Toba-e
   HOME
*





Toba-e
is a style of Japanese painting based on works from the 12th century that are attributed to Toba Sōjō. These “Toba-style” images were caricatures sometimes involving animals performing human tasks. Toba-e style images gained popularity as a commercial medium in mid-eighteenth century Edo. Though their popularity did not stay strong, Toba-e images have left a lasting impact through today, particularly in manga. Style Toba-e style paintings, as were popular in the Edo period, are marked by their comedy over just their visual content. The images should be cheerful and relaxed, but yet humorous. A sense of sarcasm is understood. Color is used light and conservatively. The focus of the image is on the simplicity and precision of the brushwork forming outlines. Strokes for the outlines and details are all applied with very crisp edges, but the shapes those outlines take are extremely playful and organic. History Toba Sōjō Toba-e is given its name because it is stylistically b ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ...
...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Katsushika Hokusai
, known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. He is best known for the woodblock print series '' Thirty-Six Views of Mount Fuji'', which includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and ''Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued working and improving his style u ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Liao Bingxiong
Liao Bingxiong () was a Chinese political cartoonist, painter and calligrapher. He remained active from 1934 until he gave up in 1995 (with a 20-year break between 1957 and 1978). Liao is widely regarded as one of China's foremost political cartoonists. Liao integrated folk art; Cantonese rhymes and idioms; and woodcut into many of his cartoons. Biography He was born Liao Dongsheng (). At age 18, he wrote an article for the newspaper ''Cheng Bao'' () in Guangzhou, and signed the article ''Bingxiong'' - i.e. "brother of Bing" after his little sister Liao Bing. As an explanation, Liao Bingxiong is said to have asked: "Am I not Liao Bing's brother?" Early in his life, he worked as a teacher. He drew anti-war illustrations during World War II, and later joined a comic artists organization in Hong Kong. In 1946 his satirical ''Spring and Autumn in the Cat Kingdom'' debuted in Chongqing. In the early 1950s, he returned to the mainland, where he drew children's comics. Over many years ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Comics
a medium used to express ideas with images, often combined with text or other visual information. It typically the form of a sequence of panels of images. Textual devices such as speech balloons, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus amongst theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartooning and other forms of illustration are the most common image-making means in comics; '' fumetti'' is a form that uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comic albums, and ' have become increasingly common, while online webcomics have proliferated in the 21st century. The histo ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Doodle
A doodle is a drawing made while a person's attention is otherwise occupied. Doodles are simple drawings that can have concrete representational meaning or may just be composed of random and abstract lines or shapes, generally without ever lifting the drawing device from the paper, in which case it is usually called a scribble. Doodling and scribbling are most often associated with young children and toddlers, because their lack of hand–eye coordination and lower mental development often make it very difficult for any young child to keep their coloring attempts within the line art of the subject. Despite this, it is not uncommon to see such behavior with adults, in which case it is generally done jovially, out of boredom. Typical examples of doodling are found in school notebooks, often in the margins, drawn by students daydreaming or losing interest during class. Other common examples of doodling are produced during long telephone conversations if a pen and paper are availa ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Manhua
() are Chinese-language comics produced in China and Taiwan. Whilst Chinese comics and narrated illustrations have existed in China in some shape or form throughout its imperial history, the term first appeared in 1904 in a comic titled ''Current Affairs Comics'' () in the Shanghai-based newspaper ''Jingzhong Daily'' (). Etymology The word was originally an 18th-century term used in Chinese literati painting. It became popular in Japan as ''manga'' in the late 19th century. Feng Zikai reintroduced the word to Chinese, in the modern sense, with his 1925 series of political cartoons entitled ''Zikai Manhua'' in the ''Wenxue Zhoubao'' (Literature Weekly). While terms other than had existed before, this particular publication took precedence over the many other descriptions for cartoon art that were used previously and came to be associated with all Chinese comic materials. The Chinese characters for are identical to those used for the Japanese ''manga'' and Korean manhwa. S ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Hokusai
, known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. He is best known for the woodblock printing in Japan, woodblock print series ''Thirty-Six Views of Mount Fuji'', which includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and ''Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued workin ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Takehisa Yumeji
was a Japanese poet and painter. He is known foremost for his ''Nihonga'' illustrations of ''bijin'', beautiful women and girls, though he also produced a wide variety of works including book covers, serial newspaper illustrations, ''furoshiki'', postcards, and patterned ''washi'' paper. Biography Early life Takehisa was born in the town of Oku, which has since been merged into the city of Setouchi in Okayama Prefecture, Japan. His childhood home has been preserved and opened to visitors. After struggling to make ends meets doing odd jobs in Tokyo, he eventually enrolled at Waseda Jitsugyō High School, a college-preparatory school for Waseda University in September 1902. Takehisa's career doing illustrations began in June 1905 after he won a competition by the magazine ''Chugakusekai'', owned by Hakubunkan, one of Japan's leading publishing companies. It was at this time that he adopted the name Yumeji. After he won the competition he began contributing regularly to Hakubun ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Feng Zikai
Feng Zikai (; November 9, 1898 – September 15, 1975) was an influential Chinese painter, pioneering ''manhua'' () artist, essayist, and lay Buddhist of 20th-century China. Born just after the First Sino-Japanese War and dying just before the end of the Cultural Revolution, he lived through much of the political and socioeconomic turmoil during the birth of modern China. Much of his literary and artistic work comments on and records the relationship between the changing political landscape and ordinary people's daily lives. Although most famous for his paintings depicting children and the multi-volume collection of Buddhist-inspired art '' Paintings for the Preservation of Life'' (), Feng was a prolific artist, writer, and intellectual who made strides in the fields of music, art, literature, philosophy, and translation. Biography Early life and education A native of Shimenwan () in Chongde county, Zhejiang Province, Feng Zikai went to school from an early age, the only son and y ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Isolationist
Isolationism is a political philosophy advocating a national foreign policy that opposes involvement in the political affairs, and especially the wars, of other countries. Thus, isolationism fundamentally advocates neutrality and opposes entanglement in military alliances and mutual defense pacts. In its purest form, isolationism opposes all commitments to foreign countries including treaties and trade agreements. This distinguishes isolationism from non-interventionism, which also advocates military neutrality but does not necessarily oppose international commitments and treaties in general. This contrasts with philosophies such as colonialism, expansionism, and liberal internationalism. Introduction Isolationism has been defined as: By country Albania Bhutan Before 1999, Bhutan had banned television and the Internet in order to preserve its culture, environment, and identity. Eventually, Jigme Singye Wangchuck lifted the ban on television and the Internet. His son, Jigm ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Clip Art
Clip art (also clipart, clip-art) is a type of graphic art. Pieces are pre-made images used to illustrate any medium. Today, clip art is used extensively and comes in many forms, both electronic and printed. However, most clip art today is created, distributed, and used in a digital form. Since its inception, clip art has evolved to include a wide variety of content, file formats, illustration styles, and licensing restrictions. It is generally composed exclusively of illustrations (created by hand or by computer software), and does not include stock photography. History The term "clipart" originated through the practice of physically cutting images from pre-existing printed works for use in other publishing projects. Before the advent of computers in desktop publishing, clip art was used through a process called paste up. Many clip art images of this era qualified as line art. In this process, the clip art images are cut out by hand, then attached via adhesives to a board rep ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]