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Thembi
''Thembi'' is the seventh album by free jazz saxophonist Pharoah Sanders, released in 1971. Overview Sanders moved away from the long, intense compositions of his earlier albums and produced an album of shorter tracks. He and other musicians played a large variety of instruments. Sanders played tenor, alto, and soprano saxophone, balaphone, small percussion instruments, and a cow horn. Sanders's other major collaborator, pianist and composer Lonnie Liston Smith, performs on ''Thembi'' (though this would be the last time they recorded together). Also featured are violinist Michael White, bassist Cecil McBee, and percussionists Chief Bey, Majid Shabbaz, and Nat Bettis. "Thembi", "Astral Travelling" and "Morning Prayer" were included on the two-disc anthology, ''You've Got to Have Freedom'', on Soul Brother Records. Lonnie Liston Smith began experimenting with electric keyboards while recording this album: On ''Thembi'', that was the first time that I ever touched a Fender Rhod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonnie Liston Smith
Lonnie Liston Smith Jr. (born December 28, 1940) is an American jazz, soul, and funk musician who played with such jazz artists as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith and the Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion, smooth jazz and acid jazz genres. Early career (1963–73) Smith was born and raised in Richmond, Virginia, United States to a musical family; his father was a member of Richmond Gospel music group The Harmonizing Four, and he remembered groups such as the Swan Silvertones and the Soul Stirrers (featuring a young Sam Cooke) as regular visitors to the house when he was a child. He studied piano, tuba and trumpet in high school and college before receiving a B.S. in music education from Morgan State University in Baltimore in 1961. Smith has cited Charlie Parker, John Coltrane and Miles Davis as major influences in his youth. While still a teenager, Smith became well known locally as a backi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pharoah Sanders
Pharoah Sanders (born Ferrell Lee Sanders; October 13, 1940 – September 24, 2022) was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane's groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as "probably the best tenor player in the world". Sanders' take on “spiritual jazz” was rooted in his inspiration from religious concepts such as Karma and Tawhid, and his rich, meditative performance aesthetic. This style was seen as a continuation of Coltrane's work on albums such as ''A Love Supreme''. As a result, Sanders was considered to have been a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecil McBee
Cecil McBee (born May 19, 1935) is an American jazz bassist. He has recorded as a leader only a handful of times since the 1970s, but has contributed as a sideman to a number of jazz albums. Biography Early life and career McBee was born in Tulsa, Oklahoma, United States. He studied clarinet at school, but switched to bass at the age of 17, and began playing in local nightclubs. After gaining a music degree from Ohio Central State University, McBee spent two years in the U.S. Army, during which time he conducted the band at Fort Knox. In 1959, he played with Dinah Washington, and in 1962 he moved to Detroit, Michigan, where he worked with Paul Winter's folk-rock ensemble between 1963 and 1964. New York His jazz career began to take off in the mid-1960s, after he moved to New York, when he began playing and recording with a number of significant musicians including Miles Davis, Andrew Hill, Sam Rivers, Jackie McLean (1964), Wayne Shorter (1965–66), Charles Lloyd (1966), Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael White (violinist)
Michael Walter White (24 May 1930 – 6 December 2016) was an American jazz violinist. White born in Houston, Texas, and grew up in Oakland, California, taking up the violin when he was six years old. His initial career break occurred in 1965, when he played with the John Handy Quintet at the Monterey Jazz Festival, and subsequently recorded three albums with Handy. White was among the first to play the violin in avant-garde jazz, and in the late 1960s became one of the first jazz violinists to play jazz rock fusion (with his band The Fourth Way). During his career, he played with musicians such as Sun Ra, Prince Lasha, McCoy Tyner, Eric Dolphy, Wes Montgomery, Pharoah Sanders, Kenny Dorham, Joe Henderson, John Lee Hooker, and Richard Davis. In early 2007, The Michael White Quintet's "Mechanical Man" won in the 6th Annual Independent Music Awards for Best Jazz Song. White eventually settled in Los Angeles, California. After a long period of obscurity, in the mid 1990s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chief Bey
James Hawthorne Bey (April 17, 1913 – April 8, 2004)Associated Press"Chief Bey, 91 Jazz Drummer."''The New York Times'', April 13, 2004. Retrieved October 28, 2016.Jenkins, Todd S"Chief Bey: Master of African drums."''www.jazzhouse.org.'' Retrieved October 28, 2016. was an American jazz percussionist and African folklorist. He played under the name of Chief Bey. Early life Born James Hawthorne in Yemassee, South Carolina, Bey moved with his family to Brooklyn and then to Harlem, where he began playing drums and singing in church choirs. He also served in the Navy during World War II and later attended cosmetology school. Later life and career In the 1950s, Bey performed in an international tour of ''Porgy and Bess'' starring Leontyne Price and Cab Calloway. He also began a busy recording career, performing on Herbie Mann's ''At the Village Gate'' (1961), Art Blakey's ''The African Beat'' (1962), Ahmed Abdul-Malik's ''Sounds of Africa'' (New Jazz, 1961), as well as albums by Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deaf Dumb Blind (Summun Bukmun Umyun)
''Deaf Dumb Blind (Summun Bukmun Umyun)'' is an album by the American jazz saxophonist Pharoah Sanders. It was recorded at A & R Studios in New York City on July 1, 1970, and released on Impulse! Records in the same year. The album's title is bilingual: "Summun Bukmun Umyun" is Arabic for "Deaf Dumb Blind". The phrase ' is taken from verse 18 of Surat al-Baqarah in the Qur'an. According to the liner notes, the album is "predicated on spiritual truths and to the future enlightenment of El Kafirun or The Rejectors of Faith (non-believers)." The performances on the album are strongly influenced by the music of Africa. Reception Regarding the title track, Thom Jurek, writing for AllMusic, stated: "Sanders brings in the whole of his obsession with rhythm and R&B. Using African percussion, bylophones, shakers, cowbells, and all manner of percussion... Here the Latin and African polyrhythms collide and place the horns, as large and varied as they are, in almost a supplementary role. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Unity
''Black Unity'' is a composition and album by jazz saxophonist Pharoah Sanders, recorded and released in late 1971. The whole album consists of a single thirty-seven-minute track, which was described by critic Joe S. Harrington as "an exercise in sustained harmonic groove that cannot be beaten" when he listed it at #38 on his Top 100 Albums. The compact disc reissue of 1997 unites the two parts as a single track, timed at 37:21. Reception In a review for AllMusic, Thom Jurek wrote: "The only cut on the album is 'Black Unity,' over 37 minutes of pure Afro-blue investigation into the black sounds of Latin music, African music, aborigine music, and Native American music, with a groove that was written into the standard three-chord vamp Sanders used, opening up a world of melodic and tonal possibilities while also bringing a couple of stellar talents to the fore... This is a solid, moving piece of work that seals the cracks in Sanders' vocabulary. His arrangement and the staggering of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Astral Traveling
''Astral Traveling'' is the debut album by keyboardist Lonnie Liston Smith, featuring performances recorded in 1973 and released by the Flying Dutchman label. accessed November 22, 2019Both Sides Now: Flying Dutchman Label Discography accessed November 22, 2019 Reception Reviewer Alex Henderson stated on " this LP leaves no doubt that the improviser is very much his own man and has a wealth of brilliant ideas of his own; thankfully, he has a co ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maracas
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curandero A ''curandero'' (, healer; f. , also spelled , , f. ) is a traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koto (musical Instrument)
The is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese and the Kazakhstan . Koto are roughly in length, and made from Paulownia wood (''Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. 17-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , , , , , and so on. When read as , it indicates the Chinese instrument . The term is used today in the same way. The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic
A harmonic is a wave with a frequency that is a positive integer multiple of the ''fundamental frequency'', the frequency of the original periodic signal, such as a sinusoidal wave. The original signal is also called the ''1st harmonic'', the other harmonics are known as ''higher harmonics''. As all harmonics are periodic at the fundamental frequency, the sum of harmonics is also periodic at that frequency. The set of harmonics forms a '' harmonic series''. The term is employed in various disciplines, including music, physics, acoustics, electronic power transmission, radio technology, and other fields. For example, if the fundamental frequency is 50 Hz, a common AC power supply frequency, the frequencies of the first three higher harmonics are 100 Hz (2nd harmonic), 150 Hz (3rd harmonic), 200 Hz (4th harmonic) and any addition of waves with these frequencies is periodic at 50 Hz. In music, harmonics are used on string instruments and wind instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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