The IDol (film)
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The IDol (film)
''The iDol'' is a 2006 film made and produced by independent filmmaker, Norman England. A science fiction satire, filmed entirely in Japan, ''The iDol'' tells the story of a Japanese collector who comes into possession of a figure with origins not of this world. It is a satirical look at the world of "otaku" and the mass marketing of media culture, so prevalent in Japan, that creates these legion of obsessed fans. The iDol was a small production which did not receive worldwide attention due to its limited budget of $25,000. ''The iDol'' premiered at the Fantasia Festival in Montreal, Quebec, Canada on July 16, 2006 and has subsequently played at various festivals around the world. It was shown on television for the first time on Japan's SKY Perfect satellite channel on March 3, 2008. Plot Ken is a mild-mannered man in his mid-twenties who, like many men his age, has interests that stopped developing during adolescence. On a visit to a local toy collectors' shop, he acquires a rar ...
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Norman England (director)
England in the High Middle Ages includes the history of England between the Norman conquest of England, Norman Conquest in 1066 and the death of John, King of England, King John, considered by some to be the last of the Angevin kings of England, in 1216. A disputed succession and victory at the Battle of Hastings led to the conquest of England by William the Conqueror, William of Normandy in 1066. This linked the crown of England with possessions in France and brought a new aristocracy to the country that dominated landholding, government and the church. They brought with them the French language and maintained their rule through a system of castles and the introduction of a feudalism, feudal system of landholding. By the time of William's death in 1087, England formed the largest part of an Anglo-Normans, Anglo-Norman empire, ruled by nobles with landholdings across England, Normandy and Wales. William's sons disputed succession to his lands, with William II of England, William II ...
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Kow Otani
is a Japanese composer. He is best known for creating the soundtracks for the Heisei ''Gamera'' trilogy, '' Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack'', ''Mobile Suit Gundam Wing'', and ''Shadow of the Colossus''. Biography Kow Otani was born in Tokyo, Japan. After graduating from university, he became a founding member of Yuji Saito's music production company Imagine in November 1986. The company has grown to feature musicians like Kohei Tanaka, Shiro Hamaguchi, Hayato Matsuo, and Shinji Miyazaki, who have become well known for cinematic scoring and orchestration through Otani. In 1987, he made his debut as an anime composer with the popular manga adaptation ''City Hunter'', which earned him recognition in the industry. He later went on to work on titles such as ''Spy Games'' (1988), ''The Ultimate Teacher'' (1988), ''The Yadamura Waltz'' (1988), and '' You're Under Arrest'' (1994). The anime ''Future GPX Cyber Formula'' (1991) and ''Mobile Suit Gundam W ...
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Shibuya, Tokyo
Shibuya (渋谷 区 ''Shibuya-ku'') is a special ward in Tokyo, Japan. As a major commercial and finance center, it houses two of the busiest railway stations in the world, Shinjuku Station (southern half) and Shibuya Station. As of April 1, 2022, it has an estimated population of 228,906 and a population density of 15,149.30 people per km2 (39,263.4/sq mi). The total area is 15.11 km2 (5.83 sq mi). The name "Shibuya" is also used to refer to the shopping district which surrounds Shibuya Station. This area is known as one of the fashion centers of Japan, particularly for young people, and as a major nightlife area. History Heian to Edo period Shibuya was historically the site of a castle in which the Shibuya family resided from the 11th century through the Edo period. Following the opening of the Yamanote Line in 1885, Shibuya began to emerge as a railway terminal for southwestern Tokyo and eventually as a major commercial and entertainment center. Meiji to Showa period ...
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Shimokitazawa
is a commercial and entertainment area in Kitazawa, Setagaya, Tokyo. It is located in the southwestern corner of the Kitazawa district, hence the name "Shimo-kitazawa" (literally ''lower Kitazawa''). Also known as "Shimokita", the neighbourhood is well known for the density of small independent fashion retailers, cafes, theaters, bars and live music venues. Independent retail The neighbourhood is often compared with the backstreets of Ura-Harajuku and Koenji; smaller shop units and restricted vehicular access has limited its appeal to larger domestic and international fashion merchandisers, enabling independent retailers to survive. The district consists of the streets immediately surrounding Shimo-Kitazawa Station, where the Odakyu Electric Railway and Keio Inokashira Lines intersect. The neighbourhood has long been a center for stage theater and live music venues; serves as a home to the historic Honda Gekijō theater and holds theatre festivals throughout the year. With num ...
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The Grudge
''The Grudge'' is a 2004 supernatural horror film directed by Takashi Shimizu, written by Stephen Susco, and produced by Sam Raimi, Robert Tapert, and Takashige Ichise. A remake of Shimizu's 2002 Japanese horror film '' Ju-On: The Grudge'', it stars Sarah Michelle Gellar, Jason Behr, KaDee Strickland, Clea DuVall, and Bill Pullman, and is the first installment in ''The Grudge'' film series, which is based on the Japanese ''Ju-On'' films. Takako Fuji, Yuya Ozeki, and Takashi Matsuyama portray the characters Kayako Saeki, Toshio Saeki, and Takeo Saeki from the original films. The plot is told through a nonlinear sequence of events and includes several intersecting subplots. After the success of American remake '' The Ring'' (2002), Sony Pictures had green-lit an American remake of ''Ju-On: The Grudge''. Shimizu, the writer and director of the original film, was hired to direct the film from a screenplay written by Susco. Principal photography on the film began on Ja ...
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Shusuke Kaneko
is a Japanese filmmaker. Life and career Shūsuke Kaneko was born in Tokyo on June 8, 1955. According to the biography on his official website Kaneko was interested in science fiction, particularly Godzilla and Gamera films, from a young age. He became involved in amateur film making in his teen years, but majored in education when he attended Tokyo Gakugei University. After graduation, he found a job at the major Japanese movie studio Nikkatsu. By 1982 he was a screenwriter and assistant director for Nikkatsu's ''Roman Porno'' film series. He made his debut as a director with Nikkatsu in February 1984 with ''Kōichirō Uno's Wet and Swinging'', part of a long-running Nikkatsu series based on the works of erotic novelist Kōichirō Uno. That work along with two other ''Roman Porno'' films he directed for Nikkatsu that year, and , won him the Best New Director award at the 6th Yokohama Film Festival. The next year, his manga-based April 1985 movie for Nikkatsu, '' Minna Agecha ...
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Always Sanchōme No Yūhi
is a 2005 Japanese drama film written and directed by Takashi Yamazaki, based on the manga '' Sunset on Third Street'' by Ryōhei Saigan. It was chosen as Picture of the Year at the Japan Academy Film Prize in 2006. The film spawned two sequels, '' Always: Sunset on Third Street 2'' (2007) and '' Always: Sunset on Third Street '64'' (2012). Plot In 1958, with the impending completion of Tokyo's TV broadcasting tower as a symbol of Japan's escalating post-war economic recovery, rural schoolgirl Mutsuko (Maki Horikita) arrives from the provinces to begin her first job with Suzuki Auto. Initially impressed by meeting company "president" Norifumi Suzuki (Shinichi Tsutsumi), Mutsuko is shocked to discover her workplace is actually a shabby auto repair shop in Tokyo's down-at-heel Yuhi district. Suzuki is a bad-tempered employer but Mutsuko is welcomed by his wife, Tomoe (Hiroko Yakushimaru), and their impish 5-year-old son, Ippei (Kazuki Koshimizu). One of Ippei's favorite haunts ...
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Giant Monsters All-Out Attack
In folklore, giants (from Ancient Greek: ''gigas'', cognate giga-) are beings of human-like appearance, but are at times prodigious in size and strength or bear an otherwise notable appearance. The word ''giant'' is first attested in 1297 from Robert of Gloucester's chronicle. It is derived from the ''Gigantes'' ( grc-gre, Γίγαντες) of Greek mythology. Fairy tales such as ''Jack the Giant Killer'' have formed the modern perception of giants as dimwitted ogres, sometimes said to eat humans, while other giants tend to eat the livestock. The antagonist in ''Jack and the Beanstalk'' is often described as a giant. In some more recent portrayals, like those of Jonathan Swift and Roald Dahl, some giants are both intelligent and friendly. Literary and cultural analysis Giants appear in the folklore of cultures worldwide as they represent a relatively simple concept. Representing the human body enlarged to the point of being monstrous, giants evoke terror and remind humans of ...
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