|
Threnody To The Victims Of Hiroshima
(''Threnody to the Victims of Hiroshima for 52 string instruments'') , other_name = , year = , catalogue = , period = Contemporary, postmodernism , genre = Sonorism, avant-garde , style = Threnody , form = Orchestral piece , misc = Awards , dedication = Victims and ''Hibakusha'' of the atomic bombing of Hiroshima , publisher = Polskie Wydawnictwo Muzyczne Polskie Nagrania Warszawa , duration = , premiere_date = , premiere_location = Warsaw Autumn Festival , premiere_conductor = Andrzej Markowski , premiere_performers = Krakow Philharmonic Symphony Orchestra ''Threnody to the Victims of Hiroshima'', also translated as ''Threnody for the Victims of Hiroshima'' ( pl, Tren pamięci ofiar Hiroszimy), is a musical composition for 52 string instruments composed in 1961 by Krzysztof Penderecki. Dedicated to the resid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krzysztof Penderecki
Krzysztof Eugeniusz Penderecki (; 23 November 1933 – 29 March 2020) was a Polish composer and conductor. His best known works include ''Threnody to the Victims of Hiroshima'', Symphony No. 3, his '' St Luke Passion'', '' Polish Requiem'', ''Anaklasis'' and '' Utrenja''. Penderecki's ''oeuvre'' includes four operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works''.'' Born in Dębica, Penderecki studied music at Jagiellonian University and the Academy of Music in Kraków. After graduating from the Academy, he became a teacher there and began his career as a composer in 1959 during the Warsaw Autumn festival. His ''Threnody to the Victims of Hiroshima'' for string orchestra and the choral work ''St. Luke Passion'' have received popular acclaim. His first opera, '' The Devils of Loudun'', was not immediately successful. In the mid-1970s, Penderecki became a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Mass
In physics, sound is a vibration that propagates as an acoustic wave, through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the ''reception'' of such waves and their ''perception'' by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of to . Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges. Acoustics Acoustics is the interdisciplinary science that deals with the study of mechanical waves in gasses, liquids, and solids including vibration, sound, ultrasound, and infrasound. A scientist who works in the field of acoustics is an ''acoustician'', while someone working in the field of acoustical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibrato
Vibrato ( Italian, from past participle of " vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterised in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato and tremolo The terms vibrato and tremolo are sometimes incorrectly used interchangeably, although (in the classical world) they are properly defined as separate effects with vibrato defined as a periodic variation in the pitch (frequency) of a musical note, and tremolo as a fast repetition of the same note (usually a semiquaver) in order to produce the audible effect of a longer note, especially on instruments which do not have th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleatoric Music
Aleatoric music (also aleatory music or chance music; from the Latin word ''alea'', meaning "dice") is music in which some element of the composition is left to chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s). The term is most often associated with procedures in which the chance element involves a relatively limited number of possibilities. The term became known to European composers through lectures by acoustician Werner Meyer-Eppler at the Darmstadt International Summer Courses for New Music in the beginning of the 1950s. According to his definition, "a process is said to be aleatoric ... if its course is determined in general but depends on chance in detail". Through a confusion of Meyer-Eppler's German terms ''Aleatorik'' (noun) and ''aleatorisch'' (adjective), his translator created a new English word, "aleatoric" (rather than using the existing English adjective "aleatory"), which quickly became fashiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Cincinnati – College-Conservatory Of Music
The University of Cincinnati College-Conservatory of Music (CCM) is a performing and media arts college of the University of Cincinnati in Cincinnati, Ohio. Initially established as the Cincinnati Conservatory of Music in 1867, CCM is one of the oldest continually operating conservatories in the US. History The Cincinnati College-Conservatory of Music was formed in August 1955 from the merger of the Cincinnati Conservatory of Music, formed in 1867 as part of a girls' finishing school, and the College of Music of Cincinnati, which opened in 1878. CCM was incorporated into the University of Cincinnati on August 1, 1962. The college is sometimes still called the Cincinnati Conservatory of Music by various publications such as ''Playbills'' and performer biographies. CCM has an enrollment of about 1,430, with a relatively even number of undergraduate and graduate students. It is the largest single source of performing arts presentations in Ohio, with nearly one thousand performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonoristic
Sonorism (Polish: ''Sonoryzm'') is an approach to musical composition associated with a number of notable Polish composers. The scholar Józef Michał Chomiński coined the term "sonoristics" (Polish: ''sonorystyka'') to describe the urge to explore purely sonic phenomena in composition, and from this term derived "sonorism" to describe an avant-garde style in Polish music of the 1960s that focused on timbre . As a movement, sonorism was initiated in the 1950s in the avant-garde of Polish music . Music that emphasises sonorism as a compositional approach tends to focus on specific characteristics and qualities of timbre, texture, articulation, dynamics, and motion in an attempt to create freer form. The style is primarily associated with an experimental musical movement which arose in Poland in the mid-1950s and flourished through the 1960s. Sonorism emphasizes discovering new types of sounds from traditional instruments, as well as the creation of textures by combining differen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Music Council
The International Music Council (IMC) was created in 1949 as UNESCO's advisory body on matters of music. It is based at UNESCO's headquarters in Paris, France, where it functions as an independent international non-governmental organization. Its primary aim is to facilitate the development and promotion of international music-making. The IMC currently consists of some 120 members, divided into four categories (National Music Councils, International Music Organisations, Regional Music Organisations, National and specialized organisations in the field of arts and culture). It is represented by regional councils in Europe, Africa, and the Americas. Their task is to develop and support programmes specifically tailored to the needs of the IMC members and partners in their region. Initiatives and actions Five Music Rights The International Music Council advocates for access to music to all, through a set of values which are at the basis of the action of both the International Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UNESCO
The United Nations Educational, Scientific and Cultural Organization is a specialized agency of the United Nations (UN) aimed at promoting world peace and security through international cooperation in education, arts, sciences and culture. It has 193 member states and 12 associate members, as well as partners in the non-governmental, intergovernmental and private sector. Headquartered at the World Heritage Centre in Paris, France, UNESCO has 53 regional field offices and 199 national commissions that facilitate its global mandate. UNESCO was founded in 1945 as the successor to the League of Nations's International Committee on Intellectual Cooperation.English summary). Its constitution establishes the agency's goals, governing structure, and operating framework. UNESCO's founding mission, which was shaped by the Second World War, is to advance peace, sustainable development and human rights by facilitating collaboration and dialogue among nations. It pursues this objectiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
