Thomas Jamerson
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Thomas Jamerson
Thomas Jamerson is an American baritone who had an active international career as an opera and concert performer from the 1960s through the 1990s. He first drew distinction in the field of opera in 1968 when he recorded the role of Baron Douphol in Giuseppe Verdi's ''La traviata'' for RCA with conductor Georges Prêtre, the RCA Italiana Orchestra, and Montserrat Caballe as Violetta and Carlo Bergonzi as Alfredo. In 1969 he portrayed roles in the United States premieres of two operas at the Santa Fe Opera: Der Auserwählte (The Chosen One) in Arnold Schoenberg's ''Die Jakobsleiter'' and Captain of the Royal Guard in Hans Werner Henze's ''The Bassarids''. He was a principal artist with the New York City Opera from 1969 to 1984. In 1971 he notably created the role of Professor Bolental in the world premiere of Gian Carlo Menotti's ''The Most Important Man''. He currently teaches voice on the faculty at the Music Conservatory of Westchester in White Plains, New York. Life and career Bo ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Cornelius L
Cornelius may refer to: People * Cornelius (name), Roman family name and a masculine given name * Pope Cornelius, pope from AD 251 to 253 * St. Cornelius (other), multiple saints * Cornelius (musician), stage name of Keigo Oyamada * Metropolitan Cornelius (other), several people * Cornelius the Centurion, Roman centurion considered by Christians to be the first Gentile to convert to the Christian faith Places in the United States * Cornelius, Indiana * Cornelius, Kentucky * Cornelius, North Carolina * Cornelius, Oregon Other uses * Cornelius keg, a metal container originally used by the soft drink industry * ''Adam E. Cornelius'' (ship, 1973), a lake freighter built for the American Steamship Company * ''Cornelius'', a play by John Boynton Priestley John Boynton Priestley (; 13 September 1894 – 14 August 1984) was an English novelist, playwright, screenwriter, broadcaster and social commentator. His Yorkshire background is reflected in much of his f ...
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Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ...
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Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ...
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American Opera Society
The American Opera Society (AOS) was a New York City-based musical organization that presented concert and semi-staged performances of operas between 1951 and 1970. The company was highly influential in sparking and perpetuating the post World War II bel canto revival, particularly through a number of highly lauded productions of rarely heard works by Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini. The AOS also presented many operas to the American public for the first time, including the United States premieres of Benjamin Britten's '' Billy Budd'', Giuseppe Verdi's ''Giovanna d'Arco'', George Frideric Handel's ''Hercules'' and Hector Berlioz's ''Les troyens'' to name just a few. History The American Opera Society was founded in 1950 by two young musicians at the Juilliard School: Allen Sven Oxenburg and Arnold Gamson. Oxenburg served as the AOS's Artistic Director throughout the company's entire history. Gamson served as the AOS's Music Director and principal conductor ...
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University Of California Press
The University of California Press, otherwise known as UC Press, is a publishing house associated with the University of California that engages in academic publishing. It was founded in 1893 to publish scholarly and scientific works by faculty of the University of California, established 25 years earlier in 1868, and has been officially headquartered at the university's flagship campus in Berkeley, California, since its inception. As the non-profit publishing arm of the University of California system, the UC Press is fully subsidized by the university and the State of California. A third of its authors are faculty members of the university. The press publishes over 250 new books and almost four dozen multi-issue journals annually, in the humanities, social sciences, and natural sciences, and maintains approximately 4,000 book titles in print. It is also the digital publisher of Collabra and Luminos open access (OA) initiatives. The University of California Press publishes in ...
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Harold C
Harold may refer to: People * Harold (given name), including a list of persons and fictional characters with the name * Harold (surname), surname in the English language * András Arató, known in meme culture as "Hide the Pain Harold" Arts and entertainment * ''Harold'' (film), a 2008 comedy film * ''Harold'', an 1876 poem by Alfred, Lord Tennyson * ''Harold, the Last of the Saxons'', an 1848 book by Edward Bulwer-Lytton, 1st Baron Lytton * ''Harold or the Norman Conquest'', an opera by Frederic Cowen * ''Harold'', an 1885 opera by Eduard Nápravník * Harold, a character from the cartoon ''The Grim Adventures of Billy & Mandy'' *Harold & Kumar, a US movie; Harold/Harry is the main actor in the show. Places ;In the United States * Alpine, Los Angeles County, California, an erstwhile settlement that was also known as Harold * Harold, Florida, an unincorporated community * Harold, Kentucky, an unincorporated community * Harold, Missouri, an unincorporated community ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ...
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Donal Henahan
Donal Henahan (February 28, 1921 – August 19, 2012) was an American music critic and journalist who had lengthy associations with the ''Chicago Daily News'' and ''The New York Times''. With the ''Times'' he won the annual Pulitzer Prize for Criticism in 1986; he had been a finalist in 1982. Life and career Born in Cleveland, Ohio, Henahan initially studied at Kent State University and Ohio University, but his education was interrupted by military service during World War II. As a fighter pilot in the United States Army Air Forces from 1942 to 1945, he attained the rank of first lieutenant and was awarded the Air Medal with four oak leaf clusters. After the war, he entered Northwestern University, where he received his undergraduate degree in 1948. In 1949, he entered the University of Chicago to pursue graduate studies, and from 1951 to 1958 he studied piano, singing, and classical guitar at the Chicago School of Music at Roosevelt University.Fischer, p. 283. He later pursue ...
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Opera News
''Opera News'' is an American classical music magazine. It has been published since 1936 by the Metropolitan Opera Guild, a non-profit organization located at Lincoln Center which was founded to engender the appreciation of opera and also support the Metropolitan Opera of New York City. ''Opera News'' was initially focused primarily on the Met, particularly providing information for listeners of the Saturday afternoon live Metropolitan Opera radio broadcasts. Over the years, the magazine has broadened its scope to include the larger American and international opera scenes. Currently published monthly, ''Opera News'' offers opera related feature articles; artist interviews; production profiles; musicological pieces; music-business reportage; reviews of performances in the United States and Europe; reviews of recordings, videos, books and audio equipment; and listings of opera performances in the U.S. The Editor-in-Chief is currently F. Paul Driscoll. Regular contributors to the mag ...
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Metropolitan Opera National Company
The Metropolitan Opera National Company (MONC) was a short lived American opera company that operated from 1965 to 1967 as a second touring company of the Metropolitan Opera that featured American and Canadian artists in their early stages of career development. While operationally part of the Metropolitan Opera's budget, it was co-sponsored by the John F. Kennedy Center for the Performing Arts. Led by mezzo-soprano Risë Stevens, the company's roster of artists included many prominent opera singers of the second half of the 20th century in the early part of their careers. History Envisioned by Anthony Bliss, a prominent New York lawyer and president of the Metropolitan Opera Association, support of the MONC's formation was spearheaded by President John F. Kennedy who announced the project in 1963. Responding to the president's call for support of the company, philanthropist and publisher Lila Acheson Wallace donated the bulk of the company's finances during it operational history. W ...
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The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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