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Thrashcore Albums
Thrashcore (also known as fastcore) is a fast- tempo subgenre of hardcore punk that emerged in the early 1980s. Thrashcore is essentially sped-up hardcore, often using blast beats. Songs can be very brief, and thrashcore is in many ways a less dissonant, less metallic forerunner of grindcore. The genre is sometimes associated with the skateboarder subculture. Terminological ambiguity Thrashcore is often confused with crossover thrash and sometimes thrash metal.Felix von Havoc''Maximum Rock'n'Roll'' #198 Retrieved June 20, 2008."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Further confusion is added by the fact that many crossover bands, such as D.R.I., began as influential thrashcore bands. Throughout the '80s, the term "thrash" was in use as a synonym for hardcore punk (as in the '' New York Thrash'' compilation of 1982). It eventually came to be used for the faster, more intense style of hardcore pun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossover Thrash
Crossover thrash (often abbreviated to crossover) is a fusion genre of thrash metal and hardcore punk. The genre lies on a continuum between heavy metal and hardcore punk. Other genres on the same continuum, such as metalcore and grindcore, may overlap with crossover thrash. Terminological ambiguity The genre is often confused with thrashcore, which is essentially a faster hardcore punk rather than a more punk-oriented form of metal."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Throughout the early and mid 1980s, the term "thrash" was often used as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). The term "thrashcore" to distinguish acts of the genre from others was not coined until at least 1993. Many crossover bands, such as D.R.I., began as influential thrashcore bands. The "-core" suffix of "thrashcore" is sometimes used to distinguish it from crossover thrash and thrash ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consonance And Dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive Sound, sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lärm
Lärm (German for ''noise'') were a Dutch straight edge hardcore band formed in 1981, first playing under the name of Total Chaoz. They referred to their music as "extreme noise", though having nothing to do with noise rock or noise music. Due to members being straight edge, which was something uncommon in the crust punk scene, Lärm were different from many bands at the time. Members went on to form Seein Red and the communist straight edge band Manliftingbanner, who played in a more conventional hardcore punk Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk ... style. Discography * 1984 - ''Campaign for Musical Destruction'' (split LP with Stanx; Eenheidsfront Records) * 1986 - ''End the Warzone'' compilation 7-inch (One Step Ahead Records) * 1986 - ''No One Can Be That Dumb'' 7-i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro Hippies
Electro Hippies were an English thrashcore band formed in St Helens/Wigan, England, in 1985. Though they were short-lived and underground through their career, their music influenced many future crust, hardcore punk, and grindcore bands. The band relied heavily on low bass end sounds to create their low-fi, primitively produced music. They also incorporated elements of heavy metal and have been described as "proto-grindcore".York, William " ''The Only Good Punk'' Review, ''Allmusic'', Macrovision Corporation, retrieved 19 December 2009 The band strongly embraced the D.I.Y. (do it yourself) ethic which was very common among many early crust punk bands. The band's lyrics spoke heavily about animal rights and vegetarianism. A recurring lyrical theme on each LP targeted the McDonald's corporation, evidenced by the lyrics to "Run Ronald" and "Scum". The band were supported by John Peel for whom they recorded a radio session in 1987, released as an EP by Strange Fruit Records th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siege (band)
Siege is an American hardcore punk band from Weymouth, Massachusetts. Formed in 1981, they were active in the Boston hardcore scene from 1984 to 1985, and reunited briefly in 1991. Guitarist Kurt Habelt and drummer Rob Williams reformed the band in 2016. In its original incarnation, Siege paired extremely fast tempos with vocalist Kevin Mahoney's screeches and growls in their intense style of hardcore. Though little known at the time, the band has posthumously become revered by punk and heavy metal fans worldwide and is now regarded as one of the pioneers of the grindcore and powerviolence subgenres. Subsequent musicians have cited the group as a major influence, including the British grindcore band Napalm Death and the American powerviolence band Dropdead, whose band name was the title of Siege's six-song demo tape. History Formation, early years (1981–1984) Then teenagers, the members of what would become Siege began playing together in 1981 in Weymouth. Guitarist Kurt Hab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Septic Death
Septic Death was an American hardcore punk band active in the 1980s. The foursome from Boise, Idaho was a major influence for the development of grindcore, thrashcore and "speedcore". History Septic Death was formed in 1981 by Brian "Pushead“ Schroeder (vocals), Jon Taylor (guitar), Mike Matlock (bass) and Paul Birnbaum (drums). At the beginning the band was a pure fun project without further ambition. The band name represents a counterdraft to religions promising an afterlife after death. The four members were active in the skating scene of their hometown. Although there was no hierarchy within the band, media interest focussed on singer Schroeder who had already made a name as an illustrator within the growing hardcore scene and operated his own record label Pusmort from 1984 on. Most of the band's releases were published via this label. The band's only regular album, ''Now That I Have The Attention What Do I Do With It?'', was popular in Japan where it was published by ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cryptic Slaughter
Cryptic Slaughter is an American crossover thrash band based in Santa Monica, California, and originally formed in 1984. Biography Cryptic Slaughter was formed in 1984 by Les Evans (age 17), Scott Peterson (age 14), and Adam Scott (age 15), who met through their mutual participation in the American Youth Soccer League (AYSO). Soon they were joined by Bill Crooks (age 15), a friend of Adam Scott and a fellow soccer player. Adam Scott was let go a few months later due to conflicts regarding his parents and school. Their first demo, ''Life in Grave'', was produced in 1985 and became well circulated in the burgeoning tape-trader underground. Their first full-length LP, ''Convicted'', was released in 1986 on Death/Metal Blade records, whose artist roster also boasted D.R.I., Corrosion of Conformity, Dr. Know, The Mentors, and Beyond Possession. Within its first year of release, ''Convicted'' sold over 25,000 copies and earned Cryptic Slaughter the reputation as being one of the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aggression
Aggression is overt or covert, often harmful, social interaction with the intention of inflicting damage or other harm upon another individual; although it can be channeled into creative and practical outlets for some. It may occur either reactively or without provocation. In humans, aggression can be caused by various triggers, from frustration due to blocked goals to feeling disrespected. Human aggression can be classified into direct and indirect aggression; whilst the former is characterized by physical or verbal behavior intended to cause harm to someone, the latter is characterized by behavior intended to harm the social relations of an individual or group. In definitions commonly used in the social sciences and behavioral sciences, aggression is an action or response by an individual that delivers something unpleasant to another person. Some definitions include that the individual must intend to harm another person. In an interdisciplinary perspective, aggression is rega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metalcore
Metalcore (also known as metallic hardcore) is a fusion music genre that combines elements of extreme metal and hardcore punk. As with other styles blending metal and hardcore, such as crust punk and grindcore, metalcore is noted for its use of breakdowns, slow, intense passages conducive to moshing. Other defining instrumental qualities include heavy riffs and stop-start rhythm guitar playing, occasional blast beats, and double bass drumming. Vocalists in the genre typically use thrash or scream vocals. Some later metalcore bands combine this with clean singing, often during the chorus. Death growls and gang vocals are common. 1990s metalcore bands were inspired by hardcore while later metalcore bands were inspired by melodic death metal bands like At the Gates and In Flames. The roots of metalcore are in the 1980s when bands would combine hardcore punk with heavy metal. This included New York hardcore bands like Agnostic Front, Cro-Mags, and Killing Time, British hardcore p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suffix
In linguistics, a suffix is an affix which is placed after the stem of a word. Common examples are case endings, which indicate the grammatical case of nouns, adjectives, and verb endings, which form the conjugation of verbs. Suffixes can carry grammatical information (inflectional suffixes) or lexical information ( derivational/lexical suffixes'').'' An inflectional suffix or a grammatical suffix. Such inflection changes the grammatical properties of a word within its syntactic category. For derivational suffixes, they can be divided into two categories: class-changing derivation and class-maintaining derivation. Particularly in the study of Semitic languages, suffixes are called affirmatives, as they can alter the form of the words. In Indo-European studies, a distinction is made between suffixes and endings (see Proto-Indo-European root). Suffixes can carry grammatical information or lexical information. A word-final segment that is somewhere between a free morpheme and a b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Thrash
''New York Thrash'' is a hardcore punk compilation album released by ROIR in 1982. Considered a definitive document of the early New York hardcore and late 1970s punk scene, ''New York Thrash'' features rare and otherwise unreleased recordings, including the first recorded material by the Beastie Boys (also on their ''Polly Wog Stew'' EP) as well as material by Bad Brains. Original artwork and cover lettering by Bob Giordano The album was originally released in cassette format with liner notes by Tim Sommer, but was reissued on CD with two bonus tracks in 1998. Track listing # "I Hate Music" – The Mad # "Getaway" – Kraut # "Shotgun" – Heart Attack # "Social Reason" – The Undead # "New Year's Eve" – Adrenalin O.D. # "Illusion Won Again – Even Worse # "Cry Now" – Fiends # "Here and Now" – Nihilistics # "Nightmare – The Undead # "Taxidermist" – False Prophets # "Regulator (Version)" – Bad Brains # "Riot Fight" – Beastie Boys # "Love and Kisses" – Nihilis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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