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Third
Third or 3rd may refer to: Numbers * 3rd, the ordinal form of the cardinal number 3 * , a fraction of one third * Second#Sexagesimal divisions of calendar time and day, 1⁄60 of a ''second'', or 1⁄3600 of a ''minute'' Places * 3rd Street (other) * Third Avenue (other) * Highway 3 Music Music theory *Interval number of three in a musical interval **major third, a third spanning four semitones **minor third, a third encompassing three half steps, or semitones **neutral third, wider than a minor third but narrower than a major third **augmented third, an interval of five semitones **diminished third, produced by narrowing a minor third by a chromatic semitone *Third (chord), chord member a third above the root *Degree (music), three away from tonic **mediant, third degree of the diatonic scale **submediant, sixth degree of the diatonic scale – three steps below the tonic **chromatic mediant, chromatic relationship by thirds *Ladder of thirds, similar to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interval Number
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neutral Third
A neutral third is a musical interval wider than a minor third but narrower than a major third , named by Jan Pieter Land in 1880. Land makes reference to the neutral third attributed to Zalzal (8th c.), described by Al-Farabi (10th c.) as corresponding to a ratio of 27:22 (354.5 cents) and by Avicenna (Ibn Sina, 11th c.) as 39:32 (342.5 cents). The Zalzalian third may have been a mobile interval. Three distinct intervals may be termed neutral thirds: * The ''undecimal neutral third'' has a ratio of 11:9 between the frequencies of the two tones, or about 347.41 cents . This ratio is the mathematical mediant of the major third 5/4 and the minor third 6/5, and as such, has the property that if harmonic notes of frequency ''f'' and (11/9) ''f'' are played together, the beat frequency of the 5th harmonic of the lower pitch against the 4th of the upper, i.e. , 5 f - 4 (11/9) f, = (1/9) f, is the same as the beat frequency of the 6th harmonic of the lower pitch against the 5 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Third
In music theory, a minor third is a musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval number). The minor third is one of two commonly occurring thirds. It is called ''minor'' because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a skip melodically. Notable examples of ascending minor thirds include the opening two notes of " Greensleeves" and of " Light My Fire". The minor third may be derived from the harmonic series as the interval between the fifth and sixth harmonics, or from the 19th harmonic. The minor third is co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Third
In classical music, a third is a Interval (music), musical interval encompassing three staff positions (see Interval (music)#Number, Interval number for more details), and the major third () is a third spanning four semitones.Allen Forte, Forte, Allen (1979). ''Tonal Harmony in Concept and Practice'', p.8. Holt, Rinehart, and Winston. Third edition . "A large 3rd, or ''major 3rd'' (M3) encompassing four half steps." Along with the minor third, the major third is one of two commonly occurring thirds. It is qualified as ''major'' because it is the larger of the two: the major third spans four semitones, the minor third three. For example, the interval from C to E is a major third, as the note E lies four semitones above C, and there are three staff positions from C to E. Diminished third, Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The major third may be derived from the harmonic ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diminished Third
In classical music from Western culture, a diminished third () is the musical interval produced by narrowing a minor third by a chromatic semitone.Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.54. . For instance, the interval from A to C is a minor third, three semitones wide, and both the intervals from A to C, and from A to C are diminished thirds, two semitones wide. Being diminished, it is considered a dissonant interval. In equal temperament a diminished third is enharmonic with the major second, both having a value of 200 cents. However, in meantone tunings with fifths flatter than the 700 cents of equal temperament, the diminished third is wider than the major second. In 19 equal temperament it is in fact enharmonically equivalent to an augmented second, both having a value of 252.6 cents. In 31 equal temperament it has a more typical value of 232.3 cents. In a twelve-note keyboard tuned in a meantone tuning from E to G, the dimininished third ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Third World
The term "Third World" arose during the Cold War to define countries that remained non-aligned with either NATO or the Warsaw Pact. The United States, Canada, Japan, South Korea, Western European nations and their allies represented the " First World", while the Soviet Union, China, Cuba, North Korea, Vietnam and their allies represented the " Second World". This terminology provided a way of broadly categorizing the nations of the Earth into three groups based on political divisions. Strictly speaking, "Third World" was a political, rather than an economic, grouping. Since the dissolution of the Soviet Union and the end of the Cold War, the term ''Third World'' has decreased in use. It is being replaced with terms such as developing countries, least developed countries or the Global South. The concept itself has become outdated as it no longer represents the current political or economic state of the world and as historically poor countries have transited different income stag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ladder Of Thirds
A modal frame in music is "a number of types permeating and unifying African, European, and American song" and melody., quoted in Richard Middleton (1990/2002). ''Studying Popular Music'', p. 203. Philadelphia: Open University Press. . It may also be called a melodic mode. "Mode" and "frame" are used interchangeably in this context without reference to scalar or rhythmic modes. Melodic modes define and generate melodies that are not determined by harmony, but purely by melody. A note frame, is a melodic mode that is atonic (without a tonic), or has an unstable tonic. Modal frames may be defined by their: *floor note: the bottom of the frame, felt to be the lowest note, though isolated notes may go lower, *ceiling note: the top of the frame, *central note: the center around which other notes cluster or gravitate, *upper or lower focus: portion of the mode on which the melody temporarily dwells, and can also defined by melody types, such as: ** chant tunes: (Bob Dylan's " Su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Third (chord)
In music, the third factor of a chord is the note or pitch two scale degrees above the root or tonal center. When the third is the bass note, or lowest note, of the expressed triad, the chord is in first inversion. Use Conventionally, the third is third in importance to the root and fifth, with the third in all primary triads (I, IV, V and i, iv, v) being either major or minor. In jazz chords and theory, the third is required due to it determining chord quality. The third in both major and augmented chords is major (E in C) and the third in both minor and diminished chords is minor (E in C). Tenth In music and music theory, a tenth is the note ten scale degrees from the root of a chord and also the interval between the root and the tenth. Since there are only seven degrees in a diatonic scale the tenth degree is the same as the mediant and the interval of a tenth is a compound third. See also * List of third intervals Third interval may refer to one of the foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Third (music)
Third or 3rd may refer to: Numbers * 3rd, the ordinal form of the cardinal number 3 * , a fraction of one third * 1⁄60 of a ''second'', or 1⁄3600 of a ''minute'' Places * 3rd Street (other) * Third Avenue (other) * Highway 3 Music Music theory *Interval number of three in a musical interval **major third, a third spanning four semitones **minor third, a third encompassing three half steps, or semitones **neutral third, wider than a minor third but narrower than a major third ** augmented third, an interval of five semitones **diminished third, produced by narrowing a minor third by a chromatic semitone *Third (chord), chord member a third above the root *Degree (music), three away from tonic ** mediant, third degree of the diatonic scale **submediant, sixth degree of the diatonic scale – three steps below the tonic **chromatic mediant, chromatic relationship by thirds * Ladder of thirds, similar to the circle of fifths Albums *''Third/Sister Lovers'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Third (Portishead Album)
''Third'' is the third and most recent studio album by the English band Portishead. It was released on 28 April 2008 in the United Kingdom by Island Records and a day later in the United States by Mercury Records. Portishead's first studio album in eleven years, ''Third'' moved away from the trip hop style they had popularised, incorporating influences such as krautrock, surf rock, doo wop and the film soundtracks of John Carpenter. After Portishead released their self-titled second album in 1997, band member Geoff Barrow put Portishead on hiatus and moved to Australia. He became uninterested in music, and efforts to develop new songs with guitarist and keyboardist Adrian Utley failed. They were inspired to create again after producing with the band the Coral, and restarted work with singer Beth Gibbons in Bristol, England. ''Third'' entered the top ten of several countries' music charts and was certified gold in the UK. It was named one of the best albums of 2008 by several p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fraction
A fraction (from la, fractus, "broken") represents a part of a whole or, more generally, any number of equal parts. When spoken in everyday English, a fraction describes how many parts of a certain size there are, for example, one-half, eight-fifths, three-quarters. A ''common'', ''vulgar'', or ''simple'' fraction (examples: \tfrac and \tfrac) consists of a numerator, displayed above a line (or before a slash like ), and a non-zero denominator, displayed below (or after) that line. Numerators and denominators are also used in fractions that are not ''common'', including compound fractions, complex fractions, and mixed numerals. In positive common fractions, the numerator and denominator are natural numbers. The numerator represents a number of equal parts, and the denominator indicates how many of those parts make up a unit or a whole. The denominator cannot be zero, because zero parts can never make up a whole. For example, in the fraction , the numerator 3 indicates that the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augmented Third
In classical music from Western culture, an augmented third () is an interval of five semitones. It may be produced by widening a major third by a chromatic semitone.Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.54. . For instance, the interval from C to E is a major third, four semitones wide, and both the intervals from C to E, and from C to E are augmented thirds, spanning five semitones. Being augmented, it is considered a dissonant interval.Benward & Saker (2003), p.92. Its inversion is the diminished sixth, and its enharmonic equivalent is the perfect fourth A fourth is a musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to .... The just augmented third, E, is 456.99 cents or 125:96. The Pythagorean augmented third, E, is 521.51 cents or 177147:131072, eleven just pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
