The Wings Of The Dove (opera)
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The Wings Of The Dove (opera)
''The Wings of the Dove'' is an opera in 2 acts and 6 scenes by the American composer Douglas Moore that uses an English-language libretto by Ethan Ayer based on the 1902 novel of the same name by Henry James. Commissioned by the New York City Opera, the work premiered on October 12, 1961, at City Center, in a production directed by Christopher West with sets by Donald Oenslager, costumes by Patton Campbell, and choreography by Robert Joffrey. Written in a Neo-Romantic style, the work is composed in the tradition of the verismo opera of Giacomo Puccini Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long li .... Roles References Operas English-language operas 1961 operas Operas by Douglas Moore Operas based on novels {{English-opera-stub ...
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Douglas Moore
Douglas Stuart Moore (August 10, 1893 – July 25, 1969) was an American composer, songwriter, organist, pianist, conductor, educator, actor, and author. A composer who mainly wrote works with an American subject, his music is generally characterized by lyricism in a popular or conservative style which generally eschewed the more experimental progressive trends of musical modernism. Composer Virgil Thomson described Moore as a neoromantic composer who was influenced by American folk music. While several of his works enjoyed popularity during his lifetime, only his folk opera ''The Ballad of Baby Doe'' (1956) has remained well known into the 21st century. Moore first created music while a student at Yale University from 1911 through 1917; writing usually humorous songs in a popular style for school events in addition to creating music for school plays and musical revues. His work composing music for the Yale Dramatic Association, Elizabethan Club, and Yale Glee Club drew the att ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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1961 Operas
Events January * January 3 ** United States President Dwight D. Eisenhower announces that the United States has severed diplomatic and consular relations with Cuba (Cuba–United States relations are restored in 2015). ** Aero Flight 311 (Koivulahti air disaster): Douglas DC-3C OH-LCC of Finnish airline Aero crashes near Kvevlax (Koivulahti), on approach to Vaasa Airport in Finland, killing all 25 on board, due to pilot error: an investigation finds that the captain and first officer were both exhausted for lack of sleep, and had consumed excessive amounts of alcohol at the time of the crash. It remains the deadliest air disaster to occur in the country. * January 5 ** Italian sculptor Alfredo Fioravanti marches into the U.S. Consulate in Rome, and confesses that he was part of the team that forged the Etruscan terracotta warriors in the Metropolitan Museum of Art. ** After the 1960 military coup, General Cemal Gürsel forms the new government of Turkey (25th government ...
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English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Maurice Stern
Maurice Stern (Mauro Lampi) is an American operatic tenor and sculptor. He graduated from the Eastman School of Music. He made his debut at the New York City Opera as The Emperor Altuom in Giacomo Puccini's ''Turandot'', and received a laudatory solo review by Eric Salzman of ''The New York Times'' for that small role. Stern progressed from small character parts to the lyric tenor roles of Don Ottavio, Belmonte, The Duke in ''Rigoletto'', Roméo, Rodolfo, Pinkerton, and Cavaradossi. He then played great dramatic tenor roles, including Otello, Radames, Canio, Don José, Calaf, Manrico, Don Alvaro, Andrea Chenier, Samson, Dick Johnson, Bacchus, Lohengrin and Tannhäuser. During his international career, he also studied with Franco Corelli in New York City. Stern performed in opera houses in the United States, Canada, Mexico, South America, Europe and China. He received critical acclaim for his singing, his acting and character delineation, and his portrait sculpture and works on p ...
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Richard Fredricks
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", "Rich", "Rick", "Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * Ri ...
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Norman Kelley
Norman Kelley (August 27, 1911 – September 4, 2006) was an American operatic tenor who had an active international career during the 1940s through the 1970s. He was notably a regular performer at the Metropolitan Opera between 1957 and 1961, and he sang in several world premieres with the New York City Opera. He also notably translated Engelbert Humperdinck's '' Hänsel und Gretel'' into English, a version first performed in 1967 and used by opera companies to this present day. Biography Kelley was born and raised in Eddington, Maine, the oldest child of John Kelley and Janet Kelley (née Shiels) Kelley. At the age of 16, he moved to Boston with the intention of training to be a minister at Gordon College. However, an advertisement for acting instruction at the Leland School caught his eye and, after auditioning, he won a scholarship to the school which enabled him to pursue studies in theatre and music. He entered the New England Conservatory where he began studying singin ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Mary LeSawyer
Mary LeSawyer (October 8, 1917; Shamokin, Pennsylvania – June 13, 2004; Orlando, Florida) was an American opera singer of Ukrainian descent who had an active international career during the 1940s through the 1960s. A lyric soprano, LeSawyer studied opera at the Juilliard School before beginning her singing career. She had a long and fruitful partnership with the New York City Opera from 1949 through 1961. With the NYCO she appeared in '' Carmen'', '' La Traviata'', ''Madame Butterfly'', and others. She notably took part in the company's celebrated 1960 national tour, performing in four American operas: '' The Ballad of Baby Doe'', '' Street Scene'', '' Susannah'', and ''Six Characters in Search of an Author''. In 1958 she created the role of Mrs. Muller in he world premiere of Robert Kurka's ''The Good Soldier Schweik'' for the NYCO at Lincoln Center. LeSawyer was married for many years to Joseph LeSawyer, president of the Ukrainian National Association from 1961 to 1978, Presi ...
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John Reardon (baritone)
John Reardon (April 8, 1930April 16, 1988) ( aged 58 ) was an American baritone and actor who was noted for his performances on television, including many appearances on the PBS children's television show ''Mister Rogers' Neighborhood''. Making his debut with the New York City Opera in 1954, he sang 33 roles with them until 1972, returning in 1983 for performances as Danilo in ''The Merry Widow''. Reardon was a member of the New York Metropolitan Opera from 1965 until 1977, appearing in such operas as '' Carmen'' and '' Jenufa''. In 1967, Reardon created the role of Orin Mannon (the equivalent of Orestes in Aeschylus' ''Oresteia'') in the world premiere of Marvin David Levy's ''Mourning Becomes Electra''. His last performance at the Met was as Papageno in ''The Magic Flute'' on April 6, 1977. He co-starred with Phil Silvers on Broadway in the Jule Styne musical '' Do Re Mi'', introducing the standard song " Make Someone Happy". He also appeared on Broadway in ''New Faces of ...
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Martha Lipton
Martha Lipton (April 6, 1913 – November 28, 2006) was an American operatic mezzo-soprano. Biography Lipton was born in New York City. She won a scholarship to the Juilliard School and made her debut as Pauline in Tchaikovsky's opera '' The Queen of Spades'' for the New Opera Company in Manhattan in 1941. After making her first appearance with the New York City Opera in 1944 (their first season, and returned in 1958 and 1961), she went on to appear 401 times at the Metropolitan Opera. Her most frequent assignments at the Met were as Annina in ''Der Rosenkavalier'' and Emilia in ''Otello''. She also performed as Mrs. Sedley in ''Peter Grimes'' in 1948, Mother Goose in ''The Rake's Progress'', in 1953, and Madame Larina in the 1957 Peter Brook staging of ''Eugene Onegin''. Her final appearance at the Met was as the Innkeeper in ''Boris Godunov'' in 1961. Lipton also sang in Europe. She sang the title role in Benjamin Britten's ''The Rape of Lucretia'' for the English Opera Group i ...
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