Rodolfo Bernardelli

José Maria Oscar Rodolfo Bernardelli y Thierry (18 December 1852, Guadalajara - 7 April 1931, Rio de Janeiro) was a Mexican-born Brazilian sculptor and art professor, of Italian ancestry.

Biography

He was the oldest of four children born to a violinist and a dancer. His brothers, Félix and Henrique, also became artists, and Félix was a musician as well. Due to his parents' profession, the family moved frequently; to several places in Mexico, Chile, and eventually Rio Grande do Sul, Brazil. There, they met Emperor Pedro II, who invited them to live in Rio de Janeiro and become tutors to his children. By that time, Rodolfo was fourteen, and displaying artistic talent.Weisz, Suely de Godoy
"Rodolpho Bernardelli, um perfil do homem e do artista segundo a visão de seus contemporâneos"
In: ''19&20'', 2007; II (4)

He sat in on classes taught by Francisco Manuel Chaves Pinheiro, who noticed his enthusiasm and suggested that he become a formal student. He was therefore enrolled at the Academia Imperial de Belas Artes, winning several academic awards. In 1876, he received a stipend for study abroad. He initially intended to study in Paris, as was customary, but found himself unimpressed by the artistic milieu there, and the academies were crowded. As a result, he decided to go to his ancestral homeland and settled in Rome, where he studied with Giulio Monteverde. Although he expressed a preference for Classicism, he soon found himself influenced by contemporary trends, and the examples he sent back to the Academia came under criticism.Silva, Maria do Carmo Couto da
"A formação do escultor Rodolfo Bernardelli na Itália (1877-1885): uma análise de sua trajetória a partir de fontes primárias"
In: ''Revista de História da Arte e Arqueologia'', 2006; 6: 123-136,

After completing his studies, he returned to Brazil in 1885. In October of that year, he held an exhibition of the works he had created in Italy and, as a result, was appointed Professor of Statuary at the Academia, succeeding his former teacher, Chaves Pinheiro, who had retired. With support from the Imperial family, he received several important commissions, including monuments for Generals Manuel Luís Osório and Duque de Caxias. When the monarchy fell, in 1889, he resigned his position in solidarity. However, by invitation of the new Republican government, he was reinstated in 1890.Dazzi, Camila
"A 'Reforma da Academia’ no Relatório do Diretor da Escola Nacional de Belas Artes, Rodolpho Bernardelli, ao Ministro da Instrução Pública (1891)"
In: ''19&20'', 2010; V (3) In that position, he collaborated on a project that converted the Academia Imperial into the Escola Nacional de Belas Artes, and liberalized its teaching methods. He then became its first Director; serving until 1915.

In 1893, he was responsible for selecting the works that would represent Brazil at the World's Columbian Exposition in Chicago. In 1904, he was part of a judging committee for choosing new façades on the Avenida Central, and served on a commission to select an architect for the proposed Teatro Municipal. He would contribute six ornamental statues for the Teatro.

He was the most influential sculptor of his generation. His workshop in central Rio de Janeiro was a meeting place for numerous cultural and political figures, including Quintino Bocaiúva, Olavo Bilac, Machado de Assis, Raul Pompéia, Leopoldo Miguez, Angelo Agostini and Pereira Passos. Nevertheless, his public image was less flattering, with a significant number of critics who considered him to be vain, arrogant and mediocre. Much of that criticism derived from his dismissal of several prominent artists when he became Director of the Escola Nacional. They included Victor Meirelles, Antônio Parreiras and Décio Villares.

In any event, he served as Director for twenty-five years and held a virtual monopoly on artistic education in the capital. During his tenure, there were very few sculpture students at the school, as they were apparently discouraged at the thought of being eclipsed by him. In 1915, a group of students and teachers managed to have him removed. His final years would pass mostly in solitude, working at his new studio in Copacabana. In 1919, he was named an "Honorary Academician" at the Real Academia de Bellas Artes de San Fernando, in Madrid.

Following his death in 1931, the , a progressive artists' society, was created to honor him and his brother, Henrique. A considerable number of his smaller, less monumental works were donated to the Pinacoteca do Estado and the Museu Mariano Procópio."Rodolfo Bernardelli"
In: ''Enciclopédia Itaú Cultural de Arte e Cultura Brasileiras''. São Paulo: Itaú Cultural, 2021

Selected works

File:Rodolfo Bernardelli - Davi.jpg, ''David'', 1875
File:Rodolfo Bernardelli - Santo Estêvão 1879 (2).jpg, ''Saint Stephen'', 1879
File:Rodolfo Bernardelli - Faceira, 1880.jpg, ''Coquette'', 1880
File:Rodolfo Bernardelli - Doutor Montenovese (1882).jpg, ''Doctor Montenovese'', 1882
File:Rodolfo Bernardelli - Irineu Evangelista de Souza.jpg, '' Irineu de Souza'', 1899
File:Museu do Ipiranga 2018 027.jpg, ''Dom Pedro I'', 1923
File:Rodolfo Bernardelli - Túmulo de Campos Salles.JPG, ''The Tomb of Campos Salles'', Cemitério da Consolação
File:Bernardelli - Monumento a Cabral.jpg, ''Pedro Álvares Cabral'', Lisbon

References

External links

Rodolfo Bernardelli em DezenoveVinte - Arte brasileira do século XIX e início do XX

{{DEFAULTSORT:Bernardelli, Rodolfo

1852 births
1931 deaths
Brazilian sculptors
Art directors
Brazilian people of Italian descent
Artists from Guadalajara, Jalisco