private art museum, located on the former '' Ōzone Shimoyashiki'' compound in Nagoya, central Japan. Its collection contains more than 12,000 items, including swords, armor, Noh costumes and masks, lacquer furniture, Chinese and Japanese ceramics, calligraphy, and paintings from the Chinese Song and Yuan dynasties (960-1368). History Unlike many private museums in Japan, which are based on collections assembled in the modern era by corporations or entrepreneurs, the Tokugawa Art Museum houses the hereditary collection of the Owari branch of the Tokugawa clan, which ruled the Owari Domain in what is now Aichi Prefecture. The museum is operated by the Tokugawa Reimeikai Foundation, which was founded in 1931 by Yoshichika Tokugawa (1886–1976), 19th head of the Owari clan, in order to preserve the clan's priceless collection of art objects, furnishings, and heirlooms. Building architecture The architectural plan for the museum main building and southern archives were ...
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Nagoya City
is the largest city in the Chūbu region, the fourth-most populous city and third most populous urban area in Japan, with a population of 2.3million in 2020. Located on the Pacific coast in central Honshu, it is the capital and the most populous city of Aichi Prefecture, and is one of Japan's major ports along with those of Tokyo, Osaka, Kobe, Yokohama, and Chiba. It is the principal city of the Chūkyō metropolitan area, which is the third-most populous metropolitan area in Japan with a population of 10.11million in 2020. In 1610, the warlord Tokugawa Ieyasu, a retainer of Oda Nobunaga, moved the capital of Owari Province from Kiyosu to Nagoya. This period saw the renovation of Nagoya Castle. The arrival of the 20th century brought a convergence of economic factors that fueled rapid growth in Nagoya, during the Meiji Restoration, and became a major industrial hub for Japan. The traditional manufactures of timepieces, bicycles, and sewing machines were followed by the pro ...
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Tokugawa Ieyasu
was the founder and first ''shōgun'' of the Tokugawa Shogunate of Japan, which ruled Japan from 1603 until the Meiji Restoration in 1868. He was one of the three "Great Unifiers" of Japan, along with his former lord Oda Nobunaga and fellow Oda subordinate Toyotomi Hideyoshi. The son of a minor daimyo, Ieyasu once lived as a hostage under daimyo Imagawa Yoshimoto on behalf of his father. He later succeeded as daimyo after his father's death, serving as a vassal and general of the Oda clan, and building up his strength under Oda Nobunaga. After Oda Nobunaga's death, Ieyasu was briefly a rival of Toyotomi Hideyoshi, before declaring his allegiance and fighting on his behalf. Under Toyotomi, Ieyasu was relocated to the Kanto plains in eastern Japan, away from the Toyotomi power base in Osaka. He built his castle in the fishing village of Edo (now Tokyo). He became the most powerful daimyo and the most senior officer under the Toyotomi regime. Ieyasu preserved his strength i ...
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Sen No Rikyu
Sen may refer to: Surname * Sen (surname), a Bengali surname * Şen, a Turkish surname * A variant of the Serer patronym Sène Currency subunit * Etymologically related to the English word ''cent''; a hundredth of the following currencies: ** Brunei dollar ** Cambodian riel ** Malaysian ringgit ** Indonesian rupiah * Etymologically unrelated to the English word ''cent''; a hundredth of the following currency: ** Japanese yen - People * Amartya Sen (born 1933), Indian economist and philosopher * Aparna Sen (born 1945), an Indian filmmaker and actress * Antara Dev Sen (born 1963), a British–Indian journalist * Asit Sen (actor) (1917 – 1993), an Indian actor * Kaushik Sen (or Koushik Sen), an Indian actor * Ko Chung Sen (born 1968), a Malaysian politician * Konkona Sen Sharma Konkona Sen Sharma (born 3 December 1979) is an Indian actress and filmmaker who works primarily in Hindi and Bengali films. She has received two National Film Awards and four Filmfare Awards. The ...
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Joseon Dynasty
Joseon (; ; Middle Korean: 됴ᇢ〯션〮 Dyǒw syéon or 됴ᇢ〯션〯 Dyǒw syěon), officially the Great Joseon (; ), was the last dynastic kingdom of Korea, lasting just over 500 years. It was founded by Yi Seong-gye in July 1392 and replaced by the Korean Empire in October 1897. The kingdom was founded following the aftermath of the overthrow of Goryeo in what is today the city of Kaesong. Early on, Korea was retitled and the capital was relocated to modern-day Seoul. The kingdom's northernmost borders were expanded to the natural boundaries at the rivers of Amrok and Tuman through the subjugation of the Jurchens. During its 500-year duration, Joseon encouraged the entrenchment of Confucian ideals and doctrines in Korean society. Neo-Confucianism was installed as the new state's ideology. Buddhism was accordingly discouraged, and occasionally the practitioners faced persecutions. Joseon consolidated its effective rule over the territory of current Korea and saw the ...
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Buncheong Ware
''Buncheong'', or ''punch'ong'', ware is a traditional form of Korean stoneware, with a blue-green tone. Pieces are coated with white slip (ceramics), and decorative designs are added using a variety of techniques. This style originated in the 15th century and continues in a revived form today. History Buncheong is a contemporary term for a specific type of traditional Korean stoneware that developed in the 15th century, during the Joseon Dynasty, as Goryeo celadon techniques and subject matter evolved. Buncheong ware developed from the earlier Goryeo celadon inlay technique called ''sanggam'' and rapidly distinguished itself. In contrast to the refined elegance of Goryeo celadon, buncheong is designed to be natural, unassuming, and practical. This style is characterized by its pale blue-green color and decorative techniques, which involved shaping the clay and then covering it in white slip (ceramics) and decorating it by carving, stamping, and brushwork. Buncheong st ...
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Mishima Ware
Mishima ware (三島焼) refers to different types of imported and adopted Japanese pottery. Mishima originally refers to the shimamono pottery imported from the islands of Taiwan, Luzon, and "Amakawa" (Macau). They were characterized by being roughly-made and often uneven, thus epitomizing the Japanese aesthetic of ''wabi-sabi''. In later centuries, it came to refer to imported ceramics (''Gohon'') from Korea with the slip inlay style. This style was imitated and produced locally in Japan. Shimamono Mishima As described in the ''Tōkikō'', Mishima (literally "three islands") originally referred to shimamono pottery imported from the islands of indigenous Taiwan, Luzon, and "Amakawa" (Macau). Luzon Mishima (''Rusuntsubo'') were usually made from purple-black clay and usually had a green glaze. Native Taiwanese Mishima (''Hagi Mishima'') were made from light-colored clay and were decorated with a row of round knobs and had black marks on the bottom. Amakawa Mishima are made from ...
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Chawan
A ''chawan'' (; literally "tea bowl") is a bowl used for preparing and drinking tea. Many types of ''chawan'' are used in East Asian tea ceremonies. The choice of their use depends upon many considerations. History The ''chawan'' originated in China. The earliest ''chawan'' in Japan were imported from China between the 13th and the 16th centuries. The ''Jian chawan'', a Chinese tea bowl known as ''Tenmoku chawan'' in Japan, was the preferred tea bowl for the Japanese tea ceremony until the 16th century. In Japan, tea was also mainly drunk from this Chinese variety of tea bowls until about the 15th century. The Japanese term ''tenmoku'' is derived from the name of the Tianmu Mountain, where Japanese priests acquired these tea bowls from Chinese temples to bring back to Japan, according to tradition. An 11th-century resident of Fujian wrote about the Jian tea wares: : By the end of the Kamakura period (1185–1333), as the custom of tea drinking spread throughout Japan and th ...
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National Treasures Of Japan
Some of the National Treasures of Japan A is the most precious of Japan's Tangible Cultural Properties, as determined and designated by the Agency for Cultural Affairs (a special body of the Ministry of Education, Culture, Sports, Science and Technology). A Tangible Cultural Property is considered to be of historic or artistic value, classified either as "buildings and structures" or as "fine arts and crafts." Each National Treasure must show outstanding workmanship, a high value for world cultural history, or exceptional value for scholarship. Approximately 20% of the National Treasures are structures such as castles, Buddhist temples, Shinto shrines, or residences. The other 80% are paintings; scrolls; sutras; works of calligraphy; sculptures of wood, bronze, lacquer or stone; crafts such as pottery and lacquerware carvings; metalworks; swords and textiles; and archaeological and historical artifacts. The items span the period of ancient to early modern Japan befo ...
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Gotoh Museum
The is a private museum in the Kaminoge district of Setagaya on the southwest periphery of Tokyo. It was opened in 1960, displaying the private collection of Keita Gotō, chairman of the Tokyu Group. Today's collection is centered on the original selection of classical Japanese and Chinese art such as paintings, writings, crafts and archaeological objects completed by a small selection of Korean arts. It features several objects designated as National Treasures or Important Cultural Properties. The exhibition changes several times per year with special openings in spring and fall. A garden with a tea house, ponds and small Buddhist statues is attached to the museum. Highlights of the Collection Genji Monogatari Emaki One of the most important items housed in the museum are sections of the oldest extant illustrated handscroll of '' The Tale of Genji'' dating to the 12th century. This Genji Monogatari Emaki used to be the property of the Hachisuka family. The fragments cover c ...
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Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kanmu, moved the capital of Japan to Heian-kyō (modern Kyoto). means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Two types of Japanese script emerged, including katakana, a phonetic script which was abbreviated into hiragana, a cursive alphabet with a unique writing method distinctive to Japan. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese compared to their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic f ...
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