Theatro Municipal Do Rio De Janeiro
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Theatro Municipal Do Rio De Janeiro
The Theatro Municipal ("Municipal Theater") is an opera house in the Centro district of Rio de Janeiro, Brazil. Built in the early twentieth century, it is considered to be one of the most beautiful and important theaters in the country. The building is designed in an eclectic style, inspired by the Paris Opéra of Charles Garnier. The outside walls are inscribed with the names of classic European and Brazilian artists. It is located near the National Library and the National Fine Arts Museum, overlooking the spacious Cinelândia square. History In the second half of nineteenth century, theatrical activity was very intense in Rio de Janeiro, then capital of the country. Still, its two theaters, the Lyric and St. Peter, were criticized for their facilities, either by the public or by the companies that worked in them. After the Proclamation of the Republic (1889), in 1894 playwright Artur Azevedo launched a campaign for the building of a new theater to host a local company ...
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Opera House
An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers. Indeed, the term ''opera house'' is often used as a term of prestige for any large performing-arts center. History Italy is a country where opera has been popular through the centuries among ordinary people as well as wealthy patrons and it continues to have many working opera houses such as Teatro Massimo in Palermo (the biggest in Italy), Teatro di San Carlo in Naples (the world's oldest working opera house) and Teatro La Scala in Milan. In contrast, there was no opera house in London when Henry Purcell was composing and the first opera house in Germany, the Oper am Gänsemarkt, was built in Hamburg in 1678, followed by the Oper am Brühl in Leipzig in 1693 ...
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Avenida Rio Branco
Rio Branco Avenue (), formerly Avenida Central, is a major road in downtown Rio de Janeiro. It was built as the leading brand of the urban reform carried out by the mayor Pereira Passos in early 20th century. It is one of the main thoroughfares of the city, being the scene of many important events. History The Rio de Janeiro of the early years of Republic still retained much of its colonial urban grid, which by now seemed outdated and anachronistic. Moreover, the old colonial center of town was overcrowded and prone to diseases such as yellow fever and smallpox. Out of this context came the opening of Central Avenue, part of a major modernization program in Rio de Janeiro following European urban planning and health policies. The engineer Francisco Pereira Passos was responsible for the reforms, appointed mayor of Rio de Janeiro ( Distrito Federal) by President Rodrigues Alves in 1902. The works commenced in March 1904 with the demolition of 641 homes, displacing nearly 3,900 pe ...
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Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his '' Bachianas Brasileiras'' (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Raúl, was a civil servant, ...
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Eliane Coelho
Eliane Coelho (born in 1951 in Rio de Janeiro) is a Brazilian soprano singer. She was a soprano in the Frankfurt Opera and performed dozens of roles at the Vienna Staatsoper. Biography Coelho began studying architecture at a college in Rio de Janeiro, but she soon decided she would develop her singing career in Europe. She was a pupil of Solange Petit-Renaux, a former star of the Paris Opéra. In 1971, she moved to Germany and studied at the Musikhochschule, in Hanover. In 1974, she was already singing roles like Nannetta, Gretel, Zdenka, Violetta, Liù and Konstanze. In 1976, she concentrated her performances at the Stadttheater, in Bremen, where she stayed for six years and added roles like Fiorilla in '' Il turco in Italia'', Norina in ''Don Pasquale'', Hanna Glawari in ''The Merry Widow'' and Lulu in Berg's ''Lulu''. After starting her career as a lyric coloratura soprano, her voice gradually gained heft and a darker color, tending to the lyric and lyric spinto reperto ...
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Bidu Sayão
Balduína "Bidú" de Oliveira Sayão (11 May 1902 – 12 March 1999) was a Brazilian opera soprano. One of Brazil's most famous musicians, Sayão was a leading artist of the Metropolitan Opera in New York City from 1937 to 1952. Life and career Bidu Sayão was born on 11 May 1902 to a family of Portuguese, French and Swiss heritage, in Itaguaí, Rio de Janeiro. Her father died when she was five years old and her mother struggled to support her daughter's pursuit of a singing career. At just eighteen, the Bidu Sayão made her major opera debut in Rio de Janeiro. Her performance led to an opportunity to study with the famous Elena Teodorini, first in Brazil, then in Romania; and then to study with Polish tenor Jean de Reszke, in Nice. During the mid-1920s and early 1930s, she performed in Rome, Buenos Aires, Paris, as well as in her native Brazil. While at the Teatro Costanzi in Rome, she met impresario Walter Mocchi (1870–1955). After his wife, soprano Emma Carelli, died in ...
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Sarah Bernhardt
Sarah Bernhardt (; born Henriette-Rosine Bernard; 22 or 23 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including ''La Dame Aux Camelias'' by Alexandre Dumas ''fils''; '' Ruy Blas'' by Victor Hugo, '' Fédora'' and '' La Tosca'' by Victorien Sardou, and ''L'Aiglon'' by Edmond Rostand. She also played male roles, including Shakespeare's Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", while Hugo praised her "golden voice". She made several theatrical tours around the world, and was one of the first prominent actresses to make sound recordings and to act in motion pictures. She is also linked with the success of artist Alphonse Mucha, whose work she helped to publicize. Mucha would become one of the most sought-after artists of this period for his Art Nouveau style. Biography Early life Henriette-Rosine Bernard was born at 5 rue de ...
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Arturo Toscanini
Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory. He was at various times the music director of La Scala in Milan and the New York Philharmonic. Later in his career he was appointed the first music director of the NBC Symphony Orchestra (1937–54), and this led to his becoming a household name (especially in the United States) through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire. Biography Early years Toscanini was born in Parma, Emilia-Romagna, and won a scholarship to the local music conservatory, where he studied the cello. Living conditions at the conservatory were harsh and strict. For example, the menu at the conservatory consisted almost entirely of fish; in his later years, ...
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Nilo Peçanha
Nilo Procópio Peçanha (; 2 October 1867 – 31 March 1924) was a Brazilian politician who served as seventh president of Brazil. He was governor of Rio de Janeiro (1903–1906), then elected the fifth vice president of Brazil in 1906. He assumed the presidency in 1909 following the death of President Afonso Pena and served until 1910.BEATTIE, Peter M. The Tribute of Blood: Army, Honor, Race, and Nation in Brazil, 1864–1945. Duke University Press, 2001
, . pp. 7. (visited 3 September 2008)

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TEATRO MUNICIPAL RJ 19 Retouch
Teatro may refer to: * Theatre * Teatro (band) Teatro, Italian for "theatre", is a vocal group signed to the Sony BMG music label. The members of Teatro are Jeremiah James, Andrew Alexander, Simon Bailey and Stephen Rahman-Hughes. Band members Jeremiah James Jeremiah James was born in ups ..., musical act signed to Sony BMG * ''Teatro'' (Willie Nelson album), 1998 * ''Teatro'' (Draco Rosa album), 2008 {{disambiguation ...
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Interior Do Theatro Municipal
Interior may refer to: Arts and media * ''Interior'' (Degas) (also known as ''The Rape''), painting by Edgar Degas * ''Interior'' (play), 1895 play by Belgian playwright Maurice Maeterlinck * ''The Interior'' (novel), by Lisa See * Interior design, the trade of designing an architectural interior Places * Interior, South Dakota * Interior, Washington * Interior Township, Michigan * British Columbia Interior, commonly known as "The Interior" Government agencies * Interior ministry, sometimes called the ministry of home affairs * United States Department of the Interior Other uses * Interior (topology), mathematical concept that includes, for example, the inside of a shape * Interior FC, a football team in Gambia See also * * * List of geographic interiors * Interiors (other) * Inter (other) * Inside (other) Inside may refer to: * Insider, a member of any group of people of limited number and generally restricted access Film * '' ...
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Rodolfo Bernardelli
José Maria Oscar Rodolfo Bernardelli y Thierry (18 December 1852, Guadalajara - 7 April 1931, Rio de Janeiro) was a Mexican-born Brazilian sculptor and art professor, of Italian ancestry. Biography He was the oldest of four children born to a violinist and a dancer. His brothers, Félix and Henrique, also became artists, and Félix was a musician as well. Due to his parents' profession, the family moved frequently; to several places in Mexico, Chile, and eventually Rio Grande do Sul, Brazil. There, they met Emperor Pedro II, who invited them to live in Rio de Janeiro and become tutors to his children. By that time, Rodolfo was fourteen, and displaying artistic talent.Weisz, Suely de Godoy"Rodolpho Bernardelli, um perfil do homem e do artista segundo a visão de seus contemporâneos" In: ''19&20'', 2007; II (4) He sat in on classes taught by Francisco Manuel Chaves Pinheiro, who noticed his enthusiasm and suggested that he become a formal student. He was therefore enrolled ...
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Henrique Bernardelli
Henrique Bernardelli (15 July 1857 – 6 April 1936) was a Brazilian painter. Life and Works Henrique Bernardelli was born in Valparaiso, Chile. He was the brother of sculptor Rodolfo, and painter and violinist Félix. In 1865 he moved with his family to Rio Grande do Sul when his parents (a violinist and a dancer), were contracted by the emperor Pedro II to be tutors to the imperial princesses. In 1867 they moved to Rio de Janeiro. In 1870 he enrolled in the Academia Imperial de Belas Artes (AIBA) in Rio de Janeiro, Brazil, studying with painters of outstanding importance such as Victor Meirelles and Agostinho José da Mota. In 1878 he took Brazilian nationality to be eligible for AIBA's European travel award. He lost the award to Rodolfo Amoedo but travelled to Rome in 1879 using his own resources. There he encountered the work of such artists as Francesco Paolo Michetti e Giovanni Segantini. Back in Rio de Janeiro in 1888 he participated in a number of exhibitions: I ...
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