The Voyage (opera)
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The Voyage (opera)
''The Voyage'' is an opera in three acts (plus a prologue and an epilogue) by the American composer Philip Glass. The English/Latin/Spanish libretto was written by David Henry Hwang. The work was commissioned by the Metropolitan Opera, New York City, and first performed there on October 12, 1992 (that date being the 500th anniversary of Christopher Columbus discovering the Americas). The British premiere was in Leeds, England, performed by Leeds Youth Opera, with Johnathon Clift and Mike Williamson as the directors, with Richard Pascoe playing Columbus. Roles Synopsis Glass did not want to create a biographical opera about Columbus, especially in a year when there were countless films, documentaries and other events doing the same job. Instead he opted to make his opera a more general study of exploration – of the oceans, of space and time and of the mind. Columbus remains a central character though, appearing in the second act and the epilogue. Prologue We see a scientist i ...
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Philip Glass
Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimal music, minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped evolve stylistically. Glass founded the Philip Glass Ensemble, with which he still performs on keyboards. He has written fifteen operas, numerous chamber operas and musical theatre works, fourteen symphony, symphonies, twelve concertos, nine string quartets and various other chamber music, and several film scores. Three of his film scores have been nominated for an Academy Award. Life and work 1937–1964: Beginnings, early education and influences Philip Glass was born in Baltimore, Maryland, on January 31, 1937, the son of Ida (née Gouline) and Benjamin Charles Glass. His family were Lithuanian Je ...
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Noah
Noah ''Nukh''; am, ኖህ, ''Noḥ''; ar, نُوح '; grc, Νῶε ''Nôe'' () is the tenth and last of the pre-Flood patriarchs in the traditions of Abrahamic religions. His story appears in the Hebrew Bible (Book of Genesis, chapters 5–9), the Quran and Baha'i writings. Noah is referenced in various other books of the Bible, including the New Testament, and in associated deuterocanonical books. The Genesis flood narrative is among the best-known stories of the Bible. In this account, Noah labored faithfully to build the Ark at God's command, ultimately saving not only his own family, but mankind itself and all land animals, from extinction during the Flood. Afterwards, God made a covenant with Noah and promised never again to destroy all the Earth's creatures with a flood. Noah is also portrayed as a "tiller of the soil" and as a drinker of wine. Biblical narrative Tenth and final of the pre-Flood (antediluvian) Patriarchs, son to Lamech and an unnamed mother, Noa ...
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Fiction Set In 1492
Fiction is any creative work, chiefly any narrative work, portraying character (arts), individuals, events, or setting (narrative), places that are imagination, imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to literature, written narratives in prose often referring specifically to novels, novellas, and short story, short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any Media (communication), medium, including not just writings but also drama, live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or character (arts), characters who ar ...
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Science Fiction Operas
Science fiction opera is a subgenre of science fiction. It refers to operas whose subject-matter fits in the science fiction genre. Like science-fiction literature, science-fiction operas may be set in the future and involve spaceflight or alien invasion. Other science-fiction operas focus on a dystopian view of the future. Like Lorin Maazel's opera ''1984'', they may be based on a previously written science fiction book. List of science fiction operas The following is a partial list of science fiction operas. *Karl-Birger Blomdahl (1916–1968): ''Aniara'' (based on the poem of that name by Harry Martinson) *Viktor Ullmann (1898–1944): '' The Emperor of Atlantis'' *Eef van Breen (born 1978) '' ’u’'', the first opera in Klingon *Gavin Bryars (born 1943): '' Doctor Ox's Experiment'' (based on the book by Jules Verne) *Philip Glass (born 1937): ''The Making of the Representative for Planet 8'' and ''The Marriages Between Zones Three, Four and Five'' (based on the books by ...
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Operas By Philip Glass
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Minimalist Operas
In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary postminimal art practices, which extend or reflect on minimalism's original objectives. Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams. The term ''minimalist'' often colloquially refers to anything or anyone that is spare or stripped to its essentials. It has accordingly been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, and the ...
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Opera World Premieres At The Metropolitan Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ...
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Cultural Depictions Of Christopher Columbus
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typical be ...
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1992 Operas
Year 199 ( CXCIX) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was sometimes known as year 952 '' Ab urbe condita''. The denomination 199 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Mesopotamia is partitioned into two Roman provinces divided by the Euphrates, Mesopotamia and Osroene. * Emperor Septimius Severus lays siege to the city-state Hatra in Central-Mesopotamia, but fails to capture the city despite breaching the walls. * Two new legions, I Parthica and III Parthica, are formed as a permanent garrison. China * Battle of Yijing: Chinese warlord Yuan Shao defeats Gongsun Zan. Korea * Geodeung succeeds Suro of Geumgwan Gaya, as king of the Korean kingdom of Gaya (traditional date). By topic Religion * Pope Zephyrinus succeeds Pope Victor I, as ...
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Dennis Russell Davies
Dennis Russell Davies (born April 16, 1944 in Toledo, Ohio) is an American conductor and pianist, He is currently the music director and chief conductor of the Brno Philharmonic. Biography Davies studied piano and conducting at the Juilliard School, where he received his doctorate. He was Music Director of the Saint Paul Chamber Orchestra from 1972 to 1980. In 1977 he co-founded the American Composers Orchestra with composer Francis Thorne, and he was its music director until 2002. Davies was music director of the Brooklyn Philharmonic from 1991 to 1996. In 1980, Davies moved to Stuttgart, Germany, where he was General Music Director of the Baden-Württemberg State Opera House from 1980 to 1987. There he premiered two Philip Glass operas, along with many standard operas, often in productions with innovative and unusual staging. He has worked with many directors, including Robert Altman in a collaboration on '' Salome'' in Hamburg. He has also held permanent posts with the St ...
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