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Appar, also referred to as ( ta, திருநாவுக்கரசர்) or Navukkarasar, was a seventh-century Tamil
Śaiva Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions rangi ...
poet-saint. Born in a peasant Śaiva family, raised as an orphan by his sister, he lived about 80 years and is generally placed sometime between 570 and 650 CE.Zvelebil 1974, p. 95 Appar composed 4,900 devotional hymns to the god Shiva, out of which 313 have survived and are now canonized as the 4th to 6th volumes of ''
Tirumurai ''Thirumurai'' (Tamil: திருமுறை, meaning holy division) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyand ...
''. One of the most prominent of the sixty-three revered
Nayanars The Nayanars (or Nayanmars; ta, நாயன்மார், translit=Nāyaṉmār, translit-std=ISO, lit=hounds of Siva, and later 'teachers of Shiva ) were a group of 63 Tamil Hindu saints living during the 6th to 8th centuries CE who were de ...
, he was an older contemporary of
Thirugnana Sambandar Sambandar (Tamil: சம்பந்தர்), also referred to as Tirugnana Sambandar (lit. ''Holy Sage Sambandar''), Tirujnanasambanda, Campantar or Jñāṉacampantar, was a Shaiva poet-saint of Tamil Nadu who lived sometime in the 7th cen ...
. His images are found and revered in Tamil Shiva temples. His characteristic iconography in temples show him carrying a farmer's small hoe – a gardening tool and weed puller.


Names

Appar is also known as Tirunāvukkarasar (''lit.'' "King of the Tongue, Lord of Language"). His birth-name was Marulneekkiyar, and was renamed to Tharumasenar while he studied and later served as the head of a Jain monastery. After he returned to Shaivism and began composing devotional hymns to Shiva, he has been historically referred to as ''Appar'' (''lit.'' "father"), after the child poet-saint Sambandar lovingly called him ''Appar''.


Early life

An outline about Appar's life, without specifics, are found in his own hymns that were preserved by an
oral tradition Oral tradition, or oral lore, is a form of human communication wherein knowledge, art, ideas and cultural material is received, preserved, and transmitted orally from one generation to another. Vansina, Jan: ''Oral Tradition as History'' (1985 ...
. A written collection of his hymns as well as more details are found in texts about four centuries after he died. One of the most studied version is the Sekkizhar's ''
Periya Puranam The ''Periya‌ purāṇa‌m'' (Tamil: பெரிய‌ புராண‌ம்), that is, the ''great purana'' or epic, sometimes called ''Tiruttontarpuranam'' ("Tiru-Thondar-Puranam", the Purana of the Holy Devotees), is a Tamil poetic ...
'', the last book of the ''Tirumurai''. There, under ''Thiruninrasargam'' and in 428 verses, Sekkizhar presents the legendary life of Appar. Appar was born in late 6th-century, likely between 570 and 596 CE. Some scholars place him a bit later, in early 7th-century. Appar was born in the Guruaruludaiyan kothiraam of the
Vellalar Vellalar is a generic Tamil term used primarily to refer to various castes who traditionally pursued agriculture as a profession in the Indian states of Tamil Nadu, Kerala and northeastern parts of Sri Lanka. The Vellalar are members of several ...
caste by birth. His childhood name was Marunikkiyar (Marulneekiar). Orphaned, he was raised by his older sister Thilagavathiar. Thilagavathiar was betrothed to a military commander who died in war. She never married thereafter, devoted herself to Shaivism and to taking care of her little brother. He spent his childhood in Tiruvamur village near Atikai by most accounts.


Conversion to Jainism and return to Saivaism

Unlike his sister, Appar turned to Jainism. He left home, joined a Jain monastery, where he was renamed Dharmasena (Tarumacenar). He studied Jainism and years later became the head of the Jain monastery in Tiruppatirippuliyur. After a while, afflicted by a painful stomach illness, Dharmasena returned home. His sister gave him ''Tiruneeru'' (sacred ash) and the five syllable mantra "namaccivaya" (Namah Shivaya). Then they went together to a Shiva temple in Atikai, where he spontaneously composed his first hymn of Tevaram. As he sang the second verse, he was miraculously cured of his stomach illness. Thereafter, he came to be known as Navukkaracar (from Skt: Vagisa, "king of speech") or more popularly just Appar. He had thus left Jainism, and become a devout Shaiva. Appar's hymn are intimately devotional to Shiva, but occasionally include verses where he repents the Jain period of his life. In Tevaram hymn IV.39 and others, he criticizes the Jain monastic practice of not brushing teeth, the lack of body hygiene, their barbaric ascetic practices, the doctrine of ''pallurai'' (anekantavada) as self-contradictory relativism, the hypocrisy of running away from the world and work yet begging for food in that same world, and others.


Bhakti

Appar largely stayed at Atikai with his sister before visiting other Siva temples to sing in praise of Siva. He heard of
Thirugnana Sambandar Sambandar (Tamil: சம்பந்தர்), also referred to as Tirugnana Sambandar (lit. ''Holy Sage Sambandar''), Tirujnanasambanda, Campantar or Jñāṉacampantar, was a Shaiva poet-saint of Tamil Nadu who lived sometime in the 7th cen ...
and went to Sirkali to meet him. Thiru GnaanaSambandar respectfully addressed Navukkarasar as ''Appar'' (father) and he and Appar travelled together singing hymns. Appar is said to have traveled to about a hundred and twenty-five temples in different cities or villages in Tamil Nadu. He died in ''Sadhaya Nakshtra'' in the
Tamil month Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia **Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils **Tamil Malaysians, Tamil people native to Malaysia * Tamil language, nativ ...
of ''Chithirai'' at Tiru Pukalur Siva temple at the age of 81.


Appar's Tevaram

The Tamil Shaiva tradition believes that Appar extolled Siva in 4,900 hymns (49,000 stanzas). Of these 313 hymns (3,130 stanzas) have survived, later compiled in the fourth, fifth and sixth volumes of the ''
Tirumurai ''Thirumurai'' (Tamil: திருமுறை, meaning holy division) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyand ...
'', the Tamil poetic canon of
Shaiva Siddhanta Shaiva Siddhanta () (Tamil: சைவ சித்தாந்தம் "Caiva cittāntam") is a form of Shaivism that propounds a dualistic philosophy where the ultimate and ideal goal of a being is to become an enlightened soul through Shiv ...
. The compilation of these books is generally ascribed to
Nambiyandar Nambi Thirunaraiyur Nambiyandar Nambi was an eleventh-century Shaiva scholar of Tamil Nadu in South India who compiled the hymns of Sampantar, Appar and Sundarar and was himself one of the authors of the eleventh volume of the canon of the Tamil litur ...
(10th century CE). Some of Appar's hymns set to various ''
Pann ''Pann'' ( ta, பண்) is the melodic mode used by the Tamil people in their music since the ancient times. The ancient ''pans'' over centuries evolved first into a pentatonic scale. But from the earliest times, Tamil Music is heptatonic and ...
s'', the melodic modes of
Ancient Tamil music The ancient Tamil music is the historical predecessor of the Carnatic music during the Sangam period spanning from 500 BCE to 200 CE. Many poems of the classical Sangam literature were set to music. There are various references to this anc ...
– the rest are set to ''Tirunerisai'' and ''Viruttam'' metres. In the last four decades of his life, he visited on foot no less than 125 shrines of
Shiva Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hindu ...
, scattered over a territory of a . He was the only one of the four ''kuravars'' to visit the shrine at Tirukokarnam on the western coast of
India India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the so ...
. He sang 312 decads comprising 3,056 stanzas of devotion. All the songs in the Tevaram (called ''pathikam'', Tamil:பதிகம்) are believed to be in sets of ten. The hymns were set to music denoted by ''
Pann ''Pann'' ( ta, பண்) is the melodic mode used by the Tamil people in their music since the ancient times. The ancient ''pans'' over centuries evolved first into a pentatonic scale. But from the earliest times, Tamil Music is heptatonic and ...
s'' and are part of the canon of the
Tamil music Music of Tamil Nadu has a long tradition and history going back thousands of years. Music is a very important aspect of marriage and temple festival Tamil people. Ancient music The tradition of Tamil music goes back to the earliest period o ...
.Sabaratnam 2001, p. 26 They continue to be part of temple liturgy today. Several of these poems refer to historic references pointing to the saint-poets' own life, voice of devotee persona, using interior language of the mystic.Callewaert 1994, p. 199 Multi-vocal rhetoric is commonly used taking on personal emotions and genres and some voices of classical
Sangam literature The Sangam literature (Tamil: சங்க இலக்கியம், ''caṅka ilakkiyam'';) historically known as 'the poetry of the noble ones' (Tamil: சான்றோர் செய்யுள், ''Cāṉṟōr ceyyuḷ'') connotes ...
. Appar's poems dealt with inner, emotional and psychological state of the poet saint. The metaphors used in the poems have deep agrarian influence that is considered one of the striking chords for common people to get accustomed to the verse. The quote below is a popular song of Appar glorifying Shiva in simple diction.Aiyangar 2004, p. 35 :::மாசில் வீணையும் மாலை மதியமும் :::வீசு தென்றலும் வீங்கிள வேனிலும் :::மூசு வண்டறை பொய்கையும் போன்றதே :::ஈசன் எந்தை இணையடி நீழலே" :::(''"Mācil vīṇaiyum mālai matiyamum'' :::''vīcu těņṛalum vīŋkiḷa vēņilum'' :::''mūcu vaṇţaṛai pǒykaiyum pōņṛatē'' :::''īcaņ ěntai iṇaiyaţi nīļalē"'') translating to :::"My Lord's twin feet are like the blemishless Veena :::like the full-moon of the evening :::like the gentle breeze blowing from the South :::like the young spring :::like a bee-humming pond " The tendency to incorporate place names known to the folks in the idiom of the poems is another characteristic feature of ''Tevaram''.Sabaratnam 2001, pp. 27-28 The poems also involved glorifying the feat of Shiva in the particular location – the usage of locale continuously occurring in the verses is a testament. According to Prentiss, the poems do not represent social space as a contested space, the hymns represent the hymnists were free to wander and to offer their praise of Shiva. The emotional intensity of the hymns represent spontaneous expression of thought as an emotional responses to God. The hymnists made classificatory lists of places like ''katu'' (for forest), ''turai'' (port or refuge), ''kulam'' (water tank) and ''kalam'' (field) being used – thus both structured and unstructured places in the religious context find a mention in ''Tevaram''.


Compilation

Raja Raja Chola I Rajaraja I (947 CE – 1014 CE), born Arunmozhi Varman or Arulmozhi Varman and often described as Raja Raja the Great or Raja Raja Chozhan was a Chola emperor who reigned from 985 CE to 1014 CE. He was the most powerful Tamil king in South ...
(ruled 985–1013 CE) embarked on a mission to recover the hymns after hearing short excerpts of ''Tevaram'' in his court.Culter 1987, p. 50 He sought the help of Nambi Andar Nambi, who was a priest in a temple. It is believed by Tamil Shaiva that Nambi found the scripts by divine intervention, in the form of cadijam leaves half eaten by white ants in a chamber inside the second precinct in
Thillai Nataraja Temple, Chidambaram Thillai Nataraja Temple, also referred as the Chidambaram Nataraja Temple, is a Hindu temple dedicated to Nataraja, the form of Shiva as the lord of dance. This temple is located in Chidambaram, Tamil Nadu, India. This temple has ancient roots ...
.Cort 1998, p. 178 Rajaraja thus became known as ''Tirumurai Kanda Cholan'' meaning one who saved the ''Tirumurai''.Vasudevan 2003, pp. 109-110 The king added the images of the Nayanar poet-saints inside the Shiva temple. Nambi arranged the hymns of three saint poets Sambanthar, Appar and Sundarar as the first seven books.Zvelebil 1974, p. 191 In 1918, 11 more songs were found engraved in a stone temple in Tiruvidavayil in a village close to Nannillam, and it was the first instance found where ''Tevaram'' verses were found in inscriptions.


Translations

Francis Kingsbury and Godfrey Phillips selected and translated 39 out of 313 of Appar's hymns into English in 1921. These were published with small collection of Sambandar and Sundarar hymns in a book titled ''Hymns of the Tamil Śaivite Saints'', released by the Oxford University Press. They stated that these were some of the hymns from ''Devaram'' (Tevaram) that they could hear being chanted in South Indian Shiva temples of their times. In 1959, Dorai Rangaswamy published a prose translation with commentary on about 100 Appar's hymns in Volume 3 of his collected works on Tevaram. More recent English translations of many more select hymns by Appar have been published by Indira Peterson.


Legacy

Appar is traditionally credited with converting the
Pallava The Pallava dynasty existed from 275 CE to 897 CE, ruling a significant portion of the Deccan, also known as Tondaimandalam. The dynasty rose to prominence after the downfall of the Satavahana dynasty, with whom they had formerly served as fe ...
king, Mahendravarman to Saivaism.Vasudevan 2003, p. 13 His efforts helped expand the sacred geography of Shaivism and bring fame to smaller Shiva temples. Appar sanctified all these temples by his verses and was also involved in cleaning of the dilapidated temples with his ''uzhavarapadai'' (farmer's gardening hoe) – now a part of his iconography.Zvelebil 1974, p. 96


Temple services

Appar celebrated the Vedas, and connected the Vedic ritual to the temple '' Agamic puja'' that is ever since followed in Shiva temples. According to John Cort – a scholar of Jainism and Hinduism studies, the Agamic temple rituals perpetuate the Vedic practices. Appar and other Nayanars helped transform this "as the central element of the Saiva Siddhanta philosophical and theological system, and thus of Tamil Saiva soteriology", states Cort, by emphasizing the instrumentality and efficacy of the temple and its rituals. According to Appar and others, the Vedic and the Agamic overlap, are alternate roads to the same spiritual end, both evoke a transformation in the devotee, with the difference that temple-based Saiva puja alone is emphasized in the tradition that Appar and other Nayanars helped create.Cort 1998, p. 176 Appar's tradition has thrived in Tamil Shiva temples. ''Odhuvars'', ''Sthanikars'', or ''Kattalaiyars'' offer musical programmes in Shiva temples of Tamil Nadu by singing ''Tevaram'' after the daily rituals. These are usually carried out as chorus programme soon after the divine offering. The singing of Tevaram was followed by musicals from the music pillars in such temples like
Madurai Meenakshi Amman Temple Arulmigu Meenakshi Sundaraswarar Temple is a historic Hindu temple located on the southern bank of the Vaigai River in the temple city of Madurai, Tamil Nadu, India. It is dedicated to the goddess Meenakshi, a form of Parvati, and her consort, ' ...
,
Nellaiappar Temple Nellaiappar Temple corridor is a Hindu temple dedicated to the deity Shiva, located in Tirunelveli, a city in the South Indian state of Tamil Nadu. Shiva is worshipped as Nellaiappar (also called Venuvananathar) represented by the ''lingam'' an ...
and Suchindram. The singers of these hymns were referred as ''Tirupadiyam Vinnapam seyvar'' or ''Pidarar'', from the inscriptions of
Nandivarman III Nandivarman III was an Indian monarch of the Nandivarman II line who ruled the Pallava kingdom from 846 to 869. He was the son of Dantivarman and grandson of Nandivarman II. Reign Nandivarman III, who was a powerful monarch, tried to reverse ...
in the Tiruvallam Bilavaneswara temple records. Rajaraja deputed 48 ''pidarars'' and made liberal provisions for their maintenance and successors. Historic inscriptions give details about the gifts rendered to the singers of ''Tevaram'' from
Parantaka I Parantaka Chola I (Tamil : பராந்தக சோழன் I) (873 CE–955 CE) was a Chola emperor who ruled for forty-eight years, annexing Pandya by defeating Rajasimhan II. The best part of his reign was marked by increasing success ...
of the 8th century. A record belonging to
Rajendra I Rajendra Chola I (; Middle Tamil: Rājēntira Cōḻaṉ; Classical Sanskrit: Rājēndradēva Cōla; Old Malay: ''Raja Suran''; c. 971 CE – 1044 CE), often referred to as Rajendra the Great, and also known as Gangaikonda Chola (Middle Tamil ...
mentions ''Tevaranayakan'', the supervisor of ''Tevaram'' and shows the institutionalisation of ''Tevaram'' with the establishment of a department. There are records from
Kulothunga Chola III Kulothunga III was a Chola emperor who ruled from 1178 to 1218 CE, after succeeding his elder brother Rajadhiraja II. Kulothunga Chola III gained success in war against his traditional foes. He gained victories in war against the Hoysalas, ...
from Nallanyanar temple in South Arcot indicating singing of ''Tiruvempavai'' and ''Tiruvalam'' of Manickavasagar during special occasion in the temple. From the 13th century, the texts were passed on to the Odhuvars by the ''Adheenams'' or charitable establishments. The charitable establishments that ran on philanthropy of individuals and merchant caravans had come to be because after the 13th century, the time of ancient nation states viz. cholas etc. was finished, and the temples became only denominated, voluntary, charitable places. This is briefed by a 15th-century, chidambaram temple inscription. During the time of cholas etc. the temple hymn service workers were known as ''uvacchar'' and ''marars''. These terms are of very ancient origin and traceable to even early sangam times. Appar's stone image is revered in almost all Shiva temples of Tamil Nadu. A
Chola bronze The period of the imperial Cholas (c. 850 CE - 1250 CE) in South India was an age of continuous improvement and refinement of Chola art and architecture. They utilised the wealth earned through their extensive conquests in building long-las ...
of Appar with in standing posture dated to about 12th century was found in Vembavur in
Perambalur district Perambalur is one of the 38 districts (an administrative district) in the state of Tamil Nadu, India. The district headquarters is located at Perambalur. The district occupies an area of 1,752 km² and had a population of 565,223 with a se ...
. He is sported with beads of
Rudraksha ''Rudraksha'' (IAST: ') refers to a stonefruit, the dried stones of which are used as prayer beads by Hindus (especially Shaivas), as well as by Buddhists and Sikhs. When they are ripe, ''rudraksha'' stones are covered by an inedible blue out ...
on both his arms and neck. The bronze image is stored in the Bronze gallery in
Government Museum, Chennai The Government Museum, Chennai, or the Madras Museum, is a museum of human history and culture located in the Government Museum Complex in the neighbourhood of Egmore in Chennai, India. Started in 1851, it is the second oldest museum in India af ...
.


History and culture

Appar's hymns provide a window into the history and culture of Tamil Hindus between the 7th and 9th-century, states Paramasivanandan. They mention names of rulers, towns, villages, festivals, agriculture, trade, temples, role of temple in providing social support during famines and economic hardship, role of temples in dance, music, arts, life rituals, social conditions, literature, and the education system. Given Appar's study of Digambara Jainism prior to returning to Shaiva Hinduism, it also includes a historic view into the two traditions.A.M. Paramasivanandan (1982),
The Historical Study of the Thevaram Hymns, Tamilkalai
',


References


Bibliography

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Further reading

* * * * * * {{Nayanars Converts to Hinduism Nayanars Year of birth missing Year of death missing Tamil Hindu saints