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The Torture Never Stops (video)
''The Torture Never Stops'' is a live DVD by Frank Zappa, posthumously released in 2008. It's made up of footage from one of Zappa's annual Halloween concerts at The Palladium in New York City, on October 31, 1981. Two shows were played that night, and this contains footage from both shows edited together. Track listing # Black Napkins # Montana # Easy Meat # Beauty Knows No Pain # Charlie’s Enormous Mouth # Fine Girl # Teen-age Wind # Harder Than Your Husband # Bamboozled By Love # We’re Turning Again # Alien Orifice # Flakes # Broken Hearts Are for Assholes # You Are What You Is # Mudd Club # The Meek Shall Inherit Nothing # Dumb All Over # Heavenly Bank Account # Suicide Chump # Jumbo Go Away # Stevie’s Spanking # The Torture Never Stops # Strictly Genteel # The Illinois Enema Bandit Extras # Teen-age Prostitute # City Of Tiny Lites # You Are What You Is - music video # Picture Gallery Musicians *Frank Zappa: guitar, vocals *Ray White: guitar, vocals * Steve Vai: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Zappa
Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. His work is characterized by wikt:nonconformity, nonconformity, Free improvisation, free-form improvisation, sound experiments, Virtuoso, musical virtuosity and satire of American culture. In a career spanning more than 30 years, Zappa composed Rock music, rock, Pop music, pop, jazz, jazz fusion, orchestral and ''musique concrète'' works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation. As a self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy Rock
Comedy rock is rock music that is comedic in nature. Oftentimes it is mixed with satire or irony.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All music guide to rock: the definitive guide to rock, pop, and soul'' (Backbeat Books, 3rd Edition., 2002), pp. 126. Bands and songs Early Early American examples include Stan Freberg, who lampooned artists such as Elvis Presley, Harry Belafonte and the Platters, and Sheb Wooley. The latter's "Purple People Eater" reached No. 1 on the ''Billboard'' pop chart in 1958 and stayed there for six weeks. In Britain during the 1950s and early 1960s comedians such as Charlie Drake and the Goons frequently appeared in the top ten with humorous rock 'n' roll records—the latter, along with Lewis Carroll and Edward Lear, were to influence the word-play of John Lennon's lyrics. Later British groups specialised in comedy: these included the Scaffold, the Bonzo Dog Doo-Dah Band and Alberto y Lost Trios Paranoias. Later in Britain, in the 2000s, M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halloween
Halloween or Hallowe'en (less commonly known as Allhalloween, All Hallows' Eve, or All Saints' Eve) is a celebration observed in many countries on 31 October, the eve of the Western Christian feast of All Saints' Day. It begins the observance of Allhallowtide, the time in the liturgical year dedicated to remembering the dead, including saints ( hallows), martyrs, and all the faithful departed. One theory holds that many Halloween traditions were influenced by Celtic harvest festivals, particularly the Gaelic festival Samhain, which are believed to have pagan roots. Some go further and suggest that Samhain may have been Christianized as All Hallow's Day, along with its eve, by the early Church. Other academics believe Halloween began solely as a Christian holiday, being the vigil of All Hallow's Day. Celebrated in Ireland and Scotland for centuries, Irish and Scottish immigrants took many Halloween customs to North America in the 19th century,Brunvand, Jan (editor). ''Ame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the List of United States cities by population density, most densely populated major city in the United States, and is more than twice as populous as second-place Los Angeles. New York City lies at the southern tip of New York (state), New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the world by urban area, urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous Megacity, megacities, and over 58 million people live within of the city. New York City is a global city, global Culture of New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montana (Frank Zappa Song)
"Montana" is a song composed by Frank Zappa for his 1973 LP ''Over-Nite Sensation''. The last track on the album is one of Zappa's most famous and renowned compositions. It features backing vocals by Tina Turner and the Ikettes throughout the entire track, notably on the middle and ending sections. The single version of this track was released as the B-side of "I'm the Slime" in 1973. Both songs are different mixes and edits than the album versions. The single version of "Montana" later appeared on the compilation ''Strictly Commercial''. Song structure The structure of "Montana" is intro–verses–chorus–solo–middle section–verses–outro. The lyrics, sung by Zappa in a humorous manner, talk about a person who decides to go to Montana to grow "a crop of dental floss," mounting a pony named "Mighty Little". He dreams of becoming a dental floss tycoon, by commercializing it. The verses are filled with pseudo-ranch pronunciation and are intended to be very lighthearted. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Are What You Is (song)
"You Are What You Is" is a single which Frank Zappa released from his 1981 album of the same title. The song is known for going out of its way to use improper English, basically mocking the rest of its context. It was the B-side for 1982 single "Valley Girl". This song was also remixed for the 1984 album ''Thing-Fish''. Meaning The lyrics, which essentially tell the listener to be themselves and embrace their culture, tell the stories of two young men, both of whom Zappa describes as "foolish". The first man is from a middle class family who has a great life, but he pretends to come from a culture of hardship and sings the blues to be manly. Then the song refers to him as even trying to eat like someone going through hardship. He begins to talk like the character Kingfish, from the radio show ''Amos and Andy,'' who was known for being a heavily stereotypical black character. These themes overall relate to Zappa's dislike of poseurs. The second young man "of the negro persuasion, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Torture Never Stops (song)
"The Torture Never Stops" is a song by Frank Zappa from the 1976 album ''Zoot Allures''. Other versions appear on ''Zappa in New York'', ''Thing-Fish'', ''You Can't Do That on Stage Anymore, Vol. 1'', ''You Can't Do That on Stage Anymore, Vol. 4'', ''The Best Band You Never Heard in Your Life'', '' FZ:OZ'', '' Cheap Thrills'', '' Buffalo'', ''Philly '76'', and ''Hammersmith Odeon''. Zappa played "The Torture Never Stops" in concert from 1975 to 1978, in 1981 and again in 1988. The song debuted in 1975 as "Why Doesn't Somebody Get Him a Pepsi?" though few of the instrument parts were similar to the album version. Critics have written that while performing the song, Zappa comes off as calm yet passive-aggressive. Michel Delville, in his essay ''Frank Zappa, Captain Beefheart and the Secret History of Maximalism'' contrasted the tone of "The Torture Never Stops" with Brian Eno's album '' Ambient 1: Music for Airports''. Rat Tomago A live solo from the song, called "Rat Tomago", w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray White
Ray White (full name Ray Shirley White Sr) is an American soul vocalist and rock and blues guitarist, best known as a member of Frank Zappa's touring ensembles. He was drafted into Zappa's band in late 1976, being featured on rhythm guitar and vocals, forming a vocal harmony partnership with Ike Willis on later tours in 1980 and 1984. White's vocals can be heard on ''Zappa in New York'' (March 1978), ''You Are What You Is'' (September 1981) as well as others. White can also be found on a '' The Torture Never Stops'' and '' Does Humor Belong in Music?''; the former is a DVD from Zappa's 1981 tour (without Ike Willis) and the latter filmed at the pier in New York in 1984; the video features White and Ike Willis' vocal harmonies. According to Zappa, White, who was deeply religious, was uncomfortable with the atheistic views of some of the other band members, which led to his departure. White has also worked with jam-oriented groups like KVHW, Don't Push the Clown and Umphrey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Vai
Steven Siro Vai (; born June 6, 1960) is an American guitarist, composer, songwriter, and producer. A three-time Grammy Award winner and fifteen-time nominee, Vai started his music career in 1978 at the age of eighteen as a transcriptionist for Frank Zappa, and played in Zappa's band from 1980 to 1983. He embarked on a solo career in 1983 and has released eight solo albums to date. He has recorded and toured with Alcatrazz, David Lee Roth, and Whitesnake, as well as recording with artists such as Public Image Ltd, Mary J. Blige, Spinal Tap, Alice Cooper, Motörhead, and Polyphia. Additionally, Vai has toured with live-only acts G3, Zappa Plays Zappa, and the Experience Hendrix tour, as well as headlining international tours. Vai has been described as a "highly individualistic player" and part of a generation of "heavy rock and metal virtuosi who came to the fore in the 1980s". He released his first solo album ''Flex-Able'' in 1984, while his most successful release, ''Passi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott Thunes
Scott Thunes (pronounced "TOO-nis") (born January 20, 1960) is a bass player, formerly with Frank Zappa, Wayne Kramer, Steve Vai, Andy Prieboy, Mike Keneally, Fear, The Waterboys, Big Bang Beat, and others. Thunes was raised in San Anselmo, California. He played with Zappa's band from 1981 to 1988, and plays on such albums as '' The Man From Utopia'', ''Them or Us'', ''Broadway the Hard Way'', '' You Can't Do That on Stage Anymore'', '' Does Humor Belong In Music?'', ''The Best Band You Never Heard In Your Life'', ''Frank Zappa Meets the Mothers of Prevention'', ''Ship Arriving Too Late to Save a Drowning Witch'', ''Make a Jazz Noise Here'', and ''Guitar'', a double-album compilation of Zappa's live guitar solos. His most prominent bass performance can be heard on Frank Zappa's ''Valley Girl'', which peaked at #32 on the ''Billboard'' Hot 100. He played bass on Frank Zappa's '' Jazz from Hell'', which won a Grammy Award for Best Rock Instrumental Performance in 1988. Mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
