Toeachizown
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Toeachizown
''Toeachizown'' is the first solo studio album by American neo-boogie musician Dâm-Funk, released on October 27, 2009 by Stones Throw Records. Album was produced by Leon Sylvers III, a record producer of SOLAR Records and a member of 70s disco group The Sylvers. The album is influenced by 1980s funk, post-disco, electro, boogie, P-funk, sci-fi music of the 1970s and the 1980s and other eighties-influenced music. The album was generally well received by critics. Reception *The Allmusic (4/5) review by Andy Kellman awarded the album 4 stars stating "what also sets Dâm apart from his contemporaries is a total reliance on, and mastery of, old gear; that's how some of these tracks swing like the best of Mtume's '80s albums while bouncing, kicking, and squirming like Zapp and early Prince." *The Pitchfork Media (8.2/10) review by Nate Patrin states that "Toeachizown is a deep, astute collection that feels like a natural resuscitation and progression of funk as it stood just before hi ...
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Post-disco
Post-disco (also called boogie, synth-funk, or electro-funk) is a term to describe an aftermath in popular music history circa 1979–1985, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither ...
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Boogie (genre)
Boogie (sometimes called post-disco and electro-funk) is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s. The sound of boogie is defined by bridging acoustic and electronic musical instruments with emphasis on vocals and miscellaneous effects. It later evolved into electro and house music.Serwer, Jesse (2009XLR8R Jesse Serwer in an interview with Dam-Funk. Retrieved on 2-2-2010. Characteristics Boogie, following the example of post-disco, generally lacks the four-on-the-floor beat, the "traditional" rhythm of disco music; instead has a strong accent on the second and fourth beats, and tempo generally in the 110 to 116 beats-per-minute range. Aside from applying certain technological and promotional aspects of new wave music and having been fairly exposed to its subgenre synthpop, boogie is, however, R&B-rooted and predominantly draws from funk music. Other infl ...
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Post-disco
Post-disco (also called boogie, synth-funk, or electro-funk) is a term to describe an aftermath in popular music history circa 1979–1985, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither ...
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Dâm-Funk
Damon Garrett Riddick (born June 15, 1971), better known by his stage name Dâm-Funk (stylized as DāM-FunK; pronounced "Dame-Funk"), is an American funk musician, vocalist and producer from Pasadena, California. In 2007, Riddick signed with the L.A.-based record label Stones Throw Records. Partial discography Solo albums * '' Toeachizown'' (Stones Throw, 2009) * ''Invite the Light'' (Stones Throw, 2015) * ''Private Life'' (Music from Memory, 2017) * ''Above the Fray'' (Glydezone, 2021) Collaborative albums * ''Higher'' (with Steve Arrington) (Stones Throw, 2013) * ''7 Days of Funk'' (with Snoopzilla as 7 Days of Funk) (Stones Throw, 2013) Extended plays * ''LA Series #7'' (with Computer Jay) (All City Dublin, 2010) * ''InnaFocusedDaze'' (Scion/AV, 2011) * ''I Don't Wanna Be A Star!'' (Stones Throw, 2012) * ''STFU'' (Stones Throw, 2015) * ''Architecture'' (Saft, 2016) * ''Nite Funk'' (2016) (with Nite Jewel) * ''STFU II'' (Glydezone, 2019) Compilations * ''Rhythm Trax Vo ...
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LP Album
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of  rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ...
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Mark De Clive-Lowe
Mark de Clive-Lowe (born 16 August 1974) is an American-based Japanese-New Zealand DJ, musician, composer and producer raised in Auckland and now based in Los Angeles, California. Early life Born in Auckland, New Zealand, de Clive-Lowe was raised bi-culturally and bilingually by his Japanese mother, and New Zealand father who had previously lived for over two decades in Japan. He cites his family upbringing in New Zealand as culinarily, culturally, and linguistically Japanese as well as traditionally patriarchal. At the age of 4 he was enrolled in piano lessons by his father. He developed an early awareness of jazz through his father's record collection and oldest brother's piano playing, although his formal musical training remained predominantly classical throughout his childhood. De Clive-Lowe spent time growing up and cultivating musical influences in both New Zealand and Japan. His initial exposure to Japanese culture outside of home life came from visiting every summer ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Prince (musician)
Prince Rogers Nelson (June 7, 1958April 21, 2016), more commonly known mononymously as Prince, was an American singer-songwriter, musician, and record producer. The recipient of numerous awards and nominations, he is widely regarded as one of the greatest musicians of his generation. He was known for his flamboyant, androgynous persona; his wide vocal range, which included a far-reaching falsetto and high-pitched screams; and his skill as a multi-instrumentalist, often preferring to play all or most of the instruments on his recordings. Prince produced his albums himself, pioneering the Minneapolis sound. His music incorporated a wide variety of styles, including funk, R&B, rock, new wave, soul In many religious and philosophical traditions, there is a belief that a soul is "the immaterial aspect or essence of a human being". Etymology The Modern English noun ''soul'' is derived from Old English ''sāwol, sāwel''. The earliest attes ..., synth-pop, pop music, pop, ...
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Zapp (band)
Zapp (also known as the Zapp Band, Zapp & Roger) is an American funk band that emerged from Dayton, Ohio, United States, in 1977. Particularly influential in the electro subgenre of funk, Zapp were known for their trademark use of the talk-box effect. The original line-up consisted of four Troutman brothers—frontman Roger, Larry, Lester and Terry—and non-Troutman family members Bobby Glover, Gregory Jackson, Sherman Fleetwood, Jerome Derrickson, Eddie Barber and Shirley Murdock. Zapp also worked closely with George Clinton and Bootsy Collins of Parliament-Funkadelic during its early stages, their support being a factor in the group gaining a record deal with Warner Bros. Records in 1979. Zapp released its eponymous debut album in 1980, and achieved mainstream recognition from the single "More Bounce to the Ounce". The group's follow-up ''Zapp II'' was released in 1982, selling well and becoming certified gold. In the 1990s, Zapp would also be an influence on the regional ...
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Mtume
Mtume (pronounced ''em-tu-may'') was an American funk and soul group that rose to prominence during the early 1980s and had several R&B hits during its career. Its founder, former percussionist James Mtume, previously played and toured with Miles Davis in the early 1970s. Other members of the group included Reggie Lucas, Philip Field, and vocalist Tawatha Agee. Mtume also gained recognition after having its hit single "Juicy Fruit" extensively sampled by many hip-hop artists, most notably by the Notorious B.I.G. in the 1994 hit song " Juicy". History During the start of the group's career, they recorded three albums, their first for Strata East (1972) titled ''Alkebu-Lan- The Land of the Blacks'', and two for the independent label Third Street Records: ''Kawaida'' (1973); ''Alkebu-Lan'' (1975); and ''Rebirth Cycle'' (1977). However, not finding pop or R&B chart success, they signed to major label Epic Records in 1978, releasing the albums ''Kiss This World Goodbye'' (1978) ...
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Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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