|
The Trench (Dix)
''The Trench'' (German: ''Der Schützengraben''), but earlier known as ''Das Kriegsbild'' ("The War Picture") or simply ''Der Krieg'' ("The War"), was an oil painting by the German artist Otto Dix. The large painting was made from 1920 to 1923, one of several anti-war works by Dix in the 1920s inspired by his experience of trench warfare in the First World War. The painting was immediately controversial when first exhibited in Cologne in 1923. It was acquired by the Dresden City Museum in 1928 but not exhibited there. The work was condemned by the Nazis, confiscated and included in the exhibition of degenerate art (''Entartete Kunst'') held in Munich in 1937. It was sold to an art dealer in early 1940, but its fate is not known. It is considered lost and may have been destroyed in the war. Background Dix was an art student in Dresden before the First World War. He was conscripted in 1915 and served in the Imperial German Army as a machine gunner on the Eastern and Western F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Trench
The Trench may refer to: * The Trench (Dix), a 1923 painting by Otto Dix that was confiscated by the Nazis and later lost * ''The Trench'' (novel), a 1999 novel by Steve Alten * ''The Trench'' (film), a 1999 film * The Trench (comics), a fictional comic species ** ''The Trench'', an unproduced film based on the comics, see * ''The Trench'', a 1991 novel by Abdul Rahman Munif Abdelrahman bin Ibrahim al-Munif ( ar, عَبْدُ الرَّحْمٰن المُنِيفٌ) known by his nickname Abdelrahman Munif (May 29, 1933 – January 24, 2004) was a Saudi Arabian novelist, short story writer, memoirist, journalist ... * '' Meg 2: The Trench'', a 2023 science fiction action film distributed by Warner Bros. Pictures See also * Trench (other) {{DEFAULTSORT:Trench, The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The War (Dix Engravings)
''The War'' (German: ''Der Krieg'') is a series of 50 drypoint and aquatint etchings by German artist Otto Dix, catalogued by Florian Karsch as K.70 to K.119. The prints were published in Berlin in 1924 by Karl Nierendorf, in an edition which included separate high quality folio prints, and a lower-quality version with 24 prints bound together. It is often compared to Francisco Goya's series of 82 engravings '' The Disasters of War''. The British Museum, which holds a complete set of the folio prints, has described the series as "Dix's central achievement as a graphic artist"; the auction house Christie's has described it as "one of the finest and most unflinching depictions of war in western art". Background Dix was born in 1891, and studied art in Dresden before the First World War. He was conscripted in 1915, and served in the Imperial German Army as a machine gunner on both the Eastern Front and the Western Front. After the war, he returned to study at the Dresden A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konrad Adenauer
Konrad Hermann Joseph Adenauer (; 5 January 1876 – 19 April 1967) was a Germany, German statesman who served as the first Chancellor of Germany, chancellor of the Federal Republic of Germany from 1949 to 1963. From 1946 to 1966, he was the first leader of the Christian Democratic Union (Germany), Christian Democratic Union (CDU), a Christian democratic, Christian-democratic party he co-founded, which became the dominant force in the country under his leadership. A devout Roman Catholic and member of the Catholic Centre Party (Germany), Centre Party, Adenauer was a leading politician in the Weimar Republic, serving as Mayor of Cologne (1917–1933) and as president of the Prussian State Council (1922–1933). In the early years of the Federal Republic, he switched focus from denazification to recovery, and led his country from the ruins of World War II to becoming a productive and prosperous nation that forged close relations with France, the United Kingdom and the United States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Allgemeine Zeitung
''Deutsche Allgemeine Zeitung'' (often abbreviated to DAZ) was a German newspaper that appeared between 1861 and 1945. Until 1918 the title of the paper was ''Norddeutsche Allgemeine Zeitung''. Although Wilhelm Liebknecht, one of the founders of SPD and close associate of Karl Marx and Friedrich Engels, was member of the founding editorial board in 1861, the paper became soon a conservative flagship of the German press ("Bismarcks Hauspostille"). At the end of the First World War, the name was changed to "Deutsche Allgemeine Zeitung", under the intention to form a conservative and democratic equivalent to the British newspaper ''The Times'' in Germany and give the Reich a more democratic image. Various liberal and conservative writers worked for DAZ at that time, Otto Flake was head of the Cultural Section ( called "Feuilleton" in German newspapers ), people like the historian Egmont Zechlin, the journalist Dr. Friedrich Schrader and his Swiss colleague from Constantinople Max ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Meier-Graefe
, ro, Reșița), Resicabánya Dist., Krassó-Szörény Co, Bánság, Royal Hungary, Imperial and Royal Austria(now Romania) , death_date = , death_place = Vevey, VD, Switzerland , nationality = German, Hungarian German , occupation = Art critic, novelist Julius Meier-Graefe (10 June 1867 – 5 June 1935) was a German art critic and novelist. His writings on Impressionism, Post-Impressionism as well as on art of earlier and more recent generations, with his most important contributions translated into French, Russian and English, are considered to have been instrumental for the understanding and the lasting success of these artistic movements. Biography Meier-Graefe was born in Reschitz, Banat, Hungary, then part of the Austro-Hungarian Empire, and now located in modern Romania. He was the grandson of ( he, מוריץ הרמן אדוארד מאייר), and son of , a government civil engineer, and Marie Theresie (Marie-Thérèse) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prussian Academy Of Arts
The Prussian Academy of Arts (German: ''Preußische Akademie der Künste'') was a state arts academy first established in Berlin, Brandenburg, in 1694/1696 by prince-elector Frederick III, in personal union Duke Frederick I of Prussia, and later king in Prussia. After the Accademia dei Lincei in Rome and the Académies Royales in Paris, the Prussian Academy of Art was the oldest institution of its kind in Europe, with a similar mission to other royal academies of that time, such as the Real Academia Española in Madrid, the Royal Society in London, or the Royal Swedish Academy of Fine Arts in Stockholm. The academy had a decisive influence on art and its development in the German-speaking world throughout its existence. For an extended period of time it was also the German artists' society and training organisation, whilst the Academy's Senate became Prussia's arts council as early as 1699. It dropped 'Prussian' from its name in 1945 and was finally disbanded in 1955 after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Liebermann
Max Liebermann (20 July 1847 – 8 February 1935) was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works. The son of a Jewish banker, Liebermann studied art in Weimar, Paris, and the Netherlands. After living and working for some time in Munich, he returned to Berlin in 1884, where he remained for the rest of his life. He later chose scenes of the bourgeoisie, as well as aspects of his garden near Lake Wannsee, as motifs for his paintings. Noted for his portraits, he did more than 200 commissioned ones over the years, including of Albert Einstein and Paul von Hindenburg. Liebermann was honored on his 50th birthday with a solo exhibition at the Prussian Academy of Arts in Berlin, and the following year he was elected to the academy. From 1899 to 1911 he led the premier avant-garde formation in Germany ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthias Grünewald
Matthias Grünewald ( – 31 August 1528) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century. His first name is also given as Mathis and his surname as Gothart or Neithardt. Only ten paintings—several consisting of many panels—and thirty-five drawings survive, all religious, although many others were lost at sea on their way to Sweden as war booty. He was obscure until the late nineteenth century, when many of his paintings were attributed to Albrecht Dürer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece created ''c.'' 1512 to 1516. Life The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he was recognised in his own lifetime. The first source to sketch his biography comes from the German art historian Joa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heribert Reiners
Heribert Reiners (23 August 1884 – 4 June 1960) was a German art historian and academic teacher at the Universities in Bonn and Fribourg. Life Born in Lobberich''Die rheinischen Chorgestühle der Frühgotik. Ein Kapitel der Rezeption der Gotik in Deutschland''. Dissertation, Universität Bonn vom 17 February 1909, Universitäts-Buchdruckerei J. H. Ed. Heitz (Heitz & Mündel), Strassburg 1909, Lebenslauf. as son of the portrait painter Jacob Reiners and his wife Theodora Reiners, ''née'' Aldenhoven, Reiners, a Catholic born in the Rhineland, Reiners began studying art history after attending the Gymnasium Paulinum in Münster, from which he graduated on 11 March 1903. Initially, he spent the summer semester of 1903 at the Philipps-Universität Marburg, then moved to the Rhenish Friedrich Wilhelm University of Bonn (winter semester 1903 and summer semester 1904) and finally to Humboldt University of Berlin for the winter semester 1905 and summer semester 1906, before returning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wallraf–Richartz Museum
The Wallraf–Richartz Museum (full name in German: ') is one of the three major museums in Cologne, Germany. It houses an art gallery with a collection of fine art from the medieval period to the early twentieth century. History The museum dates back to the year 1824, when the comprehensive collection of medieval art from Franz Ferdinand Wallraf came to the city of Cologne by inheritance. The first building was donated by Johann Heinrich Richartz, and the museum was opened in 1861, just after his death. The collection was regularly expanded by donations, especially the Haubrich collection of contemporary art in 1946. In 1976, on the occasion of the donation of Mr. and Mrs. Ludwig, the collection was split. The new Museum Ludwig took over the exhibition of the 20th century art. The current building from 2001, near the Cologne City Hall, was designed by Oswald Mathias Ungers. Also in 2001, Swiss collector Gérard Corboud gave his impressionist and postimpressionist collect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jute
Jute is a long, soft, shiny bast fiber that can be spun into coarse, strong threads. It is produced from flowering plants in the genus ''Corchorus'', which is in the mallow family Malvaceae. The primary source of the fiber is ''Corchorus olitorius'', but such fiber is considered inferior to that derived from ''Corchorus capsularis''. "Jute" is the name of the plant or fiber used to make burlap, hessian, or gunny cloth. Jute is one of the most affordable natural fibers and second only to cotton in the amount produced and variety of uses. Jute fibers are composed primarily of plant materials cellulose and lignin. Jute fiber falls into the bast fiber category (fiber collected from bast, the phloem of the plant, sometimes called the "skin") along with kenaf, industrial hemp, flax ( linen), ramie, etc. The industrial term for jute fiber is ''raw jute''. The fibers are off-white to brown and 1–4 meters (3–13 feet) long. Jute is also called the "golden fiber" for its color an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
