Theatre Of The Grotesque
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Theatre Of The Grotesque
The Theatre of the Grotesque was a twentieth-century dramatic movement.Fearnow, Mark. ''The American Stage and the Great Depression''. Cambridge University Press, 2006 It is a theatrical style that was developed as a derivative to the late eighteenth-century art movement 'Grotesque' and thus translates the themes and images of the grotesque art into theatrical practices. 'Theatre of the Grotesque' rejects Naturalism (literature), naturalism through surreal comedy, reconciling conventionally conflicting concepts. This style of theatre was popularised globally in the early twentieth century through a strong presence in the Italian theatre scene.Calendoli, Giovani. "Theatre of the Grotesque". ''The Drama Review'', vol 22, no. 1, 1978, pp. 13-16., Accessed 11 Apr 2019 'Theatre of the Grotesque' reached its global peak of prominence in the mid-twentieth century. Despite not being frequently produced in pure form in contemporary theatre, 'Theatre of the Grotesque' has remained influenti ...
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Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ...
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Carnivalesque
Carnivalesque is a literary mode that subverts and liberates the assumptions of the dominant style or atmosphere through humor and chaos. It originated as "carnival" in Mikhail Bakhtin's ''Problems of Dostoevsky's Poetics'' and was further developed in ''Rabelais and His World''. For Bakhtin, "carnival" (the totality of popular festivities, rituals and other carnival forms) is deeply rooted in the human psyche on both the collective and individual level. Though historically complex and varied, it has over time worked out "an entire language of symbolic concretely sensuous forms" which express a unified "carnival sense of the world, permeating all its forms". This language, Bakhtin argues, cannot be adequately verbalized or translated into abstract concepts, but it is amenable to a transposition into an artistic language that resonates with its essential qualities: it can, in other words, be "transposed into the language of literature". Bakhtin calls this transposition the ''carnivali ...
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Quentin Tarantino
Quentin Jerome Tarantino (; born March 27, 1963) is an American film director, writer, producer, and actor. His films are characterized by stylized violence, extended dialogue, profanity, Black comedy, dark humor, Nonlinear narrative, non-linear storylines, Cameo appearance, cameos, ensemble casts, and references to popular culture. Other List of filmmakers' signatures, directorial tropes associated with Tarantino include the use of songs from the 1960s and 70s, fictional brand parodies, and the prominent Framing (visual arts), framing of women's bare feet. Tarantino began his career as an independent filmmaker with the release of the crime film ''Reservoir Dogs'' in 1992. His second film, ''Pulp Fiction'' (1994), a dark comedy crime thriller, was a major success with critics and audiences winning numerous awards, including the Palme d'Or and the Academy Award for Best Original Screenplay. In 1996, he appeared in ''From Dusk till Dawn'', also writing the screenplay. Tarantino' ...
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Sigmund Freud
Sigmund Freud ( , ; born Sigismund Schlomo Freud; 6 May 1856 – 23 September 1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for evaluating and treating psychopathology, pathologies explained as originating in conflicts in the Psyche (psychology), psyche, through dialogue between a patient and a psychoanalyst. Freud was born to Galician Jews, Galician Jewish parents in the Moravian town of Příbor, Freiberg, in the Austrian Empire. He qualified as a doctor of medicine in 1881 at the University of Vienna. Upon completing his habilitation in 1885, he was appointed a docent in neuropathology and became an affiliated professor in 1902. Freud lived and worked in Vienna, having set up his clinical practice there in 1886. In 1938, Freud left Austria to escape Nazi persecution. He died in exile in the United Kingdom in 1939. In founding psychoanalysis, Freud developed therapeutic techniques such as the use of free association (psychology), free a ...
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Black Comedy
Black comedy, also known as dark comedy, morbid humor, or gallows humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to discuss. Writers and comedians often use it as a tool for exploring vulgar issues by provoking discomfort, serious thought, and amusement for their audience. Thus, in fiction, for example, the term ''black comedy'' can also refer to a genre in which dark humor is a core component. Popular themes of the genre include death, crime, poverty, suicide, war, violence, terrorism, discrimination, disease, racism, sexism, and human sexuality. Black comedy differs from both blue comedy—which focuses more on crude topics such as nudity, sex, and Body fluids—and from straightforward obscenity. Whereas the term ''black comedy'' is a relatively broad term covering humor relating to many serious subjects, ''gallows humor'' tends to be used more specifical ...
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Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ...
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Double Consciousness
Double consciousness is the internal conflict experienced by subordinated or colonized groups in an oppressive society. The term and the idea were first published in W. E. B. Du Bois's autoethnographic work, ''The Souls of Black Folk'' in 1903, in which he described the African American experience of double consciousness, including his own.Du Bois, W. E. B. The Souls of Black Folk. New York, Avenel, NJ: Gramercy Books; 1994 Originally, double consciousness was specifically the psychological challenge African Americans experienced of "always looking at one's self through the eyes" of a racist white society and "measuring oneself by the means of a nation that looked back in contempt". The term also referred to Du Bois's experiences of reconciling his African heritage with an upbringing in a European-dominated society. The idea of double consciousness is important because it illuminates the experiences of black people living in post-slavery America, and also because it sets a ...
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Pier Maria Rosso Di San Secondo
Pier Maria Rosso di San Secondo (November 30, 1887 in Caltanissetta – November 22, 1956 in Lido di Camaiore), or simply Rosso di San Secondo was an Italian playwright and journalist. Poetry His poetry is characterized by lyricism and a pessimistic view of the relationship between man and society, with characters often marked by loneliness and a certain contrast between passion and rationality. Often this contrast is symbolically sought from San Secondo in the confrontation between the Italian North, characterized by a rational life, concrete and gray, and the Italian South characterized as a mythical dream, passionate colors of life. Among his most important plays are ''La sirena ricanta'', which debuted in 1908, and ''Marionette, che passione!'' in 1917, a work that kindled the interest of Luigi Pirandello Luigi Pirandello (; 28 June 1867 – 10 December 1936) was an Italian dramatist, novelist, poet, and short story writer whose greatest contributions were his plays. ...
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Six Characters In Search Of An Author (film)
''Six Characters in Search of an Author'' is a 1963 television play broadcast by the Australian Broadcasting Corporation. It was directed by Christopher Muir. It is a production of the play by Luigi Pirandello. Premise The show was set in a TV studio during a rehearsal for a new costume serial. Six people arrive, each with a story to tell. Cast *Lance Bennett as Fred Parslow *Cheryl Fisher as the daughter *Norman Kaye as the father * Patricia Kennedy as the mother *Marea Letho as the step daughter *Michael Norman as the boy *Terry Norris Terry is a unisex given name, derived from French Thierry and Theodoric. It can also be used as a diminutive nickname for the names Teresa or Theresa (feminine) or Terence or Terrier (masculine). People Male * Terry Albritton (1955–2005), Ame ... as Letho Production Some scenes were shot at Flinders St Station, Melbourne. Reception The ''Bulletin'' said it "came up surprisingly well." The ''Sydney Morning Herald'' called it ...
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Six Characters In Search Of An Author (opera)
''Six Characters in Search of an Author'' is an opera in three acts by composer Hugo Weisgall. The work uses an English libretto by Denis Johnston that is based on the play of the same name by Luigi Pirandello. The opera was commissioned by the New York City Opera under the leadership Julius Rudel. It premiered at New York City Center on April 26, 1959 in a production staged by William Ball and using sets and costumes designed by Gary Smith. The work was mounted in 1990 by the Lyric Opera of Chicago's Lyric Opera Center for American Artists in 1990, a production which was recorded and released on the New World Records label. The production was conducted by Lee Schaenen and starred Kevin Anderson as The Director, Bruce Fowler as The Tennore Buffo, Andrew Schroeder as The Accompanist, Michael Wadsworth as The Basso Cantante, Philip Zawisza as The Stage Manager, Elizabeth Futral as The Coloratura, Susan Foster as The Prompter, Joslyn King as The Mezzo, Dianne Pritchett as ...
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Metatheatre
Metatheatre, and the closely related term metadrama, describes the aspects of a play that draw attention to its nature as drama or theatre, or to the circumstances of its performance. "Breaking the Fourth Wall" is an example of a metatheatrical device. Metatheatrical devices may include: direct address to the audience (especially in soliloquies, asides, prologues, and epilogues); expression of an awareness of the presence of the audience (whether they are addressed directly or not); an acknowledgement of the fact that the people performing are actors (and not actually the characters they are playing); an element whose meaning depends on the difference between the represented time and place of the drama (the fictional world) and the time and place of its theatrical presentation (the reality of the theatre event); plays-within-plays (or masques, spectacles, or other forms of performance within the drama); references to acting, theatre, dramatic writing, spectatorship, and the fre ...
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La Maschera E Il Volto
''La maschera e il volto'' is a comedy of grotesque genre by Luigi Chiarelli Luigi Chiarelli (7 July 1880 – 20 December 1947) was an Italian playwright, theatre critic, and writer of short stories who is chiefly known as a founder of the ''teatro grottesco'', or Theatre of the Grotesque, after the subtitle of one of .... Written in 1913 and first presented in 1916, it is historically significant for starting the contemporary grotesque theatre.Luigi Chiarelli - La maschera e il volto
su atuttascuola.it It had a great success first in Italy and then internationally, and continues to be represented. Several movies have been adapted from the play.


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