Three Persons Viewing The Gladiator By Candlelight
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Three Persons Viewing The Gladiator By Candlelight
''Three Persons Viewing the Gladiator by Candlelight'' is a 1765 painting by Joseph Wright of Derby and now resides in the Walker Art Gallery in Liverpool nited Kingdom It depicts three men examining a reproduction of the Borghese Gladiator, a famous Hellenistic statue discovered in Italy. The painting was one of the first in Wright of Derby's "Candlelight Pictures" series and was originally exhibited in London, gaining much attention. Four years later a mezzotint of it was made by William Pether. Composition With only a candle as a light source, much of the painting is made up of black shadows. Many of the forms fade into the darkness, leaving them with vague or nonexistent borders. A black expanse of negative space and a small lantern hanging from the ceiling suggests the existence of a room. The warm colors of the flame provide a stark contrast against the dark shadows of the space. Wright's use of tenebrism creates a sense of drama and life within the image. This use of ten ...
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Three Persons Viewing The Gladiator By Candlelight
''Three Persons Viewing the Gladiator by Candlelight'' is a 1765 painting by Joseph Wright of Derby and now resides in the Walker Art Gallery in Liverpool nited Kingdom It depicts three men examining a reproduction of the Borghese Gladiator, a famous Hellenistic statue discovered in Italy. The painting was one of the first in Wright of Derby's "Candlelight Pictures" series and was originally exhibited in London, gaining much attention. Four years later a mezzotint of it was made by William Pether. Composition With only a candle as a light source, much of the painting is made up of black shadows. Many of the forms fade into the darkness, leaving them with vague or nonexistent borders. A black expanse of negative space and a small lantern hanging from the ceiling suggests the existence of a room. The warm colors of the flame provide a stark contrast against the dark shadows of the space. Wright's use of tenebrism creates a sense of drama and life within the image. This use of ten ...
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Joseph Wright Of Derby
Joseph Wright (3 September 1734 – 29 August 1797), styled Joseph Wright of Derby, was an English landscape and portrait painter. He has been acclaimed as "the first professional painter to express the spirit of the Industrial Revolution". Wright is notable for his use of tenebrism, an exaggerated form of the better known chiaroscuro effect, which emphasizes the contrast of light and dark, and for his paintings of candle-lit subjects. His paintings of the birth of science out of alchemy, often based on the meetings of the Lunar Society of Birmingham, a group of scientists and industrialists living in the English Midlands, are a significant record of the struggle of science against religious values in the period known as the Age of Enlightenment. Many of Wright's paintings and drawings are owned by Derby City Council, and are on display at the Derby Museum and Art Gallery. Life Joseph Wright was born in Irongate, Derby, to a respectable family of lawyers. He was the third ...
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Borghese Gladiator
The ''Borghese Gladiator'' is a Hellenistic life-size marble sculpture portraying a swordsman, created at Ephesus about 100 BC, now on display at the Louvre. Sculptor The sculpture is signed on the pedestal by Agasias, son of Dositheus, who is otherwise unknown. It is not quite clear whether the Agasias who is mentioned as the father of Heraclides is the same person. Agasias, son of Menophilus may have been a cousin. Rediscovery It was found before 1611, in the present territory of Anzio south of Rome, among the ruins of a seaside palace of Nero on the site of the ancient Antium. From the attitude of the figure it is clear that the statue represents not a gladiator, but a warrior contending with a mounted combatant. In the days when antique sculptures gained immediacy by being identified with specific figures from history or literature, Friedrich Thiersch conjectured that it was intended to represent Achilles fighting with the mounted Amazon, Penthesilea. The sculpture was a ...
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Hellenistic
In Classical antiquity, the Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in 31 BC and the conquest of Ptolemaic Egypt the following year. The Ancient Greek word ''Hellas'' (, ''Hellás'') was gradually recognized as the name for Greece, from which the word ''Hellenistic'' was derived. "Hellenistic" is distinguished from "Hellenic" in that the latter refers to Greece itself, while the former encompasses all ancient territories under Greek influence, in particular the East after the conquests of Alexander the Great. After the Macedonian invasion of the Achaemenid Empire in 330 BC and its disintegration shortly after, the Hellenistic kingdoms were established throughout south-west Asia ( Seleucid Empire, Kingdom of Pergamon), north-east Africa ( Ptolemaic Kingdom) and South Asia ( Greco-Bactrian Kingdom, Indo-Gree ...
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Mezzotint
Mezzotint is a monochrome printmaking process of the '' intaglio'' family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called a "rocker". In printing, the tiny pits in the plate retain the ink when the face of the plate is wiped clean. This technique can achieve a high level of quality and richness in the print. ''Mezzotint'' is often combined with other ''intaglio'' techniques, usually etching and engraving. The process was especially widely used in England from the eighteenth century, to reproduce portraits and other paintings. It was somewhat in competition with the other main tonal technique of the day, aquatint. Since the mid-nineteenth century it has been relatively little used, as lithography and other techniques produced comparable results more easil ...
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William Pether
William Pether (c. 1739 – 19 July 1821) was primarily an English mezzotint engraver, but also decorated porcelain, made oil paintings and pastel drawings, and invented gadgets. Life He was born in London in 1739, and became a pupil of Thomas Frye, with whom he entered into a partnership in 1761. Pether was a fellow of the Incorporated Society of Artists and contributed to its exhibitions' paintings, miniatures, and engravings from 1764 to 1777. He was also an occasional exhibitor with the Free Society and the Royal Academy. He had many pupils, including Henry Edridge and Edward Dayes. He often changed his residence from London to the provinces and back again; and gradually sank into obscurity and neglect. At the beginning of the 19th century Pether appears to have settled at Bristol, where he made a living as a drawing-master and picture-cleaner; and there he engraved portraits of Edward Colston the slave trader and Bristol benefactor, after Jonathan Richardson the Elder, ...
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The Enlightenment
The Age of Enlightenment or the Enlightenment; german: Aufklärung, "Enlightenment"; it, L'Illuminismo, "Enlightenment"; pl, Oświecenie, "Enlightenment"; pt, Iluminismo, "Enlightenment"; es, La Ilustración, "Enlightenment" was an intellectual and philosophical movement that dominated Europe in the 17th and 18th centuries with global influences and effects. The Enlightenment included a range of ideas centered on the value of human happiness, the pursuit of knowledge obtained by means of reason and the evidence of the senses, and ideals such as liberty, progress, toleration, fraternity, and constitutional government. The Enlightenment was preceded by the Scientific Revolution and the work of Francis Bacon, John Locke, and others. Some date the beginning of the Enlightenment to the publication of René Descartes' ''Discourse on the Method'' in 1637, featuring his famous dictum, ''Cogito, ergo sum'' ("I think, therefore I am"). Others cite the publication of Isaac Newton ...
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Borghese Gladiator, Louvre Museum, Paris 2 October 2014
The House of Borghese is a princely family of Italian noble and papal background, originating as the Borghese or Borghesi in Siena, where they came to prominence in the 13th century and held offices under the ''commune''. During the 16th century, the head of the family, Marcantonio, moved to Rome, where they rose in power and wealth following the election of his son Camillo as Pope Paul V in 1605. They were one of the leading families of the Black Nobility and maintain close ties to the Vatican. Borghese (Borghesi) of Siena The family originated with Tiezzo da Monticiano, a 13th-century wool merchant in Siena, whose nephew Borghese gave his name to the family. Among the important Sienese Borghese are: * Agostino (1390–1462), noted soldier in the wars between Siena and Florence, named count palatine by Pope Pius II and count of the Holy Roman Empire by Sigismund * Niccolò (1432–1500), man of letters, philosopher, and important political figure in the Sienese republic, belong ...
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1765 Paintings
Events January–March * January 23 – Prince Joseph of Austria marries Princess Maria Josepha of Bavaria in Vienna. * January 29 – One week before his death, Mir Jafar, who had been enthroned as the Nawab of Bengal and ruler of the Bengali people with the support and protection of the British East India Company, abdicates in favor of his 18-year-old son, Najmuddin Ali Khan. * February 8 – **Frederick the Great, the King of Prussia, issues a decree abolishing the historic punishments against unmarried women in Germany for "sex crimes", particularly the ''Hurenstrafen'' (literally "whore shaming") practices of public humiliation. **Isaac Barré, a member of the British House of Commons for Wycombe and a veteran of the French and Indian War in the British American colonies, coins the term "Sons of Liberty" in a rebuttal to Charles Townshend's derisive description of the American colonists during the introduction of the proposed Stamp Act. MP Barrà ...
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Paintings By Joseph Wright Of Derby
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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