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Thirunavukkarasar
Appar, also referred to as ( ta, திருநாவுக்கரசர்) or Navukkarasar, was a seventh-century Tamil Śaiva poet-saint. Born in a peasant Śaiva family, raised as an orphan by his sister, he lived about 80 years and is generally placed sometime between 570 and 650 CE.Zvelebil 1974, p. 95 Appar composed 4,900 devotional hymns to the god Shiva, out of which 313 have survived and are now canonized as the 4th to 6th volumes of ''Tirumurai''. One of the most prominent of the sixty-three revered Nayanars, he was an older contemporary of Thirugnana Sambandar. His images are found and revered in Tamil Shiva temples. His characteristic iconography in temples show him carrying a farmer's small hoe – a gardening tool and weed puller. Names Appar is also known as Tirunāvukkarasar (''lit.'' "King of the Tongue, Lord of Language"). His birth-name was Marulneekkiyar, and was renamed to Tharumasenar while he studied and later served as the head of a Jain monastery. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appar Wooden Image
Appar, also referred to as ( ta, திருநாவுக்கரசர்) or Navukkarasar, was a seventh-century Tamil Śaiva poet-saint. Born in a peasant Śaiva family, raised as an orphan by his sister, he lived about 80 years and is generally placed sometime between 570 and 650 CE.Zvelebil 1974, p. 95 Appar composed 4,900 devotional hymns to the god Shiva, out of which 313 have survived and are now canonized as the 4th to 6th volumes of ''Tirumurai''. One of the most prominent of the sixty-three revered Nayanars, he was an older contemporary of Thirugnana Sambandar. His images are found and revered in Tamil Shiva temples. His characteristic iconography in temples show him carrying a farmer's small hoe – a gardening tool and weed puller. Names Appar is also known as Tirunāvukkarasar (''lit.'' "King of the Tongue, Lord of Language"). His birth-name was Marulneekkiyar, and was renamed to Tharumasenar while he studied and later served as the head of a Jain monastery. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thillai Nataraja Temple, Chidambaram
Thillai Nataraja Temple, also referred as the Chidambaram Nataraja Temple, is a Hindu temple dedicated to Nataraja, the form of Shiva as the lord of dance. This temple is located in Chidambaram, Tamil Nadu, India. This temple has ancient roots and a Shiva shrine existed at the site when the town was known as Thillai. Pal 1988, p. 19 Chidambaram, the name of the city literally means "stage of consciousness". The temple architecture symbolizes the connection between the arts and spirituality, creative activity and the divine.Chidambaram Encyclopædia Britannica The temple wall carvings display all the 108 karanas from the '''' by Bharata Muni, and these postures form a foundation of |
Madurai Meenakshi Amman Temple
Arulmigu Meenakshi Sundaraswarar Temple is a historic Hindu temple located on the southern bank of the Vaigai River in the temple city of Madurai, Tamil Nadu, India. It is dedicated to the goddess Meenakshi, a form of Parvati, and her consort, ''Sundareshwarar'', a form of Shiva. The temple is at the center of the ancient temple city of Madurai mentioned in the Tamil Sangam literature, with the goddess temple mentioned in 6th-century-CE texts. This temple is one of the Paadal Petra Sthalams. The Paadal Petra sthalams are 275 temples of lord Shiva that are revered in the verses of Tamil Saiva Nayanars of 6th-9th century CE. The west tower (gopuram) of the temple is the model based on which the Tamil Nadu State Emblem is designed. Overview Madurai Meenakshi Sundareswarar temple was built by Pandayan Emperor Sadayavarman Kulasekaran I (1190 CE–1205 CE). He built the main Portions of the three-storeyed Gopuram at the entrance of Sundareswarar Shrine and the central portion of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pann
''Pann'' ( ta, பண்) is the melodic mode used by the Tamil people in their music since the ancient times. The ancient ''pans'' over centuries evolved first into a pentatonic scale. But from the earliest times, Tamil Music is heptatonic and known as Ezhisai (ஏழிசை).Adiyarkunallar's commentary to the ''Aychiyarkkuravai'', the seventh book of Cilappatikaram gives the number of Srutis and how they were allotted among Seven notes. ''Panns'' in literature There are several references to music and ''Pants'' in the ancient pre-Sangam and Sangam literature starting from the earliest known work Tholkappiyam (500 BCE). Among Sangam literature, '' Mathuraikkanci'' refers to women singing ''sevvazhi pain'' to invoke the mercy of God during childbirth. In '' Tolkappiyam'', the five landscapes of the Sangam literature had each an associated ''Pann'', each describing the mood of the song associated with that landscape. Among the numerous ''pans'' that find mention in the ancien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaiva Siddhanta
Shaiva Siddhanta () (Tamil: சைவ சித்தாந்தம் "Caiva cittāntam") is a form of Shaivism that propounds a dualistic philosophy where the ultimate and ideal goal of a being is to become an enlightened soul through Shiva's grace. It draws primarily on the Tamil devotional hymns written by Shaiva saints from the 5th to the 9th century, known in their collected form as ''Tirumurai''. Meykandadevar (13th century) was the first systematic philosopher of the school. The normative rites, cosmology and theology of Shaiva Siddhanta draw upon a combination of Agamas and Vedic scriptures. This tradition is thought to have been once practiced all over India. However the Muslim subjugation of North India restricted Shaiva Siddhanta to the south, where it merged with the Tamil Saiva movement expressed in the bhakti poetry of the Nayanmars.Flood, Gavin. D. 1996. An Introduction to Hinduism. P.168 It is in this historical context that Shaiva Siddhanta is commonly cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puja (Hinduism)
''Puja'' ( sa, पूजा, pūjā, translit-std=IAST) is a worship ritual performed by Hindus, Buddhists and Jains to offer devotional homage and prayer to one or more deities, to host and honor a guest, or to spiritually celebrate an event. It may honor or celebrate the presence of special guests, or their memories after they die. The word ''pūjā'' is Sanskrit, and means reverence, honor, homage, adoration, and worship.पूजा ''Sanskrit Dictionary'', Germany (2009) Puja, the loving offering of light, flowers, and water or food to the divine, is the essential ritual of Hinduism. For the worshipper, the divine is visible in the image, and the divinity sees the worshipper. The interaction between human and deity, between |
Agama (Hinduism)
The Agamas (Devanagari: , IAST: ) are a collection of several Tantric literature and scriptures of Hindu schools.Julius Lipner (2004), Hinduism: the way of the banyan, in The Hindu World (Editors: Sushil Mittal and Gene Thursby), Routledge, , pages 27–28 The term literally means tradition or "that which has come down", and the Agama texts describe cosmology, epistemology, philosophical doctrines, precepts on meditation and practices, four kinds of yoga, mantras, temple construction, deity worship and ways to attain sixfold desires. These canonical texts are in Tamil and Sanskrit. Agamas were predominant in South India but Sanskritized later. The three main branches of Agama texts are Shaiva, Vaishnava, and Shakta. The Agamic traditions are sometimes called Tantrism, although the term "Tantra" is usually used specifically to refer to Shakta Agamas.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with footnotes The Agama li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahendravarman I
Mahendravarman I (600–630 CE) was a Pallava emperor who ruled the Southern portion of present-day Andhra region and Northern regions of what forms present-day Tamil Nadu in India in the early 7th century. He was a scholar, painter, architect, musician. He was the son of Simhavishnu, who defeated the Kalabhras and re-established the Pallava kingdom. During his reign, the Chalukya king Pulakeshin II attacked the Pallava kingdom. The Pallavas fought a series of wars in the northern Vengi region, before Mahendravarma decimated his chief enemies at Pullalur (according to Pallava grants at Kuram, Kasakudi and Tadantottam). Although Mahendravarma saved his capital, he lost the northern provinces to Pulakeshin. Tamil literature flourished under his rule, with the rise in popularity of ''Tevaram'' written by Appar and Sambandhar. Mahendravarman I was the author of the play '' Mattavilasa Prahasana'' which is a Sanskrit satire. During his period "Bhagwatajjukam", another satire (praha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pallava
The Pallava dynasty existed from 275 CE to 897 CE, ruling a significant portion of the Deccan, also known as Tondaimandalam. The dynasty rose to prominence after the downfall of the Satavahana dynasty, with whom they had formerly served as feudatories. The Pallavas became a major South Indian power during the reign of Mahendravarman I (600–630 CE) and Narasimhavarman I (630–668 CE), and dominated the southern Andhra Region and the northern parts of the Tamil region for about 600 years, until the end of the 9th century. Throughout their reign, they remained in constant conflict with both the Chalukyas of Badami in the north, and the Tamil kingdoms of Chola and Pandyas in the south. The Pallavas were finally defeated by the Chola ruler Aditya I in the 9th century CE. The Pallavas are most noted for their patronage of Hindu temple architecture, the finest example being the Shore Temple, a UNESCO World Heritage Site in Mamallapuram. Kancheepuram served as the capital of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Raja Chola I
Rajaraja I (947 CE – 1014 CE), born Arunmozhi Varman or Arulmozhi Varman and often described as Raja Raja the Great or Raja Raja Chozhan was a Chola emperor who reigned from 985 CE to 1014 CE. He was the most powerful Tamil king in South India during his reign and is remembered for reinstating the Chola influence and ensuring its supremacy across the Indian Ocean. His extensive empire included vast regions of the Pandya country, the Chera country and northern Sri Lanka. He also acquired Lakshadweep and Thiladhunmadulu atoll, and part of the northern-most islands of the Maldives in the Indian Ocean. Campaigns against the Western Gangas and the Chalukyas extended the Chola authority as far as the Tungabhadra River. On the eastern coast, he battled with the Chalukyas for the possession of Vengi.A Journey through India's Past by Chandra Mauli Mani p.51 Rajaraja I, being an able administrator, also built the great Rajarajeshwaram Temple at the Chola capital Thanjavur. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangam Literature
The Sangam literature (Tamil: சங்க இலக்கியம், ''caṅka ilakkiyam'';) historically known as 'the poetry of the noble ones' (Tamil: சான்றோர் செய்யுள், ''Cāṉṟōr ceyyuḷ'') connotes the ancient Tamil literature and is the earliest known literature of South India. The Tamil tradition and legends link it to three literary gatherings around Madurai and Kapāṭapuram ( Pandyan capitals): the first over 4,440 years, the second over 3,700 years, and the third over 1,850 years before the start of the common era. Scholars consider this Tamil tradition-based chronology as ahistorical and mythical. Most scholars suggest the historical Sangam literature era spanned from c. 300 BCE to 300 CE, while others variously place this early classical Tamil literature period a bit later and more narrowly but all before 300 CE. According to Kamil Zvelebil – a Tamil literature and history scholar, the most acceptable range for the Sangam l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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