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Lola (song)
"Lola" is a song written by Ray Davies and performed by English rock band the Kinks on their 1970 album ''Lola Versus Powerman and the Moneygoround, Part One''. The song details a romantic encounter between a young man and a possible trans woman or cross-dresser, whom he meets in a club in Soho, London. In the song, the narrator describes his confusion towards Lola, who "walked like a woman but talked like a man". The song was released as a single in the United Kingdom on 12 June 1970, while in the United States it was released on 28 June 1970. Commercially, "Lola" reached number two on the UK Singles Chart and number nine on the ''Billboard'' Hot 100. The track has since become one of the Kinks' most popular songs, later being ranked number 422 on "Rolling Stone's 500 Greatest Songs of All Time", and was re-ranked at 386 on the 2021 list. "Lola" was also ranked number 473 on the "NME's 500 Greatest Songs Of All Time" list. Since its release, "Lola" has appeared on multiple ...
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The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), ''The Village Green Preservation Society'' (1968), ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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Transsexual
Transsexual people experience a gender identity that is inconsistent with their assigned sex, and desire to permanently transition to the sex or gender with which they identify, usually seeking medical assistance (including sex reassignment therapies, such as hormone replacement therapy and sex reassignment surgery) to help them align their body with their identified sex or gender. The term ''transsexual'' is a subset of ''transgender'', but some transsexual people reject the label of ''transgender''. A medical diagnosis of gender dysphoria can be made if a person experiences marked and persistent incongruence between their experienced their personal sense of their own and their assigned sex. Understanding of transsexuality has changed very quickly in the 21st century. Many 20th century medical beliefs and practices around transsexuality are now considered deeply outdated. It was once classified as a mental disorder and subject to extensive gatekeeping by the medical estab ...
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Drag Queen
A drag queen is a person, usually male, who uses drag clothing and makeup to imitate and often exaggerate female gender signifiers and gender roles for entertainment purposes. Historically, drag queens have usually been gay men, and part of gay culture. People partake in the activity of ''doing drag'' for reasons ranging from self-expression to mainstream performance. Drag shows frequently include lip-syncing, live singing, and dancing. They occur at events like LGBT pride parades, carnivals and drag pageants and in venues such as cabarets and nightclubs. Drag queens vary by type, culture, and dedication, from professionals who star in films and spend a lot of their time in their drag persona, to people who do drag only occasionally. Those who do occasional drag may be from other backgrounds than the LGBT community. There is a long history of folkloric and theatrical crossdressing that involves people of all orientations. Not everyone who does drag at some point in the ...
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Top Of The Pops
''Top of the Pops'' (''TOTP'') is a British Record chart, music chart television programme, made by the BBC and originally broadcast weekly between 1January 1964 and 30 July 2006. The programme was the world's longest-running weekly music show. For most of its history, it was broadcast on Thursday evenings on BBC One. Each show consisted of performances of some of the week's best-selling popular music records, usually excluding any tracks moving down the chart, including a rundown of that week's singles chart. This was originally the Top 20, though this varied throughout the show's history. The Top 30 was used from 1969, and the Top 40 from 1984. Dusty Springfield's "I Only Want to Be with You" was the first song featured on ''TOTP'', while the Rolling Stones were the first band to perform, with "I Wanna Be Your Man". Snow Patrol were the last act to play live on the weekly show when they performed their single "Chasing Cars". Special editions were broadcast on Christmas Day ...
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Mick Avory
Michael Charles Avory (born 15 February 1944) is an English musician, best known as the longtime drummer and percussionist for the English rock band the Kinks. He joined them shortly after their formation in 1964 and remained with them until 1984, when he left amid creative friction with guitarist Dave Davies. He is the longest-serving member of the band, apart from the Davies brothers. He is also the most prolific member, again apart from the Davies brothers, who has played on twenty studio albums or nearly all of the band's creative output. Before the band (1962–63) Before he joined the Kinks, Avory was a member of the band Bobby Angelo & The Tuxedos who had a No. 30 hit with "Baby Sittin'" in August 1961. After leaving that group, he was asked twice to rehearse on drums at the Bricklayers Arms pub in London during late May/early June 1962 for a group of musicians who were later to become the Rolling Stones. It has been said that he also went on to play at their first show at T ...
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Cross-dressing
Cross-dressing is the act of wearing clothes usually worn by a different gender. From as early as pre-modern history, cross-dressing has been practiced in order to disguise, comfort, entertain, and self-express oneself. Cross-dressing has played an important part in society due to the nature of sociology. Sociology dictates that social norms are an inherent part of society and, thus, there are expected norms for each gender relating to style, color, type of clothing and more. Thus, cross-dressing allows individuals to express themselves by acting beyond guidelines, views, or even laws defining what type of clothing is expected and appropriate for each gender. The term "cross-dressing" refers to an action or a behavior, without attributing or implying any specific causes or motives for that behavior. Cross-dressing is not synonymous with being transgender. Terminology The phenomenon of cross-dressing is seen throughout recorded history, being referred to as far back as the Hebr ...
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Destroyer (The Kinks Song)
"Destroyer" is a song by British rock band The Kinks, written by Ray Davies. It was released as a track on the group's nineteenth album, '' Give the People What They Want'', in August 1981, and was the album's lead single in the US. It was not released as a single in the UK. The song features references to the band's earlier hits, including the riff from 1964's " All Day and All of the Night" and lyrics inspired by 1970's "Lola". Like other Kinks songs of the period, "Destroyer" features a heavier, rock-based sound. After being abandoned during the ''Low Budget'' sessions, the song was finally released on ''Give the People What They Want''. Background "Destroyer" was initially planned to appear on the band's previous album, ''Low Budget'', appearing in early track listings of the in-progress album. However, the song was dropped from ''Low Budget'' because the band could not create a satisfactory mix. "Destroyer" was ultimately recorded at the Power Station studio. Drummer Mick A ...
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To The Bone (The Kinks Album)
''To the Bone'' is a 1994 live album by the Kinks. Recorded partly at Konk Studios with a small audience, and partly during their 1993 American tour and the 1994 UK tour, it was the band's final release before their breakup in 1996. Production Some tracks were recorded at Konk Studios during April 1994 with a small audience in an Unplugged style, other tracks were recorded live in Portsmouth in March 1994, and "You Really Got Me" was recorded live in Philadelphia in August 1993. All the songs had been previously released as studio recordings. Release Released 3 October 1994 in the U.K. on the band's own Konk label. An EP-single was released off the album to promote its release, "Waterloo Sunset '94", which in addition to a live take of "You Really Got Me" featured the unreleased demos "Elevator Man" and "On the Outside", both recorded in 1976. In 1996, an expanded double CD-version with 29 tracks was released in the U.S. on Guardian/Konk. Two new studio tracks – "To The Bon ...
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Everybody's In Show-Biz
''Everybody's in Show-Biz'' is the eleventh studio album released by the English rock group the Kinks, released in 1972. A double album, the first disc features studio recordings, while the second disc documents a two-night Carnegie Hall stand. ''Everybody's in Show-Biz'' is often seen by fans as a transition album for the Kinks, marking the change in Ray Davies' songwriting style toward more theatrical, campy and vaudevillian work, as evidenced by the rock-opera concept albums that followed it. This album marks Davies' explorations of the trials of rock-star life and the monotony of touring, themes that would reappear in future releases like ''The Kinks Present A Soap Opera'' and the 1987 live album '' Live: The Road''. On 3 June 2016, a Legacy Edition was released, with disc 1 containing the original stereo album (studio and live tracks) and disc 2 containing bonus tracks including previously unreleased live tracks from the Carnegie Hall concerts, alternate mixes and studio o ...
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Percy (soundtrack Album)
''Percy'' is a 1971 film soundtrack for the British comedy film ''Percy'' performed by the English rock group the Kinks with additional orchestral arrangements conducted by Stanley Myers. It was released as the band’s ninth official studio album. The songs were written by Ray Davies and include both standard rock/pop songs and instrumental numbers. Singles and compilations " God's Children" was issued as a single (b/w either "Moments" or "The Way Love Used to Be", depending on the country) in April 1971. In the UK a 4-track EP was also released featuring "God's Children", "The Way Love Used To Be", "Moments" and "Dreams". This was the Kinks' last release with Pye while they were still under contract. Unlike the album, the single was released in the US (in July) but failed to chart there or in the UK. It was a minor hit in Australia (reaching #53) and New Zealand (#21). In the US the tracks "God's Children" and "Willesden Green" were included on ''The Kink Kronikles'' compila ...
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One For The Road (The Kinks Album)
''One for the Road'' is a 1980 live album and video by the Kinks. Reception In his 1980 review of the album for ''Smash Hits'', David Hepworth said that the album was "as convincing an argument for banning live albums as you'll find". In their brief review, Allmusic wrote that "''One for the Road'' is a fascinating document of trailblazing elder statesmen who paved the way for heavy metal and punk, but never felt a glorious pop song was out of their grasp." Track listing All tracks written by Ray Davies. #"Opening" – 1:43 # "Hard Way" – 2:42 # " Catch Me Now I'm Falling" – 4:49 # " Where Have All the Good Times Gone" – 2:16 # Intro: Lola – 0:54 # "Lola" – 4:47 # "Pressure" – 1:31 # " All Day and All of the Night" – 3:45 # " 20th Century Man" – 6:19 * # "Misfits" – 3:57 # "Prince of the Punks" – 3:52 # "Stop Your Sobbing" – 2:38 # "Low Budget" – 5:57 # "Attitude" – 3:52 # " (Wish I Could Fly Like) Superman" – 6:29 # "National Health" ...
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