Tim Harries
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Tim Harries
Tim Harries (born 1959) is a British bass player, who has played with various folk rock and jazz bands in his career. Biography Harries studied music at the University of York, graduating in 1981 before going on to study double bass with Tom Martin at the Guildhall School of Music. He was a member of Bill Bruford's Earthworks from 1989 to 1993, during his time with Bruford he performed with a band billed as Yes on TV program Kathy Lee and Regis, the musicians, consisting of Steve Howe (guitar, vocals), Bill Bruford (drums) and Harries (bass, backing vocals), performed the first two verses and chorus of Roundabout, this performance was later described as a "car-crash" by Loudersound in 2022. Harries was a member of folk rock band, Steeleye Span from 1989 to 2001, he contributed bass, keyboards and vocals and later guitar after the return of long time bassist, Rick Kemp. Since leaving Steeleye Span he has worked as a session musician for Brian Eno, Katie Melua, Film Composers D ...
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Bass Player
A bassist (also known as a bass player or bass guitarist) is a musician who plays a bass instrument such as a double bass (upright bass, contrabass, wood bass), bass guitar (electric bass, acoustic bass), synthbass, keyboard bass or a low brass instrument such as a tuba or trombone. Different musical genres tend to be associated with one or more of these instruments. Since the 1960s, the electric bass has been the standard bass instrument for funk, R&B, soul music, rock and roll, reggae, jazz fusion, heavy metal, country and pop music. The double bass is the standard bass instrument for classical music, bluegrass, rockabilly, and most genres of jazz. Low brass instruments such as the tuba or sousaphone are the standard bass instrument in Dixieland and New Orleans-style jazz bands. Despite the associations of different bass instruments with certain genres, there are exceptions. Some new rock bands and bassist used a double bass, such as Lee Rocker of Stray Cats, Barenak ...
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Iona (band)
Iona was a progressive Celtic rock Christian rock band from the United Kingdom, which was formed in the late 1980s by lead vocalist Joanne Hogg and multi-instrumentalists David Fitzgerald and Dave Bainbridge.Iona
Christianity Today joined later, playing the , s, and other instruments.


History

By the time Iona released their first self-titled album in 1990, drummer

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London Philharmonic Orchestra
The London Philharmonic Orchestra (LPO) is one of five permanent symphony orchestras based in London. It was founded by the conductors Sir Thomas Beecham and Malcolm Sargent in 1932 as a rival to the existing London Symphony and BBC Symphony Orchestras. The founders' ambition was to build an orchestra the equal of any European or American rival. Between 1932 and the Second World War the LPO was widely judged to have succeeded in this regard. After the outbreak of war, the orchestra's private backers withdrew and the players reconstituted the LPO as a self-governing cooperative. In the post-war years, the orchestra faced challenges from two new rivals; the Philharmonia and the Royal Philharmonic, founded respectively in 1946 and 1947, achieved a quality of playing not matched by the older orchestras, including the LPO. By the 1960s the LPO had regained its earlier standards, and in 1964 it secured a valuable engagement to play in the Glyndebourne Festival during the summer mo ...
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Bedlam Born
''Bedlam Born'' is the 16th studio album by British folk rock band Steeleye Span. It is the second of two albums made by a line-up consisting of Gay Woods, Bob Johnson, Peter Knight and Tim Harries, and only the second album on which Maddy Prior did not make an appearance. The title refers not to a bedlam, but to Christ's birth in Bethlehem (which is occasionally corrupted to 'Bedlam'). "There is a child in Bedlam born" is a line from "Stephen". Tracks and reception Their previous album, ''Horkstow Grange'' was not well received by fans, many of whom complained that the album was too light on rock and too heavy on folk. For ''Bedlam Born'' the band emphasized the rock elements, producing tracks such as "Well Done Liar", "John of Ditchford", and "We Poor Laboring Men" that have a strong rock guitar line, driving bass, and comparatively heavy drumming, provided by the band's regular guest drummer Dave Mattacks. While Woods was the primary lead singer on ''Horkstow Grange'', o ...
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Horkstow Grange
''Horkstow Grange'' is an album by British folk rock band Steeleye Span. Released in 1998, it is the band's 15th album, and the first album the band recorded without founding member Maddy Prior. Gay Woods provides most of the lead vocals, although the other three members of the band all do the lead singing on at least one song each. Liam Genockey, who had played drums on the band's previous two albums also departed, so most of the songs employ minimal or no percussion, although Woods plays tambourine or bodhran on several songs, and Dave Mattacks, formerly of Fairport Convention, mans a drum kit on three songs. The overall result is an album that has a very strong folk flavour, with rather less rock elements than on previous albums, and one that has much in common with ''Ten Man Mop, or Mr. Reservoir Butler Rides Again''. The tunes tend to be simpler and the performances more subdued, and in some ways the album is a return to the sound the band had on its first three albums. ...
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Time (Steeleye Span Album)
''Time'' is the fourteenth studio album by Steeleye Span. The album was released in 1996, after a seven-year hiatus, and was their first on the Park Records label. The impetus for the album was a 25th anniversary reunion tour the year before, during which most of the former members of the band performed together. Maddy Prior was experiencing voice problems so she spoke to Gay Woods, a founding member who had left the band after the first album, to rejoin. Woods initially resisted this move, since she had not performed publicly for some time, but Prior eventually prevailed and Woods returned to the band. The result was only the second Steeleye Span album to feature two female singers, which was used to very good effect on the ironic "Old Maid in the Garrett" and to a lesser extent on "The Prickly Bush" and "The Cutty Wren". Both, Prior and Woods, provide lead vocals on different songs. Priors' voice troubles are reflected in her musical choices on this album; she generally si ...
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Tempted And Tried
''Tempted and Tried'' is the 13th studio album by British folk rock band Steeleye Span. The album was recorded after a three-year hiatus after the release of ''Back in Line''. After releasing ten albums in fairly rapid succession during the 1970s, the band entered something of a creative dry spell, with 'Tempted' being only their 3rd album in 10 years. The album cover proclaims the album a "20th Anniversary Celebration", and the band was clearly eager to commemorate their anniversary, since strictly speaking the band had only been rehearsing in 1969, and didn't record until 1970. Long-time bassist Rick Kemp had left the band a few years earlier, due to a repetitive-motion shoulder injury that left him unable to play bass without pain. On tours, the band had rotated a variety of bassists in to replace him, but it was decided that in advance of the new album and a tour that the band needed a permanent bassist. Nigel Pegrum turned to a friend of his, Tim Harries, a self-taugh ...
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Stamping Ground (Bill Bruford's Earthworks Album)
''Stamping Ground'' is a live album by Bill Bruford's Earthworks, released on EG Records in 1994. It was the final Earthworks album to feature Django Bates, Iain Ballamy and Tim Harries. Four years later, Bruford would form a new version of Earthworks in a more traditional acoustic jazz vein. Reception The AllMusic review by Bill Meredith awards this album with 4.5 stars and states: "Bruford's chordal patterns sound practically symphonic amid his epic starts and stops — further proof of the originality of one of the most musical drummers of all-time. Like all great live releases, Stamping Ground makes you wish you had been there." Writing for All About Jazz, John Kelman called the album "in some ways the most surprising record of Bruford's career to date," and noted that it "demonstrated what those fortunate enough to have caught the group in performance already knew—that despite Bruford's reputation for rigid structure in earlier projects within and outside his leadership, ...
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All Heaven Broke Loose
''All Heaven Broke Loose'' is the third album by Bill Bruford's Earthworks, featuring Django Bates, Iain Ballamy and Tim Harries. It was released on EG Records in 1991. It was co-produced by experimental guitarist David Torn, with whom Bruford had played extensively in the 1980s (and would go on to do again in Bruford Levin Upper Extremities in 1998-2000. Reception AllMusic awarded the album with 4.5 stars and its review by Scott Yanow states: "Full of unpredictability, subtle mood changes, touches of eccentric funk and a surprisingly creative use of electronic rhythms here and there, Bruford's band plays intense but sometimes melancholy and introspective music. Recommended". The authors of ''The Penguin Guide to Jazz Recordings'' called Bates' contribution to "Candles Still Flicker in Romania's Dark" "exceptional by any standard." Josef Woodard of ''Entertainment Weekly'' called the album "evocative," and wrote: "Earthworks play up their jazz associations, but the lack of eith ...
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Dig?
''Dig?'' is the second album by Bill Bruford's Earthworks, featuring Django Bates, Iain Ballamy and fretless bass guitarist Tim Harries (replacing the acoustic bass guitarist Mick Hutton). It was released on EG Records in 1989. Reception AllMusic awarded the album 3 stars, and reviewer Robert Taylor called it "a solid effort," stating, "Never one to rest on his laurels, Bruford continued to search for different contexts in which to express his musical and percussive ideas." The authors of ''The Penguin Guide to Jazz Recordings'' wrote: "On ''Dig?'' the highlight... isn't the fine original opener... but the arrangement of Tony Hatch's 'Downtown'. Writing for ''All About Jazz'', John Kelman commented: "''Dig?''... finds the group moving... into exploratory territory... Likely a result of the growing confidence that comes from having some history together, the group's interplay is even more vivid." ''Jazz Journals Mark Gilbert remarked: "Earthworks are going in the right directi ...
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Earthworks (band)
Bill Bruford's Earthworks were a British jazz band led by drummer Bill Bruford. The band recorded several albums for Editions EG, Discipline Global Mobile and Summerfold Records. Earthworks went through several line-ups: in addition to the band's accomplishments as a unit, Earthworks was a training ground for Django Bates, Iain Ballamy, Patrick Clahar, Mark Hodgson, Steve Hamilton and Gwilym Simcock. The final band line-up featured previously established jazz musicians in the form of Chick Corea sideman Tim Garland and veteran bass player Laurence Cottle. In interviews during the band's earlier years, Bruford sometimes compared his responsibilities within it as being similar to those of Art Blakey with the Jazz Messengers, in that he was providing an environment for young British jazz players to gain attention and experience before going on to become well-known players and bandleaders in their own right. The initial version of Earthworks strongly stressed an acoustic/electroni ...
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Bill Bruford
William Scott Bruford (born 17 May 1949) is an English former drummer and percussionist who first gained prominence as a founding member of the progressive rock band Yes. After leaving Yes in 1972, Bruford spent the rest of the 1970s recording and touring with King Crimson (1972–1974) and Roy Harper (1975), and touring with Genesis (1976) and U.K. (1978). In 1978, he formed his own group ( Bruford), which was active until 1980. In the 1980s, Bruford returned to King Crimson for three years (1981–1984), collaborated with several artists (including Patrick Moraz and David Torn), and formed his own electric jazz band Earthworks in 1986. He then played with his former Yes bandmates in Anderson Bruford Wakeman Howe, which eventually led to a very brief second stint in Yes. Bruford played in King Crimson for his third and final tenure from 1994–1997, after which he continued with a new acoustic configuration of Earthworks. On 1 January 2009, Bruford retired from professional ...
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