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The Thousand Eyes Of Dr. Mabuse
''The Thousand Eyes of Dr. Mabuse'' (German ''Die 1000 Augen des Dr. Mabuse'') is a 1960 black-and-white crime thriller film directed by Fritz Lang in his final film. A West German/French/Italian international co-production, it starred Peter van Eyck, Dawn Addams and Gert Fröbe. The film made use of the character Dr. Mabuse, who had appeared in earlier films by Lang in 1922 and 1933. ''The Thousand Eyes of Dr. Mabuse'' spawned a film series of German ''Mabuse'' films that were released over the following years to compete with Rialto Film's Krimi films. Plot A reporter is killed in his car on his way to work. Inspector Kras gets a call from his informant Peter Cornelius, a blind fortuneteller, who had a vision of the crime but not the perpetrator. Meanwhile, Henry Travers, a rich American industrialist, checks into the Luxor Hotel, which has been outfitted by the Nazis during World War II to spy on people in every room. He becomes involved with Marian Menil, who is being threatene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Lang
Friedrich Christian Anton Lang (; December 5, 1890 – August 2, 1976), known as Fritz Lang, was an Austrian film director, screenwriter, and producer who worked in Germany and later the United States.Obituary ''Variety'', August 4, 1976, p. 63. One of the best-known ''émigrés'' from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. He has been cited as one of the most influential filmmakers of all time. Lang's most celebrated films include the groundbreaking futuristic ''Metropolis'' (1927) and the influential '' M'' (1931), a film noir precursor. His 1929 film ''Woman in the Moon'' showcased the use of a multi-stage rocket, and also pioneered the concept of a rocket launch pad (a rocket standing upright against a tall building before launch having been slowly rolled into place) and the rocket-launch countdown clock. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Co-production (media)
A co-production is a joint venture between two or more different production companies for the purpose of film production, television production, video game development, and so on. In the case of an international co-production, production companies from different countries (typically two to three) are working together. Co-production also refers to the way services are produced by their users, in some parts or entirely. History and benefits The journalist Mark Lawson identifies the first use of the term, in the context of radio production, in 1941, although the programme to which he refers, ''Children Calling Home'', "Presented in collaboration between the CBC of Canada, NBC of the U.S.A., and the BBC, and broadcast simultaneously in all three countries", was first broadcast in December 1940. Following the Second World War, US film companies were forbidden by the Marshall Plan to take their film profits in the form of foreign exchange out of European countries. As a result, seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Testament Of Dr
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norbert Jacques
Norbert Jacques (6 June 1880 – 15 May 1954) was a Luxembourgish novelist, journalist, screenwriter, and translator who wrote in German. He was born in Luxembourg-Eich, Luxembourg and died in Koblenz, West Germany. He created the character Dr. Mabuse, who was a feature of some of his novels. ''Dr. Mabuse, der Spieler'', the first novel to feature Mabuse, was one of the bestsellers of its time; it sold over 500,000 copies in Germany. Today, Jacques is known best for Dr. Mabuse. In 1922, he received German citizenship. Bibliography Novels * ''Dr. Mabuse, der Spieler'' (1921) * ''Ingenieur Mars'' (1923) * ''Mensch gegen Mensch'' (1924) * ''Plüsch und Plümowski'' (1927) * ''Mabuses Kolonie'' (1930, fragment) – Never finished. First published in 1994. * ''Das Testament des Dr. Mabuse'' (1932) – First published in 1950 under the title ''Dr. Mabuses letztes Spiel''. In the late 1980s, it was reprinted under its original title. * ''Chemiker Null'' (1934) – Serialized in 1934 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Indian Tomb (1959 Film)
''The Indian Tomb'' (''Das indische Grabmal'' in its original German) is a 1959 West German-French-Italian adventure drama film. It was produced by Artur Brauner, directed by Fritz Lang, and stars Debra Paget, Paul Hubschmid, Walter Reyer, Claus Holm, Valéry Inkijinoff, and Sabine Bethma. It is the second of two feature films, comprising what has come to be known as ''Fritz Lang's Indian Epic''; the first is '' The Tiger of Eschnapur'' (''Der Tiger von Eschnapur''). Both are based on the novel '' Das indische Grabmal'', written by Lang's ex-wife, Thea von Harbou, who died in 1954. In 1960 American International Pictures obtained the rights to both films and combined them into one heavily-edited, 90 minute long feature renamed ''Journey to the Lost City''. After both were dubbed into Spanish, they were shown as separate films, when in fact the second was a direct continuation of the first. Interiors were shot at the Spandau Studios in West Berlin with sets designed by the art dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tiger Of Eschnapur (1959 Film)
''The Tiger of Eschnapur'', or in original German, ''Der Tiger von Eschnapur'', is a 1959 West German-French-Italian adventure film directed by Fritz Lang. It is the first of two films comprising what has come to be known as ''Fritz Lang's Indian Epic''; the other is ''The Indian Tomb'' ''( Das Indische Grabmal''). Fritz Lang returned to Germany to direct these films, which together tell the story of a German architect, the Indian maharaja for whom he is supposed to build schools and hospitals, and the Eurasian dancer who comes between them. Prior works Lang's Indian epic is based on work he did forty years earlier on a silent version of ''Das Indische Grabmal''. He and Thea von Harbou co-wrote the screenplay, basing it on von Harbou's novel of the same name. Lang was set to direct, but that job was taken from him and given to Joe May. Lang did not control the final form of that earlier version which was a commercial and critical failure at the time, although its reputation has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reinhard Kolldehoff
Reinhard Kolldehoff (29 April 1914 – 18 November 1995) was a German film actor. He appeared in 140 films between 1941 and 1988. He was born and died in Berlin, Germany. Selected filmography * '' The Gasman'' (1941) - Polizeibeamter (uncredited) * ''Blum Affair'' (1949) - Max Tischbein - Lehrer * ''Das Mädchen Christine'' (1949) - 1.Leutnant * '' Quartet of Five'' (1949) - Patient * '' Martina'' (1949) * ''Rotation'' (1949) - Rudi Wille * ''Unser täglich Brot'' (1949) * ''Hoegler's Mission'' (1950) - Fichte * '' Bürgermeister Anna'' (1950) - Jupp Ucker * ''The Orplid Mystery'' (1950) - Funker * ''Melody of Fate'' (1950) * ''A Tale of Five Cities'' (1951) - Nazi (uncredited) * ''The Last Year'' (1951) - Kommissar * ''Turtledove General Delivery'' (1952) * ' (1952) - Hartner (segment "Je suis un tendre") * '' I Lost My Heart in Heidelberg'' (1952) - Kapitän Reimann * '' The Merry Vineyard'' (1952) - Küfer * ''When the Heath Dreams at Night'' (1952) * '' We'll Talk About ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Vernon
Howard Vernon (15 July 1908 – 25 July 1996) was a Swiss actor. In 1961, he became a favorite actor of Spanish film director Jesús Franco and began starring in many low-budget horror and erotic films produced in Spain and France. After portraying Franco's mad doctor character Dr. Orloff, he eventually appeared in a total of 40 Franco films, in addition to his roles for numerous other directors. Life and career Vernon was born Mario Lippert in Baden-Baden, Germany, to a Swiss father and an American mother, and was fluent in German, English and French. Originally a stage and radio actor, he worked primarily in France and became a well-known supporting actor after 1945 by playing villainous Nazi officers in post-war French films. Jean-Pierre Melville's ''Le Silence de la mer'', in which he played a gentle anti-Nazi German officer, made him somewhat famous but, in part due to his rough-hewn looks and Swiss accent, he was subsequently relegated to playing gangsters and heavie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Checchi
Andrea Checchi (21 October 1916 – 29 March 1974) was a prolific Italian film actor. Biography Born in Florence, Checchi appeared in over 150 films in his lengthy career, which spanned from 1934 to his death in 1974. The son of a painter, he studied painting at the Accademia di Belle Arti di Firenze. Moved to Rome, he attended the acting course held by Alessandro Blasetti who gave him a small role in '' 1860''. After graduating at the Centro Sperimentale di Cinematografia, he had his first role of weight in the 1940 historical drama film '' L'assedio dell'Alcazar'' by Augusto Genina. He later appeared in Mario Camerini's '' Due lettere anonime'' (for which he received a Silver Ribbon as best actor), Giuseppe De Santis's ''Tragic Hunt'' (1947), Michelangelo Antonioni's '' La signora senza camelie'' (1953), Vittorio De Sica's ''Two Women'' (1960), and Mario Bava's '' Black Sunday'' (1960), among many other films. In 1958, he won the Italian National Syndicate of Film Jou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Preiss
Wolfgang Preiss (27 February 1910 – 27 November 2002) was a German theatre, film and television actor. The son of a teacher, Preiss studied philosophy, German, and drama in the early 1930s. He also took private acting classes with Hans Schlenck, making his stage début in Munich in 1932. He appeared in various theatre productions in Heidelberg, Königsberg, Bonn, Bremen, Stuttgart and Berlin. In 1942, he made his film début – he was specifically exempted from military service – in the UFA production ''Die grosse Liebe'' with Zarah Leander. After the end of the Second World War, Preiss returned to the theatre, and from 1949 worked extensively dubbing films into German. In 1954, he returned to film acting, appearing in Alfred Weidenmann's ''Canaris''. The following year, Preiss played the lead role of Claus von Stauffenberg in Falk Harnack's film ''The Plot to Assassinate Hitler'', which dramatised the 20 July plot. This role brought Preiss to popular attention and also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werner Peters
Werner Peters (7 July 1918 – 30 March 1971) was a German film actor. He appeared in 102 films between 1947 and 1971. Biography Peters was born in Werlitzsch, Kreis Delitzsch, Prussian Saxony, and died of a heart attack on a promotion tour for his latest film in Wiesbaden, Germany. His film career started with the lead in Wolfgang Staudte's ''Der Untertan'', produced in the young German Democratic Republic. Peters then worked in West Germany, appearing mostly in supporting roles in popular movies. He also established himself in the European and international film industry by frequently playing sinister German or Nazi characters. Peters appeared in two episodes of the 1966 American television espionage drama ''Blue Light''. These were edited together with two other episodes to create the theatrical film ''I Deal in Danger'', released in December 1966, which included his role. Selected filmography * ''The Beaver Coat'' (1949), as Eberhard Schulz * ''Der Kahn der fröhlic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krimi
Edgar Wallace (1875–1932) was a British novelist and playwright and screenwriter whose works have been adapted for the screen on many occasions. British adaptations His works were adapted for the silent screen as early as 1916, and continued to be adapted by British filmmakers into the 1940s. Anglo-Amalgamated later released a separate series of 47 features entitled the ''Edgar Wallace Mysteries'', which ran from 1960 to 1965. British silent films *''The Man Who Bought London'' (1916) *''The Green Terror'' (1919) based on the novel ''The Green Rust'' *''Pallard the Punter'' (1919) based on the novel ''Grey Timothy'' * ''Angel Esquire'' (1919) *''The River of Stars'' (1921) *'' The Four Just Men'' (1921) *''Melody of Death'' (1922) * ''The Crimson Circle'' (1922) * ''Down Under Donovan'' (1922) *''The Diamond Man'' (1924) * ''The Flying Fifty-Five'' (1924) *''The Green Archer'' (1925) *''Mark of the Frog'' (1928) serial *'' The Terrible People'' (1928) serial, made in the U.S. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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