Tochmarc Étaíne
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Tochmarc Étaíne
''Tochmarc Étaíne'', meaning "The Wooing of Étaín/Éadaoin", is an early text of the Irish mythology, Irish Mythological Cycle, and also features characters from the Ulster Cycle and the Cycles of the Kings. It is partially preserved in the manuscript known as the ''Lebor na hUidre'' (c. 1106), and completely preserved in the ''Yellow Book of Lecan'' (c. 1401), written in language believed to date to the 8th or 9th century. It tells of the lives and loves of Étaín, a beautiful mortal woman of the Ulaid, and her involvement with Aengus and Midir of the Tuatha Dé Danann. It is frequently cited as a possible source text for the Middle English Sir Orfeo. Harvard University, Harvard professor Jeffrey Gantz describes the text as displaying the "poetic sense of law" in Irish legal society. The story Although the manuscript evidence is not entirely clear on this, the editors Best and Bergin have divided ''Tochmarc Étaíne'' (''TE'') into three subtales, ''TE I'' (§§ 10), ''TE II ...
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9 They Rose Up In The Air
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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