Time Bomb (Demolition Hammer Album)
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Time Bomb (Demolition Hammer Album)
''Time Bomb'' is the third album by the American metal band Demolition Hammer, Released on August 23, 1994. It is the only Demolition Hammer album to feature drummer Alex Marquez, as well as the only one not to feature guitarist James Reilly and drummer Vinny Daze, the two of whom had left the band in order to form the short-lived group Deviate NY. ''Time Bomb'' was not originally intended to be released under the Demolition Hammer name, given its musical difference from the band's earlier work. It was their last studio album before their 21-year breakup from 1995 to 2016. The entirety of the album's brief, untitled opening track was taken from the 1981 film Prince Of The City. "Under The Table" features a number of samples taken from movies including the 1973 film Serpico and the 1983 film Scarface. The album presented a change in style for the band, from the death/thrash metal sound of the first two albums to a slower groove metal Groove metal is a subgenre of heavy metal ...
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Demolition Hammer
Demolition Hammer is an American thrash metal band from the Bronx, New York, active from 1986 to 1995 and again since 2016. To date, the band has released three full-length studio albums: ''Tortured Existence'' (1991), ''Epidemic of Violence'' (1992) and ''Time Bomb'' (1994). History Formation and first two albums (1986–1992) Demolition Hammer arrived on the East Coast thrash metal scene circa 1986. The original lineup consisted of Steve Reynolds as the vocalist and on bass, James Reilly on guitar, and John Salerno on drums. Their first demo tape, ''Skull Fracturing Nightmare'', was released in 1988. It gained notice from fans of the genre and independent record labels. Derek Sykes was brought in as a second guitarist and Vincent Civitano (a.k.a. Vinny Daze) replaced Salerno. Their second demo, ''Necrology'', secured the group a recording contract with Century Media Records. Their first album ''Tortured Existence'', produced by Scott Burns with a small budget, was re ...
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Groove Metal
Groove metal is a subgenre of heavy metal music that began in the early 1990s. The genre achieved success in the 1990s and continued having success in the 2000s. Inspired by thrash metal and traditional heavy metal, groove metal features raspy singing and screaming, down-tuned guitars, heavy guitar riffs, and syncopated rhythms. Unlike thrash metal, groove metal is usually slower and also uses elements of traditional heavy metal. Pantera are often considered the pioneers of groove metal, and groove metal expanded in the 1990s with bands like White Zombie, Machine Head, and Sepultura. The genre continued in the 2000s with bands like Lamb of God, DevilDriver, and Five Finger Death Punch. Characteristics Groove metal is heavily influenced by thrash metal, but is focused more on heaviness as opposed to speed, even though fast songs are still common within the genre. Emphasis lies in heavy guitar riffs, often accompanied by syncopated rhythms, and guitar solos are commonplace. ...
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Century Media
A century is a period of 100 years. Centuries are numbered ordinally in English and many other languages. The word ''century'' comes from the Latin ''centum'', meaning ''one hundred''. ''Century'' is sometimes abbreviated as c. A centennial or centenary is a hundredth anniversary, or a celebration of this, typically the remembrance of an event which took place a hundred years earlier. Start and end of centuries Although a century can mean any arbitrary period of 100 years, there are two viewpoints on the nature of standard centuries. One is based on strict construction, while the other is based on popular perception. According to the strict construction, the 1st century AD began with AD 1 and ended with AD 100, the 2nd century spanning the years 101 to 200, with the same pattern continuing onward. In this model, the ''n''-th century starts with the year that ends with "01", and ends with the year that ends with "00"; for example, the 20th century comprises the years 1901 t ...
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Steve Evetts
Steve Evetts is an American record producer who has produced music for Alesana, Poison the Well, A Static Lullaby, The Dillinger Escape Plan, Sepultura, Symphony X, Saves the Day, Lifetime, Kid Dynamite, Hightower, Story of the Year, Every Time I Die, Earth Crisis, Still Remains, Our Last Night, and The Wonder Years. Steve Evetts has been an active producer since 1992, producing mostly metal albums, as well as indie, and emo Emo is a rock music genre characterized by emotional, often confessional lyrics. It emerged as a style of and hardcore punk from the Washington D.C. hardcore punk scene, where it was known as emotional hardcore or emocore and pioneered b ... bands.Steve Evetts Complete Discography at Allmusic, Discography References {{DEFAULTSORT:Evetts, Steve Living people Year of birth missing (living people) Place of birth missing (living people) American record producers ...
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Epidemic Of Violence
''Epidemic of Violence'' is the second album by American thrash metal band Demolition Hammer. It was released in early 1992 to critical acclaim and is considered a cult classic in the thrash metal and death metal genres. ''Epidemic of Violence'' uses a Michael Whelan painting for its cover artwork: ''Lovecraft's Nightmare B''. The first half of the painting, ''Lovecraft's Nightmare A'', was used for Obituary's ''Cause of Death''. Reception and legacy In 2017, Loudwire placed ''Epidemic of Violence'' at number 49 on their "Top 50 Thrash Metal Albums" list. Eduardo Rivadavia noted how Demolition Hammer managed to sustain their thrash metal sound during the rise of grunge Grunge (sometimes referred to as the Seattle sound) is an alternative rock genre and subculture that emerged during the in the American Pacific Northwest state of Washington, particularly in Seattle and nearby towns. Grunge fuses elements of p ..., comparing them to other bands in the thrash genre who were ...
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Prince Of The City (film)
''Prince of the City'' is a 1981 American neo-noir crime drama film directed and co-written by Sidney Lumet. The film follows Daniel Ciello, an officer of the New York Police Department who chooses, for idealistic reasons, to expose corruption in the force. Ciello, played by Treat Williams, was based on the NYPD narcotics detective Robert Leuci. The film's large supporting cast also features Jerry Orbach, Bob Balaban, and Lindsay Crouse. The screenplay, by Lumet and Jay Presson Allen, is based on Robert Daley's 1978 book of the same name, and was nominated for an Academy Award for Best Adapted Screenplay. Plot Danny Ciello is a narcotics detective who works in the Special Investigative Unit (SIU) of the New York Police Department. He and his partners are called "Princes of the City" because they are largely unsupervised and are given wide latitude to make cases against defendants. They are involved in numerous illegal practices, such as skimming money from criminals, and supp ...
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Serpico
''Serpico'' is a 1973 American neo-noir biographical crime drama film directed by Sidney Lumet and starring Al Pacino in the title role. The screenplay was adapted by Waldo Salt and Norman Wexler from the book of the same name written by Peter Maas with the assistance of its subject, Frank Serpico. The story details Serpico's struggle with corruption within the New York City Police Department during his eleven years of service, and his work as a whistleblower that led to the investigation by the Knapp Commission. Producer Dino De Laurentiis purchased the rights from Maas. Agent Martin Bregman joined the film as co-producer. Bregman suggested Pacino for the main part, and John G. Avildsen was hired to direct the film. Pacino met with Serpico to prepare for the role early in the summer of 1973. After Avildsen was dismissed, Lumet was hired as his replacement. On a short notice, he selected the shooting locations and organized the scenes; the production was filmed in July and Augus ...
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Scarface (1983 Film)
''Scarface'' is a 1983 American crime film directed by Brian De Palma and written by Oliver Stone. Loosely based on the Scarface (novel), 1929 novel of the same name and serving as a loose remake of the Scarface (1932 film), 1932 film, it tells the story of Cuban exiles, Cuban refugee Tony Montana (Al Pacino), who arrives penniless in Miami during the Mariel boatlift and becomes a powerful and extremely homicidal drug lord. The film co-stars Steven Bauer, Michelle Pfeiffer, Mary Elizabeth Mastrantonio and Robert Loggia. De Palma dedicated this version of ''Scarface'' to the writers of the original film, Howard Hawks and Ben Hecht. Pacino became interested in a remake of the 1932 version after seeing it, and he and producer Martin Bregman began to develop it. Sidney Lumet was initially hired to direct the film but was replaced by De Palma, who hired Stone to write the script. Filming took place from November 1982 to May 1983, in Los Angeles and Miami. The film's soundtrack was co ...
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Death Metal
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence,Moynihan, Michael, and Dirik Søderlind (1998). Lords of Chaos (2nd ed.). Feral House. , p. 27 political conflict, religion, nature, philosophy, true crime and science fiction. Building from the musical structure of thrash metal and early black metal, death metal emerged during the mid-1980s. Bands such as Venom, Celtic Frost, Slayer, and Kreator were important influences on the genre's creation. Possessed, Death, Necrophagia, Obituary, Autopsy, and Morbid Angel are often considered pioneers of the genre. In t ...
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Thrash Metal
Thrash metal (or simply thrash) is an extreme subgenre of heavy metal music characterized by its overall aggression and often fast tempo.Kahn-Harris, Keith, ''Extreme Metal: Music and Culture on the Edge'', pp. 2–3, 9. Oxford: Berg, 2007, . The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead guitar work. The lyrical subject matter often includes criticism of The Establishment and concern over environmental destruction, and at times shares a disdain for Christian dogma with that of black metal. The language is typically direct and denunciatory, an approach borrowed from hardcore punk. The genre emerged in the early 1980s as musicians began fusing the double bass drumming and complex guitar stylings of the new wave of British heavy metal (NWOBHM) with the speed and aggression of hardcore punk. Philosophically, thrash metal developed as a backlash against both the conservatism of the Reagan Era and the much more moder ...
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Groove Metal
Groove metal is a subgenre of heavy metal music that began in the early 1990s. The genre achieved success in the 1990s and continued having success in the 2000s. Inspired by thrash metal and traditional heavy metal, groove metal features raspy singing and screaming, down-tuned guitars, heavy guitar riffs, and syncopated rhythms. Unlike thrash metal, groove metal is usually slower and also uses elements of traditional heavy metal. Pantera are often considered the pioneers of groove metal, and groove metal expanded in the 1990s with bands like White Zombie, Machine Head, and Sepultura. The genre continued in the 2000s with bands like Lamb of God, DevilDriver, and Five Finger Death Punch. Characteristics Groove metal is heavily influenced by thrash metal, but is focused more on heaviness as opposed to speed, even though fast songs are still common within the genre. Emphasis lies in heavy guitar riffs, often accompanied by syncopated rhythms, and guitar solos are commonplace. ...
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Mongoloid (song)
"Mongoloid" is the first single released by American new wave band Devo in 1977, on the Booji Boy Records label. It was backed with the song "Jocko Homo". "Mongoloid" also had one of the first music videos made using collage. "Mongoloid" would later be re-recorded by Devo and appeared on the album '' Q: Are We Not Men? A: We Are Devo!'' in 1978. It is also a staple of Devo's live shows. Song description "Mongoloid", like many of Devo's early songs, was built on a motorik beat. The song opens with a 4/4 electric bass line, which is then joined by drums, and electric guitar. Over this, a swooping overdubbed synthesizer line featuring frequent pitch bend is played on Minimoog. The synth is not used as a lead instrument during the song, and is used only in the opening and closing. The doubled vocals are sung simultaneously by both Gerald V. Casale and Robert "Bob 1" Mothersbaugh. On the original single, the vocals are deliberately sung in a nasal fashion. The lyrics describe a man ...
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