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The Drowned Woman And Her Husband
The drowned woman and her husband is a story found in Mediaeval jest-books that entered the fable tradition in the 16th century. It was occasionally included in collections of Aesop's Fables but never became established as such and has no number in the Perry Index. Folk variants in which a contrary wife is sought upstream by her husband after she drowns are catalogued under the Aarne-Thompson classification system as type 1365A. The story One of the earliest appearances of the story is in the 12th century, when it was included in Marie de France's rhymed fables, the Ysopet, under the title "The man who had a contrary wife" (tale 96). Its most concise telling is in Poggio Bracciolini's ''Facetiae'' (1450), where it is titled "The man who searched in the river for his dead wife": :A man, whose wife had drowned in a stream, went up the river against the current to look for the body. A peasant who saw him marvelled greatly at this, and advised him to follow the flow of the current. "In t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesop's Fables
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller believed to have lived in ancient Greece between 620 and 564 BCE. Of diverse origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers and in popular as well as artistic media. The fables originally belonged to oral tradition and were not collected for some three centuries after Aesop's death. By that time, a variety of other stories, jokes and proverbs were being ascribed to him, although some of that material was from sources earlier than him or came from beyond the Greek cultural sphere. The process of inclusion has continued until the present, with some of the fables unrecorded before the Late Middle Ages and others arriving from outside Europe. The process is continuous and new stories are still being added to the Aesop corpus, even when they are demonstrably more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emblem Books
An emblem book is a book collecting emblems (allegorical illustrations) with accompanying explanatory text, typically morals or poems. This category of books was popular in Europe during the 16th and 17th centuries. Emblem books are collections of sets of three elements: an icon or image, a motto, and text explaining the connection between the image and motto. The text ranged in length from a few lines of verse to pages of prose. Emblem books descended from medieval bestiaries that explained the importance of animals, proverbs, and fables. In fact, writers often drew inspiration from Greek and Roman sources such as Aesop's Fables and Plutarch's Lives. Definition Scholars differ on the key question of whether the actual emblems in question are the visual images, the accompanying texts, or the combination of the two. This is understandable, given that first emblem book, the ''Emblemata'' of Andrea Alciato, was first issued in an unauthorized edition in which the woodcuts wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florent Schmitt
Florent Schmitt (; 28 September 187017 August 1958) was a French composer. He was part of the group known as Les Apaches. His most famous pieces are ''La tragédie de Salome'' and ''Psaume XLVII'' (Psalm 47). He has been described as "one of the most fascinating of France's lesser-known classical composers". Biography Early life and career Born in Meurthe-et-Moselle, Schmitt took music lessons in Nancy with the local composer Gustave Sandré. At the age of 19 he entered the Paris Conservatoire, where he studied with Gabriel Fauré, Jules Massenet, Théodore Dubois, and Albert Lavignac. In 1900 he won the Prix de Rome. During the 1890s he became friendly with Frederick Delius, who was living in Paris at the time, and Schmitt prepared vocal scores for four of Delius's operas: ''Irmelin'', ''The Magic Fountain'', ''Koanga'' and ''A Village Romeo and Juliet''. From 1929 to 1939 Schmitt worked as a music critic for ''Le Temps'', where he proved controversial. He was known to shout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pauline Thys
Pauline Marie Elisa Thys Lebault'' (1835–1909) was a French composer and librettist. She was born in Paris, her father was the opéra comique composer Alphonse Thys (1807–1879). Initially she composed salon romances and light piano music, before she turned to writing music for the stage including operettas, opéra-comiques, and operas, some of which to her own libretto. In 1877, she was the founder of the ''Association des femmes artistes et professeurs''. In 1883, she became a ''Chevalier de l'Ordre des Palmes académiques A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with ...''. Selected works Stage *''La Pomme de Turquie'', operetta, 1 act (1857) *''Quand Dieu est dans le ménage, Dieu le garde'', operetta (1860) *''La Perruque du Bailli'', operetta (1860) *''Le Roi de Cocagne' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Delacroix
Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: British and French Painting in the Age of Romanticism'', p. 58, Tate Publishing, 2003. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Everett Millais
Sir John Everett Millais, 1st Baronet, ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting ''Christ in the House of His Parents'' (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, ''Ophelia'', in 1851–52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Chagall
Marc Chagall; russian: link=no, Марк Заха́рович Шага́л ; be, Марк Захаравіч Шагал . (born Moishe Shagal; 28 March 1985) was a Russian-French artist. An early modernism, modernist, he was associated with several major art movement, artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Born in the Russian Empire, today Belarus, he was of Russian Jews, Jewish origin. Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk culture. He spent the wartime years in Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Museum of Modern Art, Vitebsk Arts College before leaving again for Paris in 1923 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Doré
Paul Gustave Louis Christophe Doré ( , , ; 6 January 1832 – 23 January 1883) was a French artist, as a printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings, especially those illustrating classic books, including 241 illustrating the Bible. These achieved great international success, and he is the best-known artist in this printmaking technique, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image. In all he created some 10,000 illustrations, the most important of which were "duplicated in electrotype shells that were printed ... on cylinder presses", allowing very large print runs as steel engravings, "hypnotizing the widest public ever captured by a major illustrator", and being published simultaneously in many countries. The drawings given to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Chauveau
François Chauveau (10 May 1613 – 3 February 1676) was a French artist, known as a burin engraver, draftsmen and painter. Life François Chauveau was born 10 May 1613 in Paris, as the second son of the impoverished noble, Lubin Chauveau and of Marguerite de Fleurs. He studied in the studio of Laurent de La Hyre and specialised in etching. He married Marguerite Roger on 8 February 1652. Louis XIV gave him a pension and the title of Graveur du Roi (King's engraver) in 1662. Chauveau was the first printmaker to be made a member to the Académie royale de peinture et de sculpture on 14 April 1663. He died in 1676 in Paris. Notable for his great culture and imagination, he was one of the four French engravers cited by Charles Perrault in his "Hommes illustres". Chauveau left nearly 1,600 works (frontispices, vignettes...), including illustrations for works by Mademoiselle de Scudéry (he engraved the famous ''Map of Tendre'' and the frontispiece for her ''Artamène''), Sca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nasreddin
Nasreddin () or Nasreddin Hodja (other variants include: Mullah Nasreddin Hooja, Nasruddin Hodja, Mullah Nasruddin, Mullah Nasriddin, Khoja Nasriddin) (1208-1285) is a character in the folklore of the Muslim world from Arabia to Central Asia, and a hero of humorous short stories and satirical anecdotes. There are frequent statements about his existence in real life and even archaeological evidence in specific places, for example, a tombstone in the city of Akşehir, Turkey. At the moment, there is no confirmed information or serious grounds to talk about the specific date or place of Nasreddin's birth, so the question of the reality of his existence remains open. Nasreddin appears in thousands of stories, sometimes witty, sometimes wise, but often, too, a fool or the butt of a joke. A Nasreddin story usually has a subtle humour and a pedagogic nature. The International Nasreddin Hodja festival is celebrated between 5 and 10 July every year in Akşehir. In 2020, an applica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perry Index
The Perry Index is a widely used index of "Aesop's Fables" or "Aesopica", the fables credited to Aesop, the storyteller who lived in ancient Greece between 620 and 560 BC. The index was created by Ben Edwin Perry, a professor of classics at the University of Illinois Urbana-Champaign. Modern scholarship takes the view that Aesop probably did not compose all of the fables attributed to him;D. L. Ashliman, “Introduction,” in George Stade (Consulting Editorial Director), ''Aesop’s Fables.'' New York: Barnes & Noble Classics, (2005). Produced and published in conjunction with Fine Creative Media, Inc. (New York) Michael J. Fine, President and Publisher. See pp. xiii–xv and xxv–xxvi. indeed, a few are known to have first been used before Aesop lived, while the first record we have of many others is from well over a millennium after his time. Traditionally, Aesop's fables were arranged alphabetically, which is not helpful to the reader. Perry listed them by language (Greek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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