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Tieteberga
''Tieteberga'' (RV 737) is a partially lost dramma per musica by Antonio Vivaldi. The Italian libretto was by Antonio Maria Lucchini. The opera was first performed at the Teatro San Moisè in Venice on 16 October 1717. The opera included nine arias by other composers. Roles Recordings *" L'innocenza sfortunata" and "Se fido rivedro" (mezzo-soprano), , |
Antonio Maria Lucchini
Antonio Maria Lucchini or Luchini (Venice, c. 1690 – Venice, before 1730) was an Italian libretto, librettist. His texts were set to music by Antonio Vivaldi, Baldassare Galuppi, Leonardo Vinci, and Rinaldo di Capua, among others. Libretti *''Foca superbo'' (set to music by Antonio Lotti, 1716) *''Tieteberga'' (set to music by Antonio Vivaldi, 1717) *''Giove in Argo'' (set to music by Antonio Lotti, 1717; set to music by Georg Friedrich Händel, 1739; set to music by Carl Heinrich Graun, 1747) *''Ascanio ovvero Gli odi delusi dal sangue'' (set to music by Antonio Lotti, 1718) *''L'inganno tradito dall'amore'' (set to music by Antonio Caldara, 1720) *''Ermengarda'' (set to music by Tomaso Albinoni, 1723) *''Gli sforzi d'ambizione e d'amore'' (set to music by Giovanni Porta, 1724) *''Farnace'' (set to music by Leonardo Vinci, 1724; set to music by Antonio Vivaldi, 1727; set to music by Francesco Corselli, 1739; set to music by Rinaldo di Capua, 1739; set to music by Giuseppe Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Moisè
The Teatro San Moisè was a theatre and opera house in Venice, active from 1620 to 1818. It was in a prominent location near the Palazzo Giustinian and the church of San Moisè at the entrance to the Grand Canal. History Built by the San Bernaba branch of the Giustiniani family c.1620, it was originally a prose theatre. Its first opera production was Claudio Monteverdi's (now lost) opera ''L'Arianna'' in 1640 by which time the ownership had passed to the Zane family who had long intermarried with the Giustiniani. It was used by the Ferrari company, and the librettist Giovanni Faustini was one of the theatre's first impresarios.Rosand, Ellen (1990''Opera in Seventeenth-Century Venice: The Creation of a Genre'' pp. 88–124. University of California Press. From the outset it was one of the smaller theatres of Venice, but also one of the most influential. In 1668 it was enlarged to 800 seats, although this did not result in a significant increase on the size of the stage which limi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1717 Operas
Events January–March * January 1 – Count Carl Gyllenborg, the Swedish ambassador to the Kingdom of Great Britain, is arrested in London over a plot to assist the Pretender to the British throne, James Francis Edward Stuart. * January 4 (December 24, 1716 Old Style) – Great Britain, France and the Dutch Republic sign the Triple Alliance, in an attempt to maintain the Treaty of Utrecht ( 1713), Britain having signed a preliminary alliance with France on November 28 (November 17) 1716. * February 1 – The Silent Sejm, in the Polish–Lithuanian Commonwealth, marks the beginning of the Russian Empire's increasing influence and control over the Commonwealth. * February 6 – Following the treaty between France and Britain, the Pretender James Stuart leaves France, and seeks refuge with Pope Clement XI. * February 26–March 6 – What becomes the northeastern United States is paralyzed by a series of blizzards that bury the region. * March 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramma Per Musica
Dramma per musica (Italian, literally: ''drama for music'', plural: ''drammi per musica'') is a libretto. The term was used by dramatists in Italy and elsewhere between the mid-17th and mid-19th centuries. In modern times the same meaning of ''drama for music'' was conveyed through the Italian Greek-rooted word ''melodramma'' (from μέλος = song or music + δρᾶμα = scenic action). ''Dramma per musica'' never meant "drama ''through'' music", let alone music drama. A ''dramma per musica'' was thus originally (in Italy in the 17th century) a verse drama specifically written for the purpose of being set to music, in other words a libretto for an opera, usually a serious opera (a libretto meant for opera buffa, i.e. comic opera, would have been called a ''dramma giocoso''). By extension, the term came to be used also for the opera or operas which were composed to the libretto, and a variation, ''dramma in musica'', which emphasised the musical element, was sometimes preferre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Costanza Maccari
Costanza is a feminine given name and a surname. It may refer to: People Given name *Costanza d'Avalos, Duchess of Francavilla (1460–1541) *Costanza Bonaccorsi (born 1994), Italian canoeist *Costanza Chiaramonte (1377–1423), Neapolitan noble *Costanza Di Camillo (born 1995), Italian synchronized swimmer *Costanza Farnese (1500–1545), daughter of Pope Paul III *Costanza Fiorentini (born 1984), Italian synchronized swimmer *Costanza Ferro (born 1993), Italian synchronized swimmer *Costanza Ghilini (1754–1775), Italian painter * Costanza Sforza, Duchess of Sora (1550–1617) *Costanza Starace (1845–1921), Italian nun *Costanza Varano (1426–1447), Italian humanist *Costanza Zanoletti (born 1980), Italian skeleton racer Surname *Chrissy Costanza (born 1995), American singer *John Costanza (born 1943), American artist and letterer *Midge Costanza (1932–2010), American politician *Mike Costanza, American filmmaker *Pascal Costanza, German computer scientist *Pete Costanza ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Antonio Vivaldi
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nathalie Stutzmann
Nathalie Stutzmann (née Dupuy; born 6 May 1965) is a French contralto and conductor. Biography Born in Suresnes in France, Stutzmann first studied with her mother, soprano Christiane Stutzmann, then at Nancy Conservatoire and later at the ''École d'Art Lyrique'' of the Paris Opera, focusing on lieder, under Hans Hotter's tutelage. She is noted for her interpretations of French mélodies and German lieder. Stutzmann also plays piano, bassoon and is a chamber musician. Stutzmann debuted as a concert singer at the Salle Pleyel, Paris, 1985, in '' Bach's Magnificat''. Her recital debut was the following year in Nantes. In addition to her concert work, Stutzmann has taught at the Geneva University of Music. She began performing and recording with Inger Södergren in 1994. She took part in the project of Ton Koopman and the Amsterdam Baroque Orchestra & Choir to record Bach's complete vocal works. Separately, Stutzmann developed an interest in conducting, where her mentors include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Christophe Spinosi
Jean-Christophe Spinosi (born 2 September 1964) is a French conductor and violinist, the founder of French orchestra Ensemble Matheus. Life and career In 1991 he created the Ensemble Matheus in Brest, an orchestra which accompanies him throughout the world. In 2005, the Ensemble Matheus made a series of recordings devoted to Vivaldi: they produced several albums and four operas. Simultaneously, he has continued to interpret the classical and romantic repertoire as well as many surprising and varied pieces from the 20th and 21st centuries. Different productions have since enabled Spinosi to enjoy musical friendships with artists such as Cecilia Bartoli, Marie-Nicole Lemieux and Philippe Jaroussky, with whom he recorded the album ''Heroes'' for EMI-Virgin Classics, a disc whose sales achieved triple-gold status. From 2007, Spinosi conducted every season new opera productions with the Ensemble Matheus at the Théâtre du Châtelet and he still regularly performs at the Théâtr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Jaroussky
Philippe Jaroussky (born 13 February 1978) is a French countertenor. He began his musical career with the violin, winning an award at the Versailles conservatory, and then took up the piano before turning to singing. Unusually for a countertenor, Jaroussky performs entirely in falsetto register. He has said that his natural singing voice is in the baritone range. Early career Jaroussky was born in Maisons-Laffitte. His great-grandfather was a Russian émigré who fled from the Bolshevik Revolution. Jaroussky was inspired to sing by the Martinique-born countertenor Fabrice di Falco. He received his diploma from the Early Music Faculty of the Conservatoire de Paris. Since 1996, he has studied singing with Nicole Fallien. He cofounded the ensemble Artaserse in 2002, and has also often performed with the Ensemble Matheus under Jean-Christophe Spinosi and with L'Arpeggiata under Christina Pluhar. On 29 July 2016 he performed David Bowie's "Always Crashing in the Same Car" in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Maria Sardelli
Federico Maria Sardelli (born 1963) is an Italian conductor, historicist, composer, musicologist, comic artist, and flautist. He founded the medieval ensemble Modo Antiquo in 1984. In 1987, Modo Antiquo also became a baroque orchestra, debuting with the performance of Jean-Baptiste Lully's ''Ballet des Saisons'' in front of an audience of about five thousand. Life and career He is the main conductor of the Accademia Barocca di S. Cecilia (Rome) and guest conductor of the Orchestra Filarmonica di Torino, Maggio Musicale Fiorentino, Orquestra de la Comunitat Valenciana, Gewandhaus Leipzig, Staatskapelle Halle, Kammerakademie Potsdam, Moscow State Chamber Orchestra, etc. He has recorded more than forty Albums as soloist and conductor, published by the labels Naïve, Deutsche Grammophon, Sony, Brilliant, Tactus. A notable protagonist in the Vivaldi renaissance, he performed, recorded and edited a large number of Vivaldi compositions, often in world premiere (''Arsilda, regina di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modo Antiquo
Modo Antiquo is an Italian instrumental ensemble dedicated to the performance of Baroque, Renaissance, and Medieval music. It was founded in 1984 by Federico Maria Sardelli. Twice nominated for a Grammy award, the ensemble has an extensive discography, primarily on the Naïve, Brilliant Classics, and Tactus labels and have given the first performances in modern times of several works by Vivaldi. Modo Antiquo's larger ensemble is its Baroque orchestra led by Sardelli. It also has a smaller ensemble devoted to Medieval and Renaissance music led by Bettina Hoffmann. History and repertoire Modo Antiquo was founded in 1984 by the musicologist and flautist Federico Maria Sardelli and initially focused on Medieval and Renaissance music. The Baroque orchestra began in 1987, the 300th anniversary of Jean-Baptiste Lully's death, when Sardelli organised a concert in Livorno which gave the first Italian performance in modern times of Lully's ''Ballet des Saisons''. The 25-piece orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
