The World Of Apu
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The World Of Apu
''Apur Sansar'' ( bn, অপুর সংসার), also known as ''The World of Apu'', is a 1959 Indian Bengali-language drama film produced, written and directed by Satyajit Ray. It is based on the second half of Bibhutibhushan Bandopadhyay's novel ''Aparajito''. Following ''Pather Panchali'' (1955) and ''Aparajito'' (1956), ''The World of Apu'' is the final part of Ray's ''The Apu Trilogy'', about the childhood and early adulthood of a young Bengali named Apu in early twentieth century India. ''The World of Apu'' stars Soumitra Chatterjee (as Apu) and Sharmila Tagore (as Apu's wife Aparna); the duo would go on to appear in many subsequent Ray films. Upon its release on 1 May 1959, ''The World of Apu'' was well-received by critics. It won the National Film Award for Best Feature Film as well as several international awards, including the Sutherland Award for Best Original And Imaginative Film and National Board of Review Award for Best Foreign Language Film. Plot In early 1 ...
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Satyajit Ray
Satyajit Ray (; 2 May 1921 – 23 April 1992) was an Indian director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and music composer. One of the greatest auteurs of film-making, Ray is celebrated for works including ''The Apu Trilogy'' (1955–1959), ''The Music Room'' (1958), ''The Big City'' (1963) and ''Charulata'' (1964). Ray was born in Calcutta to nonsense rhyme author Sukumar Ray. Starting his career as a commercial artist, Ray was drawn into independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film ''Bicycle Thieves'' (1948) during a visit to London. Ray directed 36 films, including feature films, documentaries and shorts. Ray's first film, ''Pather Panchali'' (1955) won eleven international prizes, including the inaugural Best Human Document award at the 1956 Cannes Film Festival. This film, along with ''Aparajito'' (1956) and ...
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Khulna
Khulna ( bn, খুলনা, ) is the third-largest city in Bangladesh, after Dhaka and Chittagong. It is the administrative centre of Khulna District and Khulna Division. Khulna's economy is the third-largest in Bangladesh, contributing $53 billion in gross state product and $95 billion in purchasing power parity (PPP) in 2020. In the 2011 census, the city had a population of 663,342. Khulna is on the Rupsha and Bhairab Rivers. A centre of Bangladeshi industry, the city hosts many national companies. It is served by the Port of Mongla, Bangladesh's second-largest seaport. Khulna River Port is one of the country's oldest and busiest river ports. A colonial steamboat service, which includes the ''Tern'', ''Osrich'' and ''Lepcha'', operates on the river route to the city. Khulna is considered the gateway to the Sundarbans, the world's largest mangrove forest and home of the Bengal tiger. It is north of the Mosque City of Bagerhat, a UNESCO World Heritage Site. History Khulna w ...
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British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI activities Archive The BFI maint ...
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Directorate Of Film Festivals
The Directorate of Film Festivals in India was an organisation that initiated and presented the International Film Festival of India, the National Film Awards and the Indian Panorama. Although the Directorate helped appoint members of the jury panels each year, it had no input on which films are selected for consideration and which films ultimately win awards at the various functions it initiates. The Directorate set up by Ministry of Information and Broadcasting, Govt of India,Directorate of Film Festivals
. Ministry of Information and Broadcasting.

7th National Film Awards
The 7th National Film Awards, then known as State Awards for Films, presented by Ministry of Information and Broadcasting, India to felicitate the best of Indian Cinema released in the year 1959. Ceremony took place at Vigyan Bhavan, New Delhi on 1 May 1960 and awards were given by then Vice-President of India, Dr. Sarvepalli Radhakrishnan. Awards Awards were divided into feature films and non-feature films. President's Gold Medal for the All India Best Feature Film is now better known as National Film Award for Best Feature Film, whereas President's Gold Medal for the Best Documentary Film is analogous to today's National Film Award for Best Non-Feature Film. For children's films, Prime Minister's Gold Medal is now given as National Film Award for Best Children's Film. At the regional level, President's Silver Medal for Best Feature Film is now given as National Film Award for Best Feature Film in a particular language. Certificate of Merit in all the categories is discont ...
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National Film Awards
The National Film Awards is the most prominent film award ceremony in India. Established in 1954, it has been administered, along with the International Film Festival of India and the Indian Panorama, by the Indian government's Directorate of Film Festivals since 1973. Every year, a national panel appointed by the government selects the winning entry, and the award ceremony is held in New Delhi, where the President of India presents the awards. This is followed by the inauguration of the National Film Festival, where award-winning films are screened for the public. Declared for films produced in the previous year across the country, they hold the distinction of awarding merit to the best of Indian cinema overall, as well as presenting awards for the best films in each region and language of the country. History The Awards were first presented in 1954. The Government of India conceived the ceremony to honor films made across India, on a national scale, to encourage the ...
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Rabindranath Tagore
Rabindranath Tagore (; bn, রবীন্দ্রনাথ ঠাকুর; 7 May 1861 – 7 August 1941) was a Bengali polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer and painter. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful" poetry of ''Gitanjali'', he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. He was a fellow of the Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by sobriquets: Gurudev, Kobiguru, Biswakobi. A Bengali Brahmin from Calcutta with ancestral gentry roots in Burdwan district* * * and Jessore, Tagore wrote poetry as an eight-yea ...
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Chhabi Biswas
Chhabi Biswas (''Chabi Biśbās'') (13 July 1900 – 11 June 1962) was an Indian actor, primarily known for his performances in Tapan Sinha's '' Kabuliwala'' and Satyajit Ray's films '' Jalshaghar'' (''The Music Room'', 1958), '' Devi'' (''The Goddess'', 1960) and ''Kanchenjungha'' (1962). He is best remembered for his numerous roles as the quintessential aristocratic patriarch, and was himself the scion of a rich and cultured North Kolkata family. He was born on 12 July 1900. His father, Bhupatinath Biswas, was well known for his charitable works. His first name was Sachindranath, but his mother nicknamed her handsome son Chhabi (a beautiful picture!) and the name stuck throughout his life and career. His portrayal of the formidable father figure, though often typecast, yet was powerful and convincing enough to earn both popular and critical accolades. That portrayal was culturally significant, too as in the British Raj, enlightened Bengali used to combined both the hoary ...
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Sisir Bhaduri
Shishir Kumar Bhaduri or Sisir Kumar Bhaduri (2 October 1889 – 30 June 1959) was an Indian stage actor and theatre founder, who commonly referred to as the pioneer of modern Bengali theatre, where he was an actor, director, playwright and even scenic designer. He was survived by one son named, Asoke Kumar Bhaduri. Dhruba Kumar Bhaduri and Shubha Kumar Bhaduri were two of his grandsons. After Girish Chandra Ghosh, he introduced realism and naturalism to theatre. He was awarded the Padma Bhushan, India's third highest civilian honour by the Government of India in 1959. He refused to take Padma award, saying that if he takes the award, it will send wrong signal that government have helped promoting theatre culture in the country. Born in Mednipore, West Bengal, he studied at Scottish Church College Kolkata, where he started participating in theatre. He was also a professor of Metropolitan College (today's Vidyasagar College). In 1921, he left his job to become full-time stage a ...
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Bengali Theatre
Bengali theatre primarily refers to theatre performed in the Bengali language. Bengali theatre is produced mainly in West Bengal, and in Bangladesh. The term may also refer to some Hindi theatres which are accepted by the Bengali people. Bengali theatre has its origins in British rule. It began as private entertainment in the early 19th century. In the pre-independence period, Bengali theatres played a pivotal role in manifesting dislike of the British Raj. After the independence of India in 1947, leftist movements in West Bengal used theatre as a tool for social awareness. This added some unique characteristics to the art form that still have strong effects. These groups differentiate themselves ideologically from commercial Bengali theatre. Types The many theatres in West Bengal can be broadly divided into Kolkata-based theatres and rural theatres. Outside Bengali-speaking areas, the term "Bengali theatre" primarily refers to Kolkata-based groups, as the rural theatres are ...
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Jalsaghar
''Jalsaghar'' ( bn, জলসাঘর ''Jalsāghar'', "The Music Room") is a 1958 Indian Bengali drama film written and directed by Satyajit Ray, based on a popular short story by Bengali writer Tarasankar Bandyopadhyay, and starring Chhabi Biswas. The fourth of Ray's feature films, it was filmed at Nimtita Raajbari, in Nimtita , Aurangabad, Murshidabad. Despite initial poor critical reception in India, ''Jalsaghar'' went on to win the Presidential Award for best film in New Delhi, and played a significant role in establishing Ray's international reputation as a director. It has since gained near-universal critical acclaim, and has come to be regarded by the cinema community as one of the greatest films of all time. Plot ''Jalsaghar'' depicts the end days of a decadent zamindar (landlord) in Bengal and his efforts to uphold his family prestige while facing economic adversity. The landlord, Biswambhar Roy (Chhabi Biswas), is a just but otherworldly man who loves to spend time l ...
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Parash Pathar
''Parash Pathar'' ( bn, পরশ পাথর ''Porosh Pathor''; English: ''The Philosopher's Stone''; French: ''La Pierre Philosophale'') is a 1958 Bengali language Indian fantasy comedy film. It was Satyajit Ray's first film outside of ''The Apu Trilogy''. It was also his first comedy and first magical realist film. Adapted from a short story of the same name by Parasuram ( Rajsekhar Basu), the film offered an early glimpse of Ray's sense of humour, centered on a middle-class clerk who accidentally discovers a stone that can turn other objects into gold. Plot Paresh Chandra Dutt (Tulsi Chakrabarti), a middle-class bank clerk in Kolkata, attends a charity match on a rainy day rather reluctantly. At Curzon Park (modern-day Surendranath Park), where the match is apparently to be held, he finds a small, round stone. Thinking it is a marble, he gives it to his nephew. The child discovers that it turns metal into gold (i.e. the philosopher's stone). Dutt "buys" the stone from the c ...
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