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Time (Steeleye Span Album)
''Time'' is the fourteenth studio album by Steeleye Span. The album was released in 1996, after a seven-year hiatus, and was their first on the Park Records label. The impetus for the album was a 25th anniversary reunion tour the year before, during which most of the former members of the band performed together. Maddy Prior was experiencing voice problems so she spoke to Gay Woods, a founding member who had left the band after the first album, to rejoin. Woods initially resisted this move, since she had not performed publicly for some time, but Prior eventually prevailed and Woods returned to the band. The result was only the second Steeleye Span album to feature two female singers, which was used to very good effect on the ironic "Old Maid in the Garrett" and to a lesser extent on "The Prickly Bush" and "The Cutty Wren". Both, Prior and Woods, provide lead vocals on different songs. Priors' voice troubles are reflected in her musical choices on this album; she generally si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At Last (Steeleye Span Album)
''Live at Last'' is a live album by the British folk rock band Steeleye Span. It is the first live album the band issued, after eight years of performing and releasing 10 studio albums. It was originally intended to be a farewell album. "This then is our eleventh and final album. Steeleye Span amicably disbanded five days after making this recording for reasons that are irrelevant here.” It is one of only two albums the band issued on which John Kirkpatrick played (not counting a later live reunion album, ''The Journey''), making it one of only two albums to employ an accordion as a primary instrument. The album is also notable because only two of the tracks ("Saucy Sailor/Black Freighter" and "False Knight on the Road") were songs that the band had recorded before, so that most of the material on the album is essentially new material. The band went on to release a second live version of "The Maid and the Palmer" on ''The Journey''. The departure of Bob Johnson and Peter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liam Genockey
Liam Genockey (born 12 August 1948) is an Irish musician, who is the drummer with British folk rock band Steeleye Span. Biography Genockey was born in Dublin, Ireland. During the 1960s he lived in Plymouth, Devon, U.K, playing in local semi-pro groups and then, in the early 1970s, playing with Torbay-based rock band Adolphus Rebirth. He was one of the founding members of the early-1970s jazz-fusion and afro-prog band Zzebra, later moving on with fellow band-member John McCoy to join Gillan. He then participated in Amalgam, formed in 1976 by Trevor Watts. Watts' work covers the spectrum of free jazz, electronic, jazz-rock, space jazz and folk-rock. Watts later founded 10-piece Moiré Music Ensemble which included Genockey again, along with Peter Knight, an early member of Steeleye Span. Genockey joined Steeleye Span in 1989 and recorded two studio albums ''Tempted and Tried'' and ''Time'', with them, as well as two live albums '' Tonight's the Night...Live'' and ''The Coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Harries
Tim Harries (born 1959) is a British bass player, who has played with various folk rock and jazz bands in his career. Biography Harries studied music at the University of York, graduating in 1981 before going on to study double bass with Tom Martin at the Guildhall School of Music. He was a member of Bill Bruford's Earthworks from 1989 to 1993, during his time with Bruford he performed with a band billed as Yes on TV program Kathy Lee and Regis, the musicians, consisting of Steve Howe (guitar, vocals), Bill Bruford (drums) and Harries (bass, backing vocals), performed the first two verses and chorus of Roundabout, this performance was later described as a "car-crash" by Loudersound in 2022. Harries was a member of folk rock band, Steeleye Span from 1989 to 2001, he contributed bass, keyboards and vocals and later guitar after the return of long time bassist, Rick Kemp. Since leaving Steeleye Span he has worked as a session musician for Brian Eno, Katie Melua, Film Composers D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Knight (folk Musician)
Peter Knight (born 27 May 1947) is a folk musician, a former member of British folk rock group Steeleye Span. Born in London, Knight learnt to play the violin and mandolin as a child before going to the Royal Academy of Music from 1960 to 1964. The recordings of the Irish fiddler Michael Coleman inspired him to take part in Irish pub sessions. He teamed up with guitarist and singer Bob Johnson until 1970 when he joined Steeleye Span. The parting was short-lived, as Johnson himself also joined Steeleye Span in 1972. Since 2016, he has performed as a duo with Bellowhead founder and melodeon player, John Spiers. Steeleye Span Knight's classical roots were well hidden until he recorded "A Canon by Telemann" on the album ''Back In Line'', multi-tracking with himself on this tricky baroque piece. In the mid-70s he was once secretly a member of The Wombles and appeared on ''Top of The Pops'' as Uncle Bulgaria, with Rick Kemp and Bob Johnson also in Womble suits. He left Steeleye Sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Johnson (musician)
Robert Johnson (born 18 March 1944) is a British guitarist. He was formerly in British folk rock band Steeleye Span from 1972 to 1977, and again from 1980 to 2001. Early life Johnson was born in London; his mother was a music teacher. He was educated at Westminster City School in London and the University of Hertfordshire. Musical career Johnson played acoustic and electric guitars and sang on Appalachian dulcimer player Roger Nicholson's 1972 album ''Nonesuch for Dulcimer'', credited as Robert Johnson. He went on to become a member of the successful English electric folk band Steeleye Span in 1972, after being introduced by fiddler Peter Knight. Johnson first appeared on the group's fourth album, ''Below the Salt'', where he took lead vocals on the track "King Henry". Along with "King Henry", he introduced many of the band's better-known songs into the repertoire, such as "Thomas the Rhymer", "Alison Gross", "Long Lankin" and "Gaudete". [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gay Woods
Gay Woods (18 September 1948) is an Irish singer. She was one of the original members of Steeleye Span. Early years Gabriel Corcoran was born in Dublin, a neighbour of her future husband Terry Woods. Her elder brothers shared Woods' love of hillbilly music and blues. Corcoran and Woods performed together in 1963 at Dublin's Neptune Rowing club and got married in May 1968. Performing as a duo, they sang Carter Family songs and occasionally Irish songs. Terry Woods became a member of Sweeney's Men, who played English and American folk music, plus their own compositions. That summer the band performed at Cambridge Folk Festival. Gay Woods was not in the band. The following summer, the couple went to Keele folk festival where Woods met up with Ashley Hutchings who was then still with Fairport Convention. Terry Woods and Hutchings had an instant rapport. Steeleye Span, 1969–1970 The first tentative rehearsal for the new band which was to become Steeleye Span was early in Novemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Water Is Wide (song)
"The Water Is Wide" (also called "O Waly, Waly" or simply "Waly, Waly") is a folk song of Scottish origin. It remains popular in the 21st century. Cecil Sharp published the song in ''Folk Songs From Somerset'' (1906). Themes and construction The imagery of the lyrics describes the challenges of love: "Love is handsome, love is kind" during the novel honeymoon phase of any relationship. However, as time progresses, "love grows old, and waxes cold." Even true love, the lyrics say, can "fade away like morning dew." The modern lyric for "The Water Is Wide" was consolidated and named by Cecil Sharp in 1906 from multiple older sources in southern England, following English lyrics with very different stories and styles but the same meter. Earlier sources were frequently published as broadsheets without music. Performers or publishers would insert, remove, and adapt verses from one piece to another: floating verses are also characteristic of hymns and blues verses. Lyrics from diffe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Elf Knight
"Lady Isabel and the Elf Knight" (Child #4; Roud #21) is the English common name representative of a very large class of European ballads. The most frequently collected variant, The Outlandish Knight or ''May Colvin'' tells the tale of a young woman who elopes with a knight who has promised to marry her (and who in some instances uses magic to charm her) but who then tries to murder her to get money, clothes and horses. By a quick-witted ruse she manages to kill him instead, and in many versions she is helped to keep this experience from her parents by a resourceful parrot. The main variant has been collected frequently from traditional singers in England, Scotland, Ireland and North America.Roud Fold Song Indexes, Vaughan Williams Memorial Library https://www.vwml.org/search?ts=1489607963291&collectionfilter=RoudFS;RoudBS&advqtext=0, rn, 21# Retrieved 2017/03/14 Synopses Three main English language variants of this group of ballads, with rather different plots, have been publis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cutty Wren
"The Cutty Wren" and its variants such as "The Hunting of the Wren" are traditional English folk songs. It is also the territorial song for the British overseas territory of Tristan da Cunha. The origins and meaning of the song are disputed. It is number 236 in the Roud Folk Song Index. Origin The song is thought by some to represent the human sacrifice of the Year King, or the symbolic substitute slaughter of the wren as "king of the birds" at the end of the year for similar purposes, and such songs are traditionally sung on Boxing Day (26 December), just after the winter solstice. 26 December is sometimes called St Stephen's Day or Wren Day. These rituals are discussed in ''The Golden Bough''. It is alternatively attributed to the English Peasants' Revolt of 1381, and the wren is supposed to be the young king Richard II, who is killed and fed to the poor. However, there is no strong evidence to connect this song with the Peasants' Revolt. The idea seems to have originated in A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Prickly Bush
"The Maid Freed from the Gallows" is one of many titles of a centuries-old folk song about a condemned maiden pleading for someone to buy her freedom from the executioner. In the collection of ballads compiled by Francis James Child in the late 19th century, it is indexed as Child Ballad number 95; 11 variants, some fragmentary, are indexed as 95A to 95K. The Roud Folk Song Index identifies it as number 144. The ballad exists in a number of folkloric variants, from many different countries, and has been remade in a variety of formats. For example, it was recorded in 1939 as "The Gallis Pole" by folk singer Huddie "Lead Belly" Ledbetter, and in 1970 as "Gallows Pole", an arrangement of the Fred Gerlach version, by English rock band Led Zeppelin, on the album ''Led Zeppelin III''. Synopsis There are many versions, all of which recount a similar story. A maiden (a young unmarried woman) or man is about to be hanged (in many variants, for unknown reasons) pleads with the hangman, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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