The Toilette Of Esther
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The Toilette Of Esther
''The Toilette of Esther'' or ''Esther Preparing to be Presented to King Ahasuerus'', is an 1841 oil-on-canvas painting by Théodore Chassériau. The painting depicts a moment from the scriptural Book of Esther, when Esther prepared to meet King Ahasuerus, ruler of Persia, who subsequently took her as his wife. The painting is in the Musée du Louvre. Vincent Pomarède of the Museum of Fine Arts of Lyon has described it as "one of the most famous (paintings) in the Louvre".Guégan 145 Narrative The subject derives from the Book of Esther (2:8-9, 15), in which King Ahasuerus, having renounced his wife Vashti, seeks a new queen. Esther, a woman of great beauty, finds favor with Hegai, the eunuch responsible for preparing women for presentation to the king. Upon seeing Esther, Ahasuerus chooses her as his wife. She later reveals that she is Jewish, and intercedes with the king in order to spare the lives of the empire's Jews. While choosing a biblical theme as a subject, it is lik ...
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Théodore Chassériau
Théodore Chassériau (September 20, 1819 – October 8, 1856) was a Captaincy General of Santo Domingo, Dominican-born French Romanticism, Romantic Painting, painter noted for his portraits, historical and religious paintings, allegorical murals, and Orientalism, Orientalist images inspired by his travels to Algeria. Early in his career he painted in a Neoclassicism, Neoclassical style close to that of his teacher Jean-Auguste-Dominique Ingres, but in his later works he was strongly influenced by the Romantic style of Eugène Delacroix. He was a prolific draftsman, and made a suite of prints to illustrate William Shakespeare, Shakespeare's ''Othello''. The portrait he painted at the age of 15 of Prosper Marilhat, makes Théodore Chassériau the youngest painter exhibited at the Louvre museum.Jean-Baptiste Nouvion, ''Chassériau Correspondance oubliée'', preface by Marianne de Tolentino, Paris, Les Amis de Théodore Chassériau, 2014 Life and work Chassériau was born in El Limà ...
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The Turkish Bath
''The Turkish Bath'' (') is an oil painting by Jean-Auguste-Dominique Ingres, initially completed between 1852 and 1859, but modified in 1862. The painting depicts a group of nude women at a pool in a harem. It has an erotic style that evokes both the Near East and earlier western styles associated with mythological subject matter. The painting expands on a number of motifs that Ingres had explored in earlier paintings, in particular ''The Valpinçon Bather'' (1808) and ''La Grande odalisque'' (1814). The work is signed and dated 1862, when Ingres was around 82 years old. He altered the original rectangular format and changed the painting to a tondo. A photograph of its original state, taken by Charles Marville, survives. Description The painting is known for its subtle colourisation, especially the very pale skin of the women resting in the privacy of a bathing area. The figures are given an almost abstract and "slender and sinuous" form, and seem at times to lack skele ...
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Paintings In The Louvre By French Artists
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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1841 Paintings
Events January–March * January 20 – Charles Elliot of the United Kingdom, and Qishan of the Qing dynasty, agree to the Convention of Chuenpi. * January 26 – Britain occupies Hong Kong. Later in the year, the first census of the island records a population of about 7,500. * January 27 – The active volcano Mount Erebus in Antarctica is discovered, and named by James Clark Ross. * January 28 – Ross discovers the "Victoria Barrier", later known as the Ross Ice Shelf. On the same voyage, he discovers the Ross Sea, Victoria Land and Mount Terror. * January 30 – A fire ruins and destroys two-thirds of the villa (modern-day city) of Mayagüez, Puerto Rico. * February 4 – First known reference to Groundhog Day in North America, in the diary of a James Morris. * February 10 – The Act of Union (''British North America Act'', 1840) is proclaimed in Canada. * February 11 – The two colonies of the Canadas are merged, into the United Province of Canada. * February 1 ...
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Arthur Chassériau
Baron Arthur Nedjma Chassériau (1850, Algiers – 1934, Paris) was a French stockbroker, art lover and art collector, most notable as a major donor to the Musée du Louvre. He was the son of Charles Frédéric Chassériau, chief architect of Algiers, thus making him first cousin to the painter Théodore Chassériau - one of Arthur's donations to the Louvre was '' Aline Chassériau'', Théodore's painting of his younger sister. He was a knight of the Légion d'honneur and a recipient of the Médaille coloniale and the Médaille commémorative de la guerre 1870-1871. Arthur Chassériau attended school in France and Algeria. He enrolled in the French colonial forces in 1861. He started working for the Compagnie algérienne in 1868, and started to make his own fortune in the currency exchange business. As the main collector of Théodore Chassériau's work, he was the one in charge of certifying his nephew's original work. By the end of his life, Arthur Chassériau became almost bl ...
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Gustave Moreau
Gustave Moreau (; 6 April 1826 – 18 April 1898) was a French artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence".Cassou, Jean. 1979. ''The Concise Encyclopedia of Symbolism.'' Chartwell Books, Inc., Secaucus, New Jersey, 292 pp. He was an influential forerunner of symbolism in the visual arts in the 1860s, and at the height of the symbolist movement in the 1890s, he was among the most significant painters. Art historian Robert Delevoy wrote that Moreau "brought symbolist polyvalence to its highest point in ''Jupiter and Semele''."Delevoy, Robert L. 1978. ''Symbolist and Symbolism.'' Editions D'Art Albert Skira, Geneva//Rizzoli International Publishing, Inc. New York. 247 pp. He was a prolific artist who produced over 15,000 paintings, watercolors, and drawings. Moreau painted allegories and traditional biblical and mythological subjects favored by the fine art academies. J. K. Huysmans wrote, "Gustave Moreau ...
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François-Léon Benouville
François-Léon Benouville (Paris 30 March 1821 – 16 February 1859 Paris) was a French painter noted for his Neoclassical religious compositions and for painting Orientalist subjects. Life and career Léon Benouville first studied with his elder brother, Jean-Achille Benouville (1815–1891), in the studio of François-Edouard Picot before he transferred to École des Beaux-Arts in 1837. Like his brother he received the Prix de Rome in 1845. Both he and his brother travelled to Rome. In Rome, as a Prix de Rome pensionary at the Villa Medici. He remained there for a year, but his brother stayed on for two more years. His works produced in Rome are influenced by early Christianity and often show representations of antiquity. Work and style Benouville was best known for his portraits, mythological and religious compositions in the Neoclassical and Orientalist style. He worked in oils, ink and chalk. Awards, prizes and honours In 1845, Benouville, together with contemp ...
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Paris Salon
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ...
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Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ...
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Orientalism
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist painting, depicting more specifically the Middle East, was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes. Since the publication of Edward Said's ''Orientalism (book), Orientalism'' in 1978, much academic discourse has begun to use the term "Orientalism" to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West Essentialism, essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of Imperialism, imperial power. Implicit in this fabrication, writes Said, is the ...
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Old Testament
The Old Testament (often abbreviated OT) is the first division of the Christian biblical canon, which is based primarily upon the 24 books of the Hebrew Bible or Tanakh, a collection of ancient religious Hebrew writings by the Israelites. The second division of Christian Bibles is the New Testament, written in the Koine Greek language. The Old Testament consists of many distinct books by various authors produced over a period of centuries. Christians traditionally divide the Old Testament into four sections: the first five books or Pentateuch (corresponds to the Jewish Torah); the history books telling the history of the Israelites, from their conquest of Canaan to their defeat and exile in Babylon; the poetic and " Wisdom books" dealing, in various forms, with questions of good and evil in the world; and the books of the biblical prophets, warning of the consequences of turning away from God. The books that compose the Old Testament canon and their order and names differ b ...
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