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Thrashcore
Thrashcore (also known as fastcore) is a fast-tempo subgenre of hardcore punk that emerged in the early 1980s. Thrashcore is essentially sped-up hardcore, often using blast beats. Songs can be very brief, and thrashcore is in many ways a less dissonant, less metallic forerunner of grindcore. The genre is sometimes associated with the skateboarder subculture. Terminological ambiguity Thrashcore is often confused with crossover thrash and sometimes thrash metal.Felix von Havoc''Maximum Rock'n'Roll'' #198 Retrieved June 20, 2008."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Further confusion is added by the fact that many crossover bands, such as D.R.I., began as influential thrashcore bands. Throughout the '80s, the term "thrash" was in use as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). It eventually came to be used for the faster, more intense style of hardcore punk. The te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Powerviolence
Powerviolence (sometimes written as power violence) is an extremely dissonant and fast subgenre of hardcore punk which is closely related to thrashcore and grindcore. In contrast with grindcore, which is a "crossover" idiom containing musical aspects of heavy metal, powerviolence is just an augmentation of the most challenging qualities of hardcore punk. Like its predecessors, it is usually socio-politically charged and iconoclastic. History Siege are considered the pioneers of powerviolence. Additionally, Infest have received credit for having an early impact on the genre. The microgenre solidified into its commonly recognized form in the early 1990s. This is best exemplified by bands such as Man Is the Bastard, Crossed Out, Neanderthal, No Comment and Capitalist Casualties. Powerviolence groups took inspiration from Siege, Hüsker Dü, SSD, Deep Wound, Neon Christ, Hirax, Impact Unit, Dirty Rotten Imbeciles, Negative FX and Corrosion of Conformity. Spazz vocalist and bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossover Thrash
Crossover thrash (often abbreviated to crossover) is a fusion genre of thrash metal and hardcore punk. The genre lies on a continuum between heavy metal and hardcore punk. Other genres on the same continuum, such as metalcore and grindcore, may overlap with crossover thrash. Terminological ambiguity The genre is often confused with thrashcore, which is essentially a faster hardcore punk rather than a more punk-oriented form of metal."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Throughout the early and mid 1980s, the term "thrash" was often used as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). The term "thrashcore" to distinguish acts of the genre from others was not coined until at least 1993. Many crossover bands, such as D.R.I., began as influential thrashcore bands. The "-core" suffix of "thrashcore" is sometimes used to distinguish it from crossover thrash and thrash ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossover Thrash
Crossover thrash (often abbreviated to crossover) is a fusion genre of thrash metal and hardcore punk. The genre lies on a continuum between heavy metal and hardcore punk. Other genres on the same continuum, such as metalcore and grindcore, may overlap with crossover thrash. Terminological ambiguity The genre is often confused with thrashcore, which is essentially a faster hardcore punk rather than a more punk-oriented form of metal."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Throughout the early and mid 1980s, the term "thrash" was often used as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). The term "thrashcore" to distinguish acts of the genre from others was not coined until at least 1993. Many crossover bands, such as D.R.I., began as influential thrashcore bands. The "-core" suffix of "thrashcore" is sometimes used to distinguish it from crossover thrash and thrash ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lärm
Lärm (German for ''noise'') were a Dutch straight edge hardcore band formed in 1981, first playing under the name of Total Chaoz. They referred to their music as "extreme noise", though having nothing to do with noise rock or noise music. Due to members being straight edge, which was something uncommon in the crust punk scene, Lärm were different from many bands at the time. Members went on to form Seein Red and the communist straight edge band Manliftingbanner, who played in a more conventional hardcore punk Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk ... style. Discography * 1984 - ''Campaign for Musical Destruction'' (split LP with Stanx; Eenheidsfront Records) * 1986 - ''End the Warzone'' compilation 7-inch (One Step Ahead Records) * 1986 - ''No One Can Be That Dumb'' 7-i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Straight Ahead (band)
Straight Ahead (known as N.Y.C. Mayhem in 1985) was an American straight edge hardcore punk band formed in Queens, New York City, in 1984, by drummer and vocalist Tommy Carroll, guitarist Gordon Ancis and bassist Tony Marc Shimkin. History Straight Ahead were formed by former-Assault guitarist and bassist Gordon Ancis and Tony Marc Shimkin along with drummer and vocalist Tommy Carroll, who had previously played in Corrupt, in 1984, the band would then change their name to "N.Y.C. Mayhem" in 1985, release their debut demo tape "Mayhemic Destruction" and then replace Shimkin with Craig Setari. Late-1985 saw the release of their debut EP "We Stand" and the band's first breakup, in which Carrol and Setari would join Youth of Today. N.Y.C. Mayhem reformed in 1986, back under their previous moniker "Straight Ahead", this time with Rob Echeverria on guitar, instead of Gordon Ancis. This lineup would record a 7-inch as a three-piece, before recruiting Armand Majidi on drums, having Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro Hippies
Electro Hippies were an English thrashcore band formed in St Helens/Wigan, England, in 1985. Though they were short-lived and underground through their career, their music influenced many future crust, hardcore punk, and grindcore bands. The band relied heavily on low bass end sounds to create their low-fi, primitively produced music. They also incorporated elements of heavy metal and have been described as "proto-grindcore".York, William " ''The Only Good Punk'' Review, ''Allmusic'', Macrovision Corporation, retrieved 19 December 2009 The band strongly embraced the D.I.Y. (do it yourself) ethic which was very common among many early crust punk bands. The band's lyrics spoke heavily about animal rights and vegetarianism. A recurring lyrical theme on each LP targeted the McDonald's corporation, evidenced by the lyrics to "Run Ronald" and "Scum". The band were supported by John Peel for whom they recorded a radio session in 1987, released as an EP by Strange Fruit Records th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speedcore
Speedcore is a form of electronic music that is characterized by a high tempo and aggressive themes. It was created in the early to mid-1990s and the name originates from the hardcore genre as well as the high-speed tempo used. This music rarely drops below 300 beats per minute (bpm). Earlier speedcore tracks often averaged at about 250 bpm, which could be defined as terror(core), whereas some tracks exceed 1000 bpm where it becomes known as extratone. Characteristics Aside from the very fast tempo, which rarely drops below the 300 bpm mark, speedcore can often be distinguished from other forms of hardcore by an aggressive and overridden electronic percussion track that is often punctuated with a hyperactive snare or tom-tom fills. Most producers will overdrive their kicks so far that they become square waves. Speedcore DJs often use violent, vulgar, and offensive themes in their music to push the boundaries of the genre. Since the 2000s, the use of digital audio workstations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suffix
In linguistics, a suffix is an affix which is placed after the stem of a word. Common examples are case endings, which indicate the grammatical case of nouns, adjectives, and verb endings, which form the conjugation of verbs. Suffixes can carry grammatical information (inflectional suffixes) or lexical information ( derivational/lexical suffixes'').'' An inflectional suffix or a grammatical suffix. Such inflection changes the grammatical properties of a word within its syntactic category. For derivational suffixes, they can be divided into two categories: class-changing derivation and class-maintaining derivation. Particularly in the study of Semitic languages, suffixes are called affirmatives, as they can alter the form of the words. In Indo-European studies, a distinction is made between suffixes and endings (see Proto-Indo-European root). Suffixes can carry grammatical information or lexical information. A word-final segment that is somewhere between a free morpheme and a b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cryptic Slaughter
Cryptic Slaughter is an American crossover thrash band based in Santa Monica, California, and originally formed in 1984. Biography Cryptic Slaughter was formed in 1984 by Les Evans (age 17), Scott Peterson (age 14), and Adam Scott (age 15), who met through their mutual participation in the American Youth Soccer League (AYSO). Soon they were joined by Bill Crooks (age 15), a friend of Adam Scott and a fellow soccer player. Adam Scott was let go a few months later due to conflicts regarding his parents and school. Their first demo, ''Life in Grave'', was produced in 1985 and became well circulated in the burgeoning tape-trader underground. Their first full-length LP, ''Convicted'', was released in 1986 on Death/Metal Blade records, whose artist roster also boasted D.R.I., Corrosion of Conformity, Dr. Know, The Mentors, and Beyond Possession. Within its first year of release, ''Convicted'' sold over 25,000 copies and earned Cryptic Slaughter the reputation as being one of the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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