Thou Swell (ballet)
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Thou Swell (ballet)
''Thou Swell'' is a ballet created by New York City Ballet's balletmaster-in-chief Peter Martins to the songs of Richard Rodgers in an arrangement by Glen Kelly with orchestrations Don Sebesky. The music is performed by an on stage trio and two singers. During the course of the ballet one of the male dancers (Nilas Martins in the original cast) "sits in" at the piano. The premiere took place on 22 January 2003 at the New York State Theater, Lincoln Center, with scenery by Robin Wagner, costumes by Julius Lumsden, supervised by Holly Hynes, and lighting by Mark Stanley. Featured songs (Song used and date of composition): *"Where or When" (1937) *"Manhattan" (1925) *" Mountain Greenery" (1926) *"My Heart Stood Still" (1927) *" This Can't Be Love" (1938) *" Bewitched, Bothered and Bewildered" (1940) *" The Lady Is a Tramp" (1937) *"Blue Moon" (1934) *" Getting to Know You" (1951) *"Lover" (1932) *" The Most Beautiful Girl in the World" (1935) *" With a Song in My Heart" (1929) ...
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New York City Ballet
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946. History In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it."Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan"
(review of Martin Du ...
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Getting To Know You (song)
"Getting to Know You" is a show tune from the 1951 Rodgers and Hammerstein musical ''The King and I''. It was first sung by Gertrude Lawrence in the original Broadway production and later by Marni Nixon who dubbed for Deborah Kerr in the 1956 film adaptation. In the show, Anna, a British schoolteacher who has been hired as a governess, sings the song as she strikes up a warm and affectionate relationship with the children and the wives of the King of Siam. This song is one of the cases during the Rodgers and Hammerstein partnership when Rodgers re-used a melody he had written for an earlier show and then discarded. In this case the melody was a tune he wrote for '' South Pacific'', called "Suddenly Hungry and Sad", which he originally intended for the character of Nellie to sing but replaced it with the song "(I'm in Love with) a Wonderful Guy". Mary Martin, the star of South Pacific, who had proposed that Rodgers should cast Yul Brynner as the King, reminded Rodgers of this ...
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Nilas Martins
This is a list of New York City Ballet dancers. Principal dancers Soloists This is a list of New York City Ballet soloists. Corps de ballet The following is a list of the current members of the corps de ballet. * Victor Abreu * Devin Alberda * Marika Anderson * Olivia Boisson * Gilbert Bolden III * Jacqueline Bologna * India Bradley * LaJeromeny Brown * Christina Clark * Lauren Collett * Nieve Corrigan * Naomi Corti * Uma Deming * Gabriella Domini * Savannah Durham * Meaghan Dutton-O'Hara * Jonathan Fahoury * Christopher Grant * Laine Habony * Kennard Henson * Spartak Hoxha * Rachel Hutsell * Sasonah Huttenbach * Baily Jones * Alec Knight * Ruby Lister * Malorie Lundgren * Jules Mabie * Alston Macgill * Mary Thomas MacKinnon * Olivia MacKinnon * Zoe Bliss Magnussen * Jenelle Manzi * Alexa Maxwell * Samuel Melnikov * Clara Miller * Lars Nelson * Davide Riccardo * Andrew Scordato * Kristen Segin * Mary Elizabeth Sell * Quinn Starner * Mimi Staker * KJ Takahashi * Kenne ...
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Charles Askegard
Charles Askegard is an American ballet dancer and ballet master at Pennsylvania Ballet. Early life and education Askegard was born in Minneapolis, Minnesota, and began his dance training at the age of five with Loyce Houlton and the Minnesota Dance Theatre. He continued his studies in Minneapolis until the age of 16, spending one summer at the School of American Ballet. Career Askegard joined American Ballet Theatre as a member of the corps de ballet in 1987, and was promoted to soloist in 1992. In 1997, he left ABT to join New York City Ballet as a soloist and was promoted to principal the next year. Askegard appeared in PBS' Live from Lincoln Center broadcast, "New York City Ballet's Diamond Project: Ten Years of New Choreography" in 2002, dancing in ''Them Twos'' and two years later in the Live From Lincoln Center broadcast, "Lincoln Center Celebrates Balanchine 100," in ''Vienna Waltzes''. He has been a guest artist with Pacific Northwest BalletBallet Etudesof South ...
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Darci Kistler
Darci Kistler (born June 4, 1964) is an American ballerina. She is often said to be the last muse for choreographer George Balanchine. Early life Kistler was born in Riverside, California, the fifth child (with four older brothers) of a medical doctor and his wife. Her brothers excelled in amateur wrestling, and she followed them into water-skiing, basketball, football and horseback riding. Ballet career At age 4, Kistler received her first tutu and began ballet training that same year. She claimed although she was always athletic, she could never keep to her brothers—so ballet turned out to be one cornerstone she had mastered. After seeing a ballet performance of Rudolf Nureyev and Margot Fonteyn, she decided she wanted to take up ballet herself. She studied with Mary Lynn at Mary Lynn's Ballet Arts and later with Irina Kosmovska in Los Angeles. In early 1979, Kistler was selected to study at New York City Ballet's School of American Ballet (SAB), where she met George Ba ...
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Rachel Rutherford
Rachel Rutherford (born Rachel Rutherford Englund Knapp) is a former soloist with New York City Ballet. Rutherford was born in New York City, the daughter of dancer and ballet teacher Gage Bush Englund. She began her training at age eight at the Joffrey Ballet School and entered the School of American Ballet in 1987. While attending the Chapin School, from which she eventually graduated in 1994, Rutherford also received the D.A.N.C.E. scholarship allowing her to study in Spring 1992 at the Royal Danish Ballet. She became an apprentice with the New York City Ballet the following year and joined the corps de ballet late 1995. The next Spring she appeared on the '' Late Show with David Letterman''. Ms. Rutherford was promoted to soloist at the New York City Ballet in May 2002, danced that year in ''Chiaroscuro'' on the ''Live from Lincoln Center'' broadcast, ''New York City Ballet's Diamond Project: Ten Years of New Choreography'', and again two years later dancing in ''Concerto B ...
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Yvonne Borree
Yvonne Borree is a former principal dancer at New York City Ballet. She was raised in Norfolk, Virginia, where she began her dance studies with the Tidewater Ballet Association at four years of age. She attended the School of American Ballet for three summers and was invited to enter SAB full-time in 1985. Two years later Yvonne became an apprentice with SAB's parent company, New York City Ballet, and joined the corps de ballet in 1988. she danced with guest artist Mikhail Baryshnikov in George Balanchine's "Duo Concertant" in Spring, 1992. Ms. Borree was promoted to the rank of soloist the next year and to principal in 1997. She is the daughter of Susan Borree, who danced with Jerome Robbins' Ballets: USA, with New York City Ballet and American Ballet Theatre. Yvonne Borree's farewell performance took place Sunday, June 6, 2010,NY Times
by
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Maria Kowroski
Maria Kowroski is an American ballet dancer. She is a principal dancer at the New York City Ballet. Early life Kowroski was born in Grand Rapids, Michigan. She started ballet at the age of five. In 1992, she entered the School of American Ballet in New York City. Career In 1994, at the age of 17, Kowroski entered the New York City Ballet as an apprentice, and became a member of the corps de ballet a year later. She was promoted to soloist in 1997 and principal dancer in 1999. She has danced classical productions such as ''Swan Lake'', Balanchine's works including ''Tchaikovsky Pas de Deux'' and ''The Nutcracker'', and originated roles such as Christopher Wheeldon's '' After the Rain''. Before her retirement she was the company's most senior dancer, and the only remaining dancer to have worked with founding choreographer Jerome Robbins. Kowroski had danced with Mariinsky Ballet and Munich Ballet as guest artist. She also performed in Dance Against Cancer's 2019 concert. Also in 20 ...
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Thou Swell
"Thou Swell" is a show tune, a popular song and a jazz standard written in 1927. History The music was written by Richard Rodgers, with words by Lorenz Hart, for the 1927 musical '' A Connecticut Yankee''. The lyric is notable, as indicated by the title, for its mix of archaic English and modern slang as the story takes place in both contemporary times and in King Arthur's court. Recordings *An early recorded version featured The Broadway Nitelites conducted by Ben Selvin with vocals by Franklyn Baur (Columbia 1928). *There are many popular and jazz vocal renditions, including those by Nat King Cole (and later Natalie Cole), Bing Crosby for his 1976 album '' At My Time of Life'', Sarah Vaughan, Frank Sinatra, Eydie Gormé, Ella Fitzgerald and Joe Williams. Bix Beiderbecke, Fats Waller, Harry James, J.J.Johnson and Billy May all recorded the song instrumentally. *In the MGM Technicolor biopic about Rodgers and Hart called '' Words and Music'' (1948), June Allyson sings ...
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You Took Advantage Of Me
"You Took Advantage of Me" is a 1928 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart, for the musical '' Present Arms'' (1928), where it was introduced by Joyce Barbour and Busby Berkeley as the characters Edna Stevens and Douglas Atwell. The characters were formerly married, but still have romantic feelings for each other. On opening night, Berkeley forgot the lyrics and had to scat and hum the entire second verse. Berkeley also claimed that his nonsense lyrics for the improvised second verse left Hart "almost apoplectic", but the audience was amused and Hart later forgave him. The song was subsequently included in the 1930 film ''Leathernecking'', an adaptation of ''Present Arms''. Rodgers described the song as a "sassy and unregretful number" which audiences liked far more than traditional contemporary love songs. In his book ''The Poets of Tin Pan Alley'', Philip Furia wrote that the song depicted a "...wittily self deprecating character who was perfectly ...
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Isn't It Romantic?
"Isn't It Romantic?" is a popular song and part of the Great American Songbook. The music was composed by Richard Rodgers, with lyrics by Lorenz Hart. It has a 32-bar chorus in A–B–A–C form. Alec Wilder, in his book ''American Popular Song: The Great Innovators 1900–1950,'' calls it "a perfect song." It was introduced by Maurice Chevalier and Jeanette MacDonald in the Paramount film ''Love Me Tonight'' (1932). It has since been recorded numerous times, with and without vocals, by many jazz and popular artists. The song has also since been featured in a number of other movies. In ''Love Me Tonight'', the song is used in a sequence in which it is first sung by Maurice Chevalier, a tailor, and then taken up by others (his customer, a cabby, a composer, a troop of soldiers, a band of gypsies) and is finally heard and sung by a princess, played by Jeanette MacDonald. The lyrics in the film are not the same as those in the published version. In 2004 this version finished at #7 ...
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