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To The Bone (The Kinks Album)
''To the Bone'' is a 1994 live album by the Kinks. Recorded partly at Konk Studios with a small audience, and partly during their 1993 American tour and the 1994 UK tour, it was the band's final release before their breakup in 1996. Production Some tracks were recorded at Konk Studios during April 1994 with a small audience in an Unplugged style, other tracks were recorded live in Portsmouth in March 1994, and "You Really Got Me" was recorded live in Philadelphia in August 1993. All the songs had been previously released as studio recordings. Release Released 3 October 1994 in the U.K. on the band's own Konk label. An EP-single was released off the album to promote its release, "Waterloo Sunset '94", which in addition to a live take of "You Really Got Me" featured the unreleased demos "Elevator Man" and "On the Outside", both recorded in 1976. In 1996, an expanded double CD-version with 29 tracks was released in the U.S. on Guardian/Konk. Two new studio tracks – "To The Bon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), ''The Village Green Preservation Society'' (1968), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunny Afternoon
"Sunny Afternoon" is a song by the Kinks, written by chief songwriter Ray Davies. The track later featured on the '' Face to Face'' album as well as being the title track for their 1967 compilation album. Like its contemporary "Taxman" by the Beatles, the song references the high levels of progressive tax taken by the British Labour government of Harold Wilson. Its strong music hall flavour and lyrical focus was part of a stylistic departure for the band (begun with 1965's "A Well Respected Man"), which had risen to fame in 1964–65 with a series of hard-driving, power-chord rock hits. Background "Sunny Afternoon" was first written in Ray Davies' house when he was sick. Davies said of the song's lyrics, "The only way I could interpret how I felt was through a dusty, fallen aristocrat who had come from old money as opposed to the wealth I had created for myself." In order to prevent the listener from sympathizing with the song's protagonist, Davies said, "I turned him into a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Give The People What They Want (The Kinks Song)
"Give the People What They Want" is a song by the British rock band, The Kinks. Released on their 1981 album '' Give the People What They Want'', the song was written by the band's main singer and core songwriter, Ray Davies. Background The origins of "Give the People What They Want" are found during the sessions from '' Low Budget'', where it was included in early running orders of the album. "Give the People What They Want", however, would be held from the final line-up of ''Low Budget''. Release "Give the People What They Want" was released as the second track on The Kinks' 1981 album '' Give the People What They Want''. It wasn't released as a single in any countries. The song appeared in live form on two of the band's live albums, '' Live: The Road'' in 1988 (this rendition of the song appeared on the compilation album ''Lost & Found (1986-1989)'' and the American release of '' To the Bone'' in 1996. It has since appeared on multiple compilation albums, including ''You Real ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Till The End Of The Day
"Till the End of the Day" is a song by the Kinks, written by Ray Davies and released as a single in 1965 and later on their album ''The Kink Kontroversy''. It centres on a power chord, like many of the group's early hits, and was similarly successful, reaching number eight in the United Kingdom and number 50 in the United States, spending eight weeks or more in each chart. "Till the End of the Day" chart history Billboard.com. Retrieved 3 August 2011. Background Davies recalled of the process of writing the song, Of the song's meaning, Davies said, "That song was about freedom, in the sense that someone's been a slave or locked up in prison. It’s a song about escaping something. I didn't know it was about my state of mind." ''Billboard'' described the song as a "rockin' dance beat wailer with up-beat lyric." ''Cash Box'' described the single as a "rollicking, fast-moving, bluesy romancer about a fella who is especially hung-up on his gal." Cover versions A cover version by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Not Like Everybody Else
"I'm Not Like Everybody Else" is a song written by Ray Davies and first recorded by the Kinks in 1966 and released that year as the B-side of "Sunny Afternoon". The lead vocal is sung by Dave Davies, with occasional parts vocalized by his brother Ray, the band's usual lead singer. The song is a defiant anthem of non-conformity. It has been covered by various artists, notably the Chocolate Watchband in their 1968 rendition of the song. History Davies had written the song for the Animals, but it was turned down, so the Kinks released their own version with guitarist Dave Davies on lead vocals. This went against the norm where each brother usually sang songs they had written themselves. Later performances of the song were sung by Ray, with Dave providing backing vocals and Eric Clapton-influenced guitar solos. Both the Davies brothers continue to perform the song in their solo concerts. Dave Davies described the song as "a Kinks fans favourite." He also said, " was never a hit for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come Dancing (song)
"Come Dancing" is a 1982 song written by Ray Davies and performed by British rock group the Kinks on their 1983 album '' State of Confusion''. The song was inspired by Davies' memories of his older sister, Rene, who died of a heart attack while dancing at a dance hall. The lyrics, sung from the perspective of an "East End barrow boy," are about the boy's sister going on dates at a local Palais dance hall. When first released as a single in United Kingdom in November 1982, "Come Dancing" failed to chart. Although Arista Records founder Clive Davis had reservations about releasing the single in the United States due to the English subject matter of dance halls, the track saw an American single release in April 1983. "Come Dancing" reached number six on the Hot 100, becoming the band's highest US charting single in over a decade and tying with "Tired of Waiting for You" as the band's highest-charting single ever. This success was achieved largely with the help of a promotional mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lola (song)
"Lola" is a song written by Ray Davies and performed by English rock band the Kinks on their 1970 album ''Lola Versus Powerman and the Moneygoround, Part One''. The song details a romantic encounter between a young man and a possible trans woman or cross-dresser, whom he meets in a club in Soho, London. In the song, the narrator describes his confusion towards Lola, who "walked like a woman but talked like a man". The song was released as a single in the United Kingdom on 12 June 1970, while in the United States it was released on 28 June 1970. Commercially, "Lola" reached number two on the UK Singles Chart and number nine on the ''Billboard'' Hot 100. The track has since become one of the Kinks' most popular songs, later being ranked number 422 on "Rolling Stone's 500 Greatest Songs of All Time", and was re-ranked at 386 on the 2021 list. "Lola" was also ranked number 473 on the "NME's 500 Greatest Songs Of All Time" list. Since its release, "Lola" has appeared on multiple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Set Me Free (The Kinks Song)
"Set Me Free" is a song by Ray Davies, released first by the Kinks in 1965. Along with "Tired of Waiting for You", it is one of band's first attempts at a softer, more introspective sound. The song's B-side, " I Need You", makes prominent use of powerchords in the style of the Kinks' early, "raunchy" sound. "Set Me Free" was heard in the Ken Loach-directed ''Up the Junction'', a BBC ''Wednesday Play'' which aired in November 1965; this marked the first appearance of a Kinks song on a film or TV soundtrack. ''Billboard'' said of the single that "hot on the heels of he Kinks''Tired of Waiting for You' smash comes this down home blues rhythm material with a good teen lyric." ''Cash Box'' described it as "a snappy tune that’s taken for an engaging disk ride." __TOC__ "I Need You" "I Need You" was released as a B-side to "Set Me Free". The song, along with "You Really Got Me" and " All Day and All of the Night", has been cited as one of the influences which shifted the focus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Do You Remember Walter?
"Do You Remember Walter?" (also spelled "Do You Remember Walter") is a song by the English rock band the Kinks from their sixth studio album, '' The Kinks Are the Village Green Preservation Society'' (1968). Written and sung by Ray Davies, the song was recorded in July1968. The song's narrator describes an experience of running into old friend, only to find that the two no longer have anything to talk about. The song was directly inspired by a similar experience of Davies. As one of several character studies to appear on ''Village Green'', the song is often characterised by commentators as central to the album's themes of nostalgia and loss. Retrospective commentators have described it as one of Davies's best compositions. Background and composition Ray Davies was inspired to compose "Do You Remember Walter" after running into an old friend and finding they didn't have anything to talk about. The friend directly inspired the song's character Walter. The song's narrator recall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Village Green Preservation Society
"The Village Green Preservation Society" is a song by the English rock band the Kinks from their 1968 album '' The Kinks Are the Village Green Preservation Society''. Written and sung by the band's principal songwriter Ray Davies, the song is a nostalgic reflection where the band state their intention to "preserve" British things for posterity. As the opening track, it introduces many of the LP's themes; Ray subsequently described it as the album's "national anthem". Ray was inspired to write "The Village Green Preservation Society" after hearing someone express that the Kinks had been preserving "nice things from the past". Written and recorded in August 1968 as sessions for the band's next album neared completion, the song was intended to be a new title track after he remained unsatisfied with the album's working title ''Village Green''. The song pairs pop and rock music with elements of English music hall, indicating Ray's continued interest in the genre. It has received g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Picture Book (song)
"Picture Book" is a song by the English rock band the Kinks from their 1968 album '' The Kinks Are the Village Green Preservation Society''. Written and sung by Ray Davies, the song's lyrics describe the experience of an ageing narrator flipping through a photo album reflecting on happy memories from "a long time ago". Recorded in , its cheerful sound is defined by the jangle of an acoustic twelve-string guitar and a disengaged snare drum. In continental Europe, the song was issued as the B-side of the album's lead single, " Starstruck", in November1968. The same single was issued in the United States in January1969, though it failed to appear in any charts. While "Picture Book" remained obscure in the decades after its release, the song has subsequently become one of the Kinks' most popular songs, due in part to its usage in a 2004 advertisement for Hewlett-Packard and Green Day featuring the riff in their 2000 single " Warning". Retrospective commentators have described the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celluloid Heroes
"Celluloid Heroes" is a song performed by The Kinks and written by their lead vocalist and principal songwriter, Ray Davies. It debuted on their 1972 album ''Everybody's in Show-Biz''. The song names several famous actors of 20th century film, and also mentions Los Angeles's Hollywood Boulevard, alluding to its Hollywood Walk of Fame. The actors mentioned are Greta Garbo, Rudolph Valentino, Bela Lugosi, Bette Davis, Marilyn Monroe, George Sanders, and Mickey Rooney, although the verse mentioning the latter three is omitted in some recorded versions of the song (e.g. on '' One for the Road''). Background An ode to classic Hollywood icons, "Celluloid Heroes" has since been singled out by Dave Davies as a standout track by the band: "One of my favorite songs ever, by anybody. I remember when we were just starting out down the road with tidying up the lyrics. That really filled me with a lot of emotion because it is quite an incredible idea anyway, all those oviestars, names and han ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
