Theophilus Bird
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Theophilus Bird
Theophilus Bird, or Bourne, (1608 – 1663) was a seventeenth-century English actor. Bird began his stage career in the Stuart era of English Renaissance theatre, and ended it in the Restoration period; he was one of the relatively few actors who managed to resume their careers after the eighteen-year enforced hiatus (1642–60) when the theatres were closed during the English Civil War and the Interregnum. Beginnings Theophilus was the son of William Bird, an actor long associated with the theatrical enterprise of Philip Henslowe and active in the years 1597–1622. Theophilus was baptized on 7 December 1608. Both father William and son Theophilus alternatively spelled their family name as Bird or Bourne. The extensive Henslowe papers in the collection of Dulwich College contain many mentions of the elder Bird and members of his family. The younger Bird started out as a boy player acting female roles, as was customary at the time; he played Paulina in Massinger's ...
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House Of Stuart
The House of Stuart, originally spelt Stewart, was a royal house of Scotland, England, Ireland and later Great Britain. The family name comes from the office of High Steward of Scotland, which had been held by the family progenitor Walter fitz Alan (c. 1150). The name Stewart and variations had become established as a family name by the time of his grandson Walter Stewart. The first monarch of the Stewart line was Robert II, whose male-line descendants were kings and queens in Scotland from 1371, and of England and Great Britain from 1603, until 1714. Mary, Queen of Scots, was brought up in France where she adopted the French spelling of the name Stuart. In 1503, James IV married Margaret Tudor, thus linking the royal houses of Scotland and England. Elizabeth I of England died without issue in 1603, and James IV's great-grandson (and Mary's only son) James VI of Scotland succeeded to the thrones of England and Ireland as James I in the Union of the Crowns. The Stuarts were ...
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Christopher Beeston
Christopher Beeston (c. 1579 – c. 15 October 1638) was a successful actor and a powerful theatrical impresario in early 17th century London. He was associated with a number of playwrights, particularly Thomas Heywood. Early life Little is known of Beeston's early life. In extant records he is known alternately as Beeston and Hutchison. He has not so far been decisively connected with the William Beeston mentioned by Thomas Nashe in ''Strange News''; however, such a connection is possible. Beeston has been conjecturally associated with the "Kit" in the surviving plot of Richard Tarlton's ''The Seven Deadly Sins''. It is likely that he began in theatre as a child actor: Augustine Phillips bequeathed "his servant" Beeston thirty shillings in his 1605 last will and testament, indicating that Beeston had been that actor's apprentice with the Lord Chamberlain's Men. Beeston played in the company's 1598 production of Ben Jonson's ''Every Man in His Humour''. So it appears that Beesto ...
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1639 In Literature
This article contains information about the literary events and publications of 1639. Events *c. January – The first printing press in British North America is launched in Cambridge, Massachusetts by Stephen Daye. *February 14 – French writers Jacques Esprit and François de La Mothe Le Vayer are elected to the Académie française. *May 21 – The King's Men act John Fletcher's ''The Mad Lover'' in London. *December – Blaise Pascal's family move to Rouen. *December 7 – Francisco de Quevedo is arrested and imprisoned at León, Spain. *''unknown dates'' **Simon Dach becomes professor of poetry at the University of Königsberg. **Archbishop William Laud donates the manuscript of the Peterborough Chronicle to the Bodleian Library in Oxford. **Thomas Heywood writes ''Londini Status Pacatus'', the Lord Mayor of the City of London's annual pageant. It will be the last such in London for 15 years, due to the English Civil War, but will resume under the Commonwealth. New boo ...
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The Lady's Trial
''The Lady's Trial'' or ''The Ladies Triall;''is a Literature in English#Caroline and Cromwellian literature, Caroline era stage play, a comedy by John Ford (dramatist), John Ford. Published in 1639 in literature, 1639, it was the last of Ford's plays to appear in print, and apparently the final work of Ford's dramatic career. A copy of the play can be found in the Henry E. Huntington Library and Art Gallery under the name ''The Ladies Triall. '' The play was licensed for performance by Sir Henry Herbert (Master of the Revels), Henry Herbert, the Master of the Revels, on 3 May 1638 in literature, 1638. The book size, quarto edition of the following year was issued by the bookseller Henry Shepherd, with a dedication by Ford to his personal friends Sir John Wyrley and his wife, Mary (née Wolley), the illegitimate daughter of Francis Wolley, Sir Francis Wolley. The title page bears Ford's anagrammatic motto, "Fide Honor," as is usual for Ford publications of the era; and it states t ...
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1647 In Literature
This article contains information about the literary events and publications of 1647. Events *Summer – Thomas Hobbes gives up his work as mathematics tutor to the future Charles II of England because of a serious illness. *October 6 – London authorities raid the Salisbury Court Theatre, breaking up an illicit performance of Beaumont and Fletcher's ''A King and No King''. *''unknown date'' – Plagiarist Robert Baron publishes his ''Deorum Dona'', a masque, and ''Gripus and Hegio'', a pastoral, which draws heavily on the poems of Edmund Waller and John Webster's ''The Duchess of Malfi''. The masque claims to have been performed before "Flaminius and Clorinda, King and Queen of Cyprus, at their regal palace in Nicosia," a fantasy with no relation to the actual history of Cyprus. New books Prose *René Descartes – ''Les Principes de la philosophie'' (French version of original Latin) * Antonio Enríquez Gómez – ''El siglo pitagórico. La vida de don Gregorio Guadaña'' *B ...
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Beaumont And Fletcher Folios
The Beaumont and Fletcher folios are two large folio collections of the stage plays of John Fletcher and his collaborators. The first was issued in 1647, and the second in 1679. The two collections were important in preserving many works of English Renaissance drama. The first folio, 1647 The 1647 folio was published by the booksellers Humphrey Moseley and Humphrey Robinson. It was modelled on the precedents of the first two folio collections of Shakespeare's plays, published in 1623 and 1632, and the first two folios of the works of Ben Jonson of 1616 and 1640–1. The title of the book was given as ''Comedies and Tragedies Written by Francis Beaumont and John Fletcher Gentlemen,'' though the prefatory matter in the folio recognised that Philip Massinger, rather than Francis Beaumont, collaborated with Fletcher on some of the plays included in the volume. (In fact, the 1647 volume "contained almost nothing of Beaumont's" work.) Seventeen works in Fletcher's canon that had al ...
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Groom Of The Chamber
Groom of the Chamber was a position in the Household of the monarch in early modern England. Other ''Ancien Régime'' royal establishments in Europe had comparable officers, often with similar titles. In France, the Duchy of Burgundy, and in England while French was still the language of the court, the title was varlet or valet de chambre. In German, Danish and Russian the term was "Kammerjunker" and in Swedish the similar "Kammarjunkare". In England after the Restoration, appointments in the King's Household included Groom of the Great Chamber, Groom of the Privy Chamber and Groom of the Bedchamber. The first two positions were appointed by Lord Chamberlain's warrant; the third, of greater importance, was a Crown appointment. Medieval and early-modern England Traditionally, the English Court was organized into three branches or departments: # the Household, primarily concerned with fiscal more than domestic matters, the "royal purse;" # the Chamber, concerned with the ''Prese ...
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St Giles In The Fields
St Giles in the Fields is the Anglican parish church of the St Giles district of London. It stands within the London Borough of Camden and belongs to the Diocese of London. The church, named for St Giles the Hermit, began as a monastery and leper hospital and now gives its name to the surrounding district of St Giles in the West End of London between Seven Dials, Bloomsbury, Holborn and Soho. The present church is the third on the site since the parish was founded in 1101. It was rebuilt most recently in 1731–1733 in Palladian style to designs by the architect Henry Flitcroft. History Medieval Hospital and Chapel The first recorded church on the site was a chapel of the Parish of Holborn attached to a monastery and leper hospital founded by Matilda of Scotland, consort of Henry I, in 1101. At the time it stood well outside the City of London and distant from the Royal Palace of Westminster, on the main road to Tyburn and Oxford. The chapel probably began to function as ...
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Puritan
The Puritans were English Protestants in the 16th and 17th centuries who sought to purify the Church of England of Catholic Church, Roman Catholic practices, maintaining that the Church of England had not been fully reformed and should become more Protestant. Puritanism played a significant role in English history, especially during the Protectorate. Puritans were dissatisfied with the limited extent of the English Reformation and with the Church of England's toleration of certain practices associated with the Roman Catholic Church. They formed and identified with various religious groups advocating greater purity of worship and doctrine, as well as personal and corporate piety. Puritans adopted a Reformed theology, and in that sense they were Calvinists (as were many of their earlier opponents). In church polity, some advocated separation from all other established Christian denominations in favour of autonomous gathered churches. These English Dissenters, Separatist and Indepe ...
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King's Men (playing Company)
The King's Men is the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron. The royal patent of 19 May 1603 which authorised the King's Men company named the following players, in this order: Lawrence Fletcher, William Shakespeare, Richard Burbage, Augustine Phillips, John Heminges, Henry Condell, William Sly, Robert Armin, Richard Cowley, "and the rest of their associates...." The nine cited by name became Grooms of the Chamber. On 15 March 1604, each of the nine men named in the patent was supplied with four and a half yards of red cloth for the coronation procession. Chronologically typed To 1610 In their first winter season, between December 1603 and February 1604 the company performed eight times at Court and eleven times in their second, from N ...
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William Beeston
William Beeston (1606? – 1682) was an English actor and theatre manager, the son and successor to the more famous Christopher Beeston. Early phase William was brought up in the theatrical world of his father; he became an actor, and also his father's assistant in managing the Cockpit and Red Bull theatres and their associated companies of actors, including the company of younger players colloquially known as Beeston's Boys. Upon his father's death in 1638, William Beeston inherited their theatrical enterprise – though he managed it with much less success than his father had. On 5 May 1640 he was thrown into the Marshalsea Prison for a Beeston's Boys' play, acted the day before, that gave offence to Sir Henry Herbert, the Master of the Revels. The play was most likely ''The Court Beggar'' by Richard Brome, which satirized several members of Queen Henrietta Maria's circle of favourites, including Sir John Suckling and Sir William Davenant (though Brome's ''The Queen and Co ...
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Beeston's Boys
Beeston's Boys was the popular and colloquial name of The King and Queen's Young Company, a troupe of boy actors of the Caroline period, active mainly in the years 1637–1642. Origin The troupe was formed in early 1637, under a royal warrant, by the theatre manager and impresario Christopher Beeston, during a time of disorder and reorganisation in the theatre profession; the London playhouses had been closed since the summer of 1636 because of bubonic plague. The creation of a company of boy actors was a return to a practice of the early 17th century, the era of companies like the Children of Paul's and the Children of the Chapel. Those companies, while controversial in their time, had been effective at developing and educating young talent, to the eventual benefit of the adult companies and the theatrical profession as a whole. Beeston's formation of the Young Company was an attempt to recover that training function – as well as to provide effective drama while paying relati ...
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