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The Three Tenors In Concert
''Carreras Domingo Pavarotti in Concert'' (re-released as ''The Three Tenors in Concert'') is a live album by José Carreras, Plácido Domingo and Luciano Pavarotti with conductor Zubin Mehta. The album was recorded on 7 July 1990 in Rome, Italy, as the first Three Tenors concert with the orchestra of the Maggio Musicale Fiorentino and the orchestra of Teatro dell'Opera di Roma on the evening before the 1990 FIFA World Cup Final. It was produced by Gian Carlo Bertelli and Herbert Chappell. Track listing The concert is particularly known for the two recordings of "Nessun dorma". The first is sung by Pavarotti alone. The second, the concert encore, includes all three tenors singing individually and then, for the final 'Vincerò!' singing together - conductor Zubin Mehta appeared completely delighted with the effect this had. Note *Tracks 13–15 are part of a song medley. Tracks 16 and 17 are encores. Personnel *José Carreras – vocals *Plácido Domingo – vocals *Luciano P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Three Tenors
The Three Tenors were an operatic singing trio, active during the 1990s and early 2000s, and termed as a supergroup (a title normally reserved for rock and pop groups) consisting of Italian Luciano Pavarotti and Spaniards Plácido Domingo and José Carreras. The trio began their collaboration with a performance at the ancient Baths of Caracalla in Rome, Italy, on 7 July 1990, the eve of the 1990 FIFA World Cup Final, watched by a global television audience of around 800 million. The image of three tenors in formal evening dress singing in a World Cup concert captivated the global audience. The recording of this debut concert became the best-selling classical album of all time and led to additional performances and live albums. They performed to a global television audience at three further World Cup Finals: 1994 in Los Angeles, 1998 in Paris, and 2002 in Yokohama. They also toured other cities around the world, usually performing in stadiums or similar large arenas to hug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
È La Solita Storia
"È", "è" is a letter. *The letter E with a grave accent. *In English, the letter ''è'' is sometimes used in the past tense or past participle forms of verbs in poetic texts to indicate that the final syllable should be pronounced separately. For example, ''blessèd'' would indicate the pronunciation rather than . It also occurs in loanwords such as Italian ''caffè''. *In Emilian, è is used to represent ː e.g. ''lèt'' ɛːt"bed". In Romagnol, it represents e.g. ''vècc ɛtʃː"old men". * In French, it always represents a sound of letter ''e'' when this is at the end of a syllable. * ''È'' means "is" in modern Italian , e.g. ''il cane è piccolo'' meaning "the dog is small". It is derived from Latin ''ĕst'' and is accented to distinguish it from the conjunction ''e'' meaning "and". ''È'' is also used to mark a stressed at the end of a word only, as in ''caffè''. *''È'' (è) is used in Limburgish for the sound, like in the word 'Sjtèl'. *''È'' in Norw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernesto De Curtis
Ernesto De Curtis (4 October 1875 – 31 December 1937) was an Italian composer. Born in , the son of Giuseppe De Curtis and Elisabetta Minnon, he was a great-grandson of composer Saverio Mercadante and the brother of poet Giambattista De Curtis, with whom he wrote the song " |
Torna A Surriento
"Torna a Surriento" () is a Neapolitan song composed in 1894 by Italian musician Ernesto De Curtis to words by his brother, the poet and painter Giambattista De Curtis. The song was copyrighted officially in 1905, and has become one of the most popular of this traditional genre; others include "'O sole mio", " Funiculì funiculà", and " Santa Lucia". History Tradition holds that the origin of the song dates to 1902, when Guglielmo Tramontano, mayor of Sorrento, asked his friend Giambattista De Curtis to write the song for the Prime Minister Giuseppe Zanardelli, then vacationing at his seaside hotel, the Imperial Hotel Tramontano; it was claimed that the piece was meant to celebrate Zanardelli's stay. Some claim the song is a plea to Zanardelli to keep his promise to help the impoverished city of Sorrento, which was especially in need of a sewage system. The song reflects the beauty of the city's great surroundings and the love and passion of its citizens. More recent resear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvatore Cardillo
Salvatore Cardillo (20 February 1874 – 5 February 1947) was an Italian-American composer. Born in Naples, he studied piano and composition in Italy before emigrating in 1903 to the United States as a university graduate. His career encompassed songwriting and movie music. He died in New York. Cardillo's richly scored and still popular 1911 romance ''Core 'ngrato'' (''Ungrateful Heart'') — also known by its lyric ''Catarì, Catarì, pecchè me dici sti parole amare'' — was written in America to a text in Neapolitan dialect by Alessandro Sisca (Riccardo Cordiferro); it is in fact the only famous Neapolitan song by an Italian-American immigrant. The song's first exponent was the operatic tenor Enrico Caruso, but it is not clear whether he commissioned it. Franco Corelli, Luciano Pavarotti, Plácido Domingo, José Carreras and, more recently, Roberto Alagna and Jonas Kaufmann Jonas Kaufmann (born 10 July 1969) is a German operatic tenor. He is best known for the versatil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Lehár
Franz Lehár ( ; hu, Lehár Ferenc ; 30 April 1870 – 24 October 1948) was an Austro-Hungarian composer. He is mainly known for his operettas, of which the most successful and best known is ''The Merry Widow'' (''Die lustige Witwe''). Life and career Lehár was born in the northern part of Komárom, Kingdom of Hungary (now Komárno, Slovakia), the eldest son of Franz Lehár (senior) (1838–1898), an Austrian bandmaster in the Infantry Regiment No. 50 of the Austro-Hungarian Army and Christine Neubrandt (1849–1906), a Hungarian woman from a family of German descent. He grew up speaking only Hungarian until the age of 12. Later he put an acute accent above the "a" of his father's surname "Lehár" to indicate the vowel in the corresponding Hungarian orthography. While his younger brother Anton entered cadet school in Vienna to become a professional officer, Franz studied violin at the Prague Conservatory, where his violin teacher was Antonín Bennewitz, but was ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Land Des Lächelns
''The Land of Smiles'' (German: ') is a 1929 romantic operetta in three acts by Franz Lehár. The German language libretto was by and Fritz Löhner-Beda. The performance duration is about 100 minutes. This was one of Lehár's later works, and has a bittersweet ending which the Viennese loved. The title refers to the supposed Chinese custom of smiling, whatever happens in life. (The leading character, Prince Sou-Chong has a song early in the show, "" ("Always smiling") which describes this.) The ''Tauberlied'' Lavishly produced, the show was built largely around the performance of the tenor Richard Tauber, a close friend of Lehár, for whom he customarily wrote a ' – a signature tune exploiting the exceptional qualities of his voice – in each of his later operettas. On this occasion it was " Dein ist mein ganzes Herz" ("You are my heart's delight"), probably the most famous of all the '. Tauber also appeared in the show in London, singing many encores of his song. Perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dein Ist Mein Ganzes Herz
"Yours Is My Heart Alone" or "You Are My Heart's Delight" (German: "") is an aria from the 1929 operetta ''The Land of Smiles'' (') with music by Franz Lehár and the libretto by Fritz Löhner-Beda and . It was for many years associated with the tenor Richard Tauber, for whom it was written. The aria is sung by the character of Prince Sou-Chong in act 2. An American version of the show opened on Broadway theatre, Broadway in 1946 starring Tauber but it soon closed as Tauber had throat trouble. The aria has been sung in Italian (as "Tu che m'hai preso il cuor" [You who have taken my heart]) by a few operatic tenors, notably Giuseppe Di Stefano, Mario Del Monaco, and Luciano Pavarotti. Composition Written in D-flat major, Lehár had composed parts of the song already in 1923 when the original version of the operetta premiered under the title ' (The Yellow Jacket). When Löhner-Beda re-arranged the operetta, he moved Prince Sou-Chong's passage from act 1 to act 2. With new lyrics, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recondita Armonia
"Recondita armonia" is the first romanza in the opera ''Tosca'' (1900) by Giacomo Puccini. It is sung by the painter Mario Cavaradossi when comparing his love, Tosca, to a portrait of Mary Magdalene that he is painting. Aria database site. Retrieved 25 July 2018 Libretto [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
