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The Wretches Are Still Singing
''The Wretches Are Still Singing'' ( el, Τα Κουρέλια Τραγουδάνε Ακόμα..., translit=Ta Kourelia Tragoudane Akoma...) is a 1979 Greek dramatic experimental independent surrealist underground art film directed by Nikos Nikolaidis. It is the first part of the "Years of Cholera" trilogy continuing with '' Sweet Bunch'' (1983) and ending with ''The Loser Takes It All'' (2002). Plot The director studied the transformation of social values using the example of a group of five friends who meet after a long separation and share with each other the details of their difficult lives. The film became the symbol of the 1950s generation and reflected his personal views on the problem of alienation in the modern world. The film was shot in a surreal way with a predilection for the aesthetics of the Marquis de Sade. In it, for the first time in Nikolaidis' filmography, one can see the characteristic elements of film noir which became part and parcel of Nikolaidis' unique ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikos Nikolaidis
Nikos Georgiou Nikolaidis ( el, Νίκος Γεωργίου Νικολαΐδης; 25 October 1939 – 5 September 2007) was a Greek film director, screenwriter, film producer, writer, theatre director, assistant director, record producer, television director, and commercial director. He is usually considered a representative of European experimental film, avant-garde and experimental art film. Biography Nikolaidis was born on 25 October 1939 in Athens, Greece, where he lived and worked all his life. He was also the scriptwriter and producer of the movies which he directed and would occasionally, as in the case of the 1965 Orestis Laskos film ''Praktores 005 enantion Hrysopodarou'', write screenplays for other directors. For much of his life he worked in advertising and he managed to direct two hundred television advertisements within twenty years. He studied filmmaking at the and acquired scenic design skills at the Vakalo College of Art and Design, a highly regarded specialized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Greece
The cinema of Greece has a long and rich history. Though hampered at times by war or political instability, the Greek film industry dominates the domestic market and has experienced international success. Characteristics of Greek cinema include a dynamic plot, strong character development and erotic themes. Two Greek films, ''Missing (1982 film), Missing'' (1982) and ''Eternity and a Day'' (1998), have won the Palme d'Or at the Cannes Film Festival. Five Greek films have received nominations for the Academy Award for Best Foreign Language Film. Though Greek cinema took root in the early 1900s, the first mature films weren't produced until the 1920s, after the end of the Greco-Turkish War (1919-1922), Greco-Turkish War.Vrasidas Karalis, History of Greek Cinema' (Continuum International Publishing Group, 2012), pp. ix-xiii. Films during this period, such as ''Astero'' (1929) by Dimitris Gaziadis and ''Maria Pentagiotissa'' (1929) by Ahilleas Madras, consisted of emotional melodra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Noir
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ''film noir''. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term ''film noir'', French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema historians and critics defined the category ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marquis De Sade
Donatien Alphonse François, Marquis de Sade (; 2 June 1740 – 2 December 1814), was a French nobleman, revolutionary politician, philosopher and writer famous for his literary depictions of a libertine sexuality as well as numerous accusations of sex crimes. His works include novels, short stories, plays, dialogues, and political tracts. In his lifetime some of these were published under his own name while others, which Sade denied having written, appeared anonymously. Sade is best known for his erotic works, which combined philosophical discourse with pornography, depicting sexual fantasies with an emphasis on violence, suffering, anal sex (which he calls sodomy), child rape, crime, and blasphemy against Christianity. Many of the characters in his works are teenagers or adolescents. His work is a depiction of extreme absolute freedom, unrestrained by morality, religion, or law. The words ''sadism'' and '' sadist'' are derived from his name in reference to the works of f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2002 In Film
The year 2002 in film involved some significant events. Highest-grossing films The top 10 films released in 2002 by worldwide gross are as follows: 2002 was the first year to see three films cross the eight-hundred-million-dollar milestone, surpassing the previous year's record of two eight-hundred-million-dollar films. It also surpasses the previous years record of having the most ticket sales in a single year (fueled by the success of various sequels and the first Spider-Man movie). Events * March 1 — Paramount Pictures reveals a new-on screen logo that was used until December 2011 to celebrate its 90th anniversary. * May – '' The Pianist'' directed by Roman Polanski wins the "Palme d'Or" at the Cannes Film Festival. * May 3–5 – '' Spider-Man'' is the first film to make $100+ million during its opening weekend in the US unadjusted to inflation. * May 16 – '' Star Wars: Episode II – Attack of the Clones'' opens in theaters. Although a huge success, it was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Loser Takes It All
''The Loser Takes It All'' ( el, Ο χαμένος τα παίρνει όλα, translit=O chamenos ta pairnei ola, italic=yes) is a 2002 Greek dramatic experimental independent underground art film, the seventh feature film directed by Nikos Nikolaidis. The film, produced by the Greek Film Center and Greek Television ET-1, is the last part of the "Years of Cholera" trilogy beginning with ''The Wretches Are Still Singing'' ( 1979) and '' Sweet Bunch'' ( 1983) which deals with the last decades of the twentieth century. Production of the film was finished by September 2002. The film was first screened at the Thessaloniki International Film Festival on 15 November 2002 and its theatrical release began on 31 January 2003. The film received the Best Director Award and Kostas Gikas received the Best Cinematographer Award for it at the Thessaloniki International Film Festival's Greek State Film Awards in November 2002. Plot The story revolves around five characters: a fortysomething, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1983 In Film
The following is an overview of events in 1983 in film, including the highest-grossing films, award ceremonies and festivals, a list of films released and notable deaths. Highest-grossing films (U.S.) The top ten 1983 released films by box office gross in North America are as follows: Events *February 11 - The Rolling Stones concert film ''Let's Spend the Night Together'' opens in New York City. *May 25 - ''Return of the Jedi'', the final installment in the original ''Star Wars'' trilogy, is released. Like the previous films, it goes on to become the highest-grossing film of the year. *1983 was a landmark year in film. More films have gotten an R-rating than any other year thus far. *Academy Award winner Nicole Kidman makes her film debut in an Australian movie Bush Christmas *'' Brainstorm'', the final film of screen star Natalie Wood, is released, 2 years after her death. *October - Frank Price resigns as president of Columbia Pictures and is replaced by Guy McElwaine. Aw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Bunch
''Sweet Bunch'' ( el, Γλυκιά Συμμορία, translit=Glykia Symmoria, italic=yes) is a 1983 Greek dramatic experimental independent underground art film directed by Nikos Nikolaidis. The film, produced by Vergeti Brothers and the Greek Film Center, is the second part of the "Years of Cholera" trilogy beginning with ''The Wretches Are Still Singing'' (1979) and ending with ''The Loser Takes It All'' (2002) which deals with the last decades of the twentieth century. The original Greek title directly references the Greek title of the 1969 Sam Peckinpah film ''The Wild Bunch'' ( el, Άγρια Συμμορία, translit=Agria Symmoria, italic=yes). The film uses as background music the 1958 song "Sugartime" written by Charlie Phillips and Odis Echols as well as the 1940 song "Sweet Mara" ( el, «Γλυκιά Μαράτα,» tr. "Glykia Marata") composed by Leo Rapitis to lyrics by Kostas Kofiniotis which was performed by Kakia Mendri. It was distributed by the Greek Film Cente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Film
An art film (or arthouse film) is typically an independent film, aimed at a niche market rather than a mass market audience. It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal", "made primarily for aesthetic reasons rather than commercial profit", containing "unconventional or highly symbolic content". Film critics and film studies scholars typically define an art film as possessing "formal qualities that mark them as different from mainstream Hollywood films". These qualities can include (among other elements): a sense of social realism; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams, or motivations of characters, as opposed to the unfolding of a clear, goal-driven story. Film scholar David Bordwell describes art cinema as "a film genre, with its own distinct conventions". Art film producers usually present their films at special theaters ( repertory cinemas or, in the U.S., art- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underground Film
An underground film is a film that is out of the mainstream either in its style, genre or financing. Notable examples include: John Waters' ''Pink Flamingos'', David Lynch's ''Eraserhead'', Andy Warhol's ''Blue Movie'', Rosa von Praunheim's ''Tally Brown, New York'', Frank Henenlotter's ''Basket Case'', Nikos Nikolaidis' ''Singapore Sling'', Rinse Dreams' ''Café Flesh'', and Jörg Buttgereit's ''Nekromantik''. Definition and history The first printed use of the term "underground film" occurs in a 1957 essay by American film critic Manny Farber, "Underground Films." Farber uses it to refer to the work of directors who "played an anti-art role in Hollywood." He contrasts "such soldier-cowboy-gangster directors as Raoul Walsh, Howard Hawks, William Wellman," and others with the "less talented De Sicas and Zinnemanns hocontinue to fascinate the critics." However, as in "Underground Press", the term developed as a metaphorical reference to a clandestine and subversive culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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