The Who Hits 50! (album)
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The Who Hits 50! (album)
''The Who Hits 50!'' is a compilation of singles by the English rock band The Who, released in 2014 by Polydor Records. The two-disc set contains every single released by the band in the United Kingdom, with the exceptions of: " A Legal Matter" and "La-La-La-Lies" from 1966; and "Long Live Rock" and the remake of "I'm One" from 1979. At the same time it also contains every single by the band released in the United States throughout their career, with the exceptions of: " The Real Me" from 1974; the reissue of " Substitute" from 1976; and "Long Live Rock" from 1979. A condensed single-disc standard edition appeared as well, both versions in conjunction with the band's 50th anniversary and associated tour of the same name. The album is notable for containing singles generally not included on other compilation albums, such as the band's Rolling Stones cover " The Last Time" done as an act of solidarity while Mick Jagger and Keith Richards were facing jail time, along with other l ...
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The Who
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by d ...
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I'm One
"I'm One" is a song by The Who. It was released on the group's 1973 rock opera album ''Quadrophenia''. Written and sung by Pete Townshend, the song has since become a fan favorite. Background "I'm One" is one of the main moments of introspection spread throughout the narrative and also an indication that Jimmy, the main character of the album's story, may not be as Mod as he would wish to appear, given the way he asks a fellow Mod where he got his clothes (Mods would lose face asking another Mod where he obtained his clothes from). Pete Townshend said of the song's lyrical inspiration: The song features an acoustic opening followed by the rest of the band (excluding singer Roger Daltrey) joining in. "I'm One" was one of the ten original ''Quadrophenia'' tracks to appear in remixed form on the soundtrack to the Who's 1979 film ''Quadrophenia'', which was based on the original rock opera. This version of the song also saw single release as the B-side to the 1979 remixed sing ...
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Jon Astley
Jon Astley is a British record producer who has also recorded and released two albums as a singer-songwriter in the late 1980s. His most commercially successful song was "Jane's Getting Serious", later popularized by a Heinz ketchup television commercial starring a pre-''Friends'' Matt LeBlanc. As a producer, he is best known for his co-production work with Glyn Johns on the Who's 1978 '' Who Are You'' album, and later remastering supervision for all of the group's back catalog reissues. He also has produced albums for Eric Clapton, Barclay James Harvest, Corey Hart, and Deborah Harry and has mastered records for the Who, ABBA, George Harrison, Tori Amos, Eric Clapton, the Rolling Stones, the Pretty Things, Jools Holland, Tom Jones, Judas Priest, Cloven Hoof, Emmylou Harris, Ella Guru, Damien Dempsey, Tears for Fears, Led Zeppelin, Hothouse Flowers, Level 42, The Boomtown Rats, John Mayall, Marilyn Martin, Toto, Norah Jones, Stereophonics, KT Tunstall, Van Morrison, Paul M ...
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Endless Wire (The Who Album)
''Endless Wire'' is the eleventh studio album by the English rock band the Who, released on 30 October 2006 in the UK through Polydor Records and the following day in the US by Universal Republic. It was their first new studio album of original material in 24 years following the release of ''It's Hard'' in 1982, as well as their first since the death of the bassist John Entwistle. It was originally due to be released in early 2005 under the working title ''WHO2''. ''Endless Wire'' received generally positive reviews from music critics. It debuted at #7 on the ''Billboard'' album chart and #9 in the UK. Portions of it were featured on The Who Tour 2006-2007. Most of the songs from this album were used in the rock musical adaptation of ''The Boy Who Heard Music'' which debuted in July 2007 as part of Vassar College's Powerhouse Summer Theater workshop series. History and composition Most of what is known about the development of the album has come from Pete Townshend's website. ...
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Meaty Beaty Big And Bouncy
Meaty may refer to: * Meaty taste Umami ( from ja, 旨味 ), or savoriness, is one of the five basic tastes. It has been described as savory and is characteristic of broths and cooked meats. People taste umami through taste receptors that typically respond to glutamates and ... or umami * ''Meaty'', an essay collection by Samantha Irby {{disambiguation ...
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Call Me Lightning (song)
"Call Me Lightning" is a song written by Pete Townshend, guitarist of the British rock band The Who. Townshend first recorded a home demo of the song in 1964. The Who's recording was a single released in March 1968 and it later appeared on the Who's fourth American album '' Magic Bus: The Who on Tour''. In the United States "Call Me Lightning" was the follow-up single to the Top 10 hit "I Can See for Miles" and reached No. 40 on the ''Billboard'' Hot 100 on 4 May 1968, their 16th most successful single on the Hot 100. ''Billboard'' described the single as a "pulsating rocker with a happy beat." ''Cash Box'' called it "an imaginative blend of rock-blues and rag" and praised "the potent group performance." The song features a prominent bass solo by John Entwistle. A promo film was made, and this later was included in the 1979 documentary '' The Kids Are Alright''. "Call Me Lightning" was released in the United Kingdom as the B-side of the single "Dogs". The US B-side, "Dr. Jekyl ...
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Dogs (The Who Song)
"Dogs" is a UK single written by Pete Townshend and released by the Who in June 1968. It reached number 25 on the UK singles chart, lower than any single the band had released in several years. The B-side of the UK single was " Call Me Lightning". Both songs were originally released mixed in mono only, as they were not intended for album release. Background The lyrics of "Dogs" were inspired by Townshend's friend Chris Morphet who had a fascination with greyhound racing. Morphet contributes harmonica and backing vocals. The song references two dogs who raced in the 1968 English Greyhound Derby, "Camira Flash" and "Yellow Printer". "Dogs" was recorded at London's Advision Studios in May 1968. Townshend booked this studio as it was one of the first in the UK to install professional reel-to-reel eight-track equipment. Prior to this The Who had only recorded in the UK at studios with a maximum of four tracks. Critics have suggested that the song is similar to " Lazy Sunday", w ...
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Who Breaks A Butterfly Upon A Wheel?
"Who breaks a butterfly upon a wheel?" is a quotation from Alexander Pope's "Epistle to Dr Arbuthnot" of January 1735. It alludes to "breaking on the wheel", a form of torture in which victims had their long bones broken by an iron bar while tied to a Catherine wheel. The quotation is used to suggest someone is " mployingsuperabundant effort in the accomplishment of a small matter". The quotation is sometimes misquoted with "on" in place of "upon". Pope's satire The line "Who breaks a butterfly upon a wheel?" forms line 308 of the "Epistle to Dr Arbuthnot" in which Alexander Pope responded to his physician's word of caution about making satirical attacks on powerful people by sending him a selection of such attacks. It appears in a section on the courtier John Hervey, 2nd Baron Hervey, who was close to Queen Caroline and was one of Pope's bitterest enemies. The section opens as follows:
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The Last Time (The Rolling Stones Song)
"The Last Time" is a song by the English rock band the Rolling Stones, and the band's first original song released as an A-single in the UK. Written by Mick Jagger and Keith Richards, and recorded at RCA Studios in Hollywood, California in January 1965, "The Last Time" was the band's third UK single to reach number one on the UK Singles Chart, spending three weeks at the top in March and early April 1965. It reached number two in the Irish Singles Chart in March 1965, and was released on the US version of the album ''Out of Our Heads'' on 30 July 1965. Composition Although "The Last Time" is credited to Jagger/Richards, the song's refrain is similar to "This May Be the Last Time", a traditional gospel song recorded in 1954 by the Staple Singers. In 2003, Richards acknowledged this, saying, "We came up with 'The Last Time', which was basically re-adapting a traditional gospel song that had been sung by the Staple Singers, but luckily the song itself goes back into the mists o ...
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The Rolling Stones
The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront ...
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