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The Thin Ice
"The Thin Ice" is a song by Pink Floyd, released on ''The Wall'' in 1979. Composition The song, which is two minutes and 30 seconds in length, begins with the sound of an infant crying. The main body of the song is a 50s progression, with time signature in 6/8, commonly heard in doo-wop songs such as " Stand by Me", progressing from C Major to A minor, then F Major to G Major, played softly on piano and synthesiser. The first half of the lyrics are sung by David Gilmour in a gentle tone, beginning with ''"Mama loves her baby"'', and a refrain of ''"Ooh babe, ooh, baby blue"''. A bass guitar creates a dissonant effect mid-song, when it plays an F♯ against an A minor, the major sixth of the chord, and the augmented fourth of the key. Then Roger Waters takes over the lead vocal. The piano becomes staccato, as the lyric takes on a warning tone, with Waters singing ''"If you should go skating/On the thin ice of modern life...."'' As the lyrics end, the diatonic sense of C Maj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pink Floyd
Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic music, psychedelic groups, they were distinguished by their extended compositions, sonic experimentation, philosophical lyrics and elaborate Pink Floyd live performances, live shows. They became a leading band of the progressive rock genre, cited by some as the greatest progressive rock band of all time. Pink Floyd were founded in 1965 by Syd Barrett (guitar, lead vocals), Nick Mason (drums), Roger Waters (bass guitar, vocals), and Richard Wright (musician), Richard Wright (keyboards, vocals). Under Barrett's leadership, they released two charting singles and the successful debut album ''The Piper at the Gates of Dawn'' (1967). Guitarist and vocalist David Gilmour joined in December 1967; Barrett left in April 1968 due to deteriorating mental health. Waters became the primary lyricist and thematic leader, devising the concept album, concepts behind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augmented Fourth
Augment or augmentation may refer to: Language *Augment (Indo-European), a syllable added to the beginning of the word in certain Indo-European languages *Augment (Bantu languages), a morpheme that is prefixed to the noun class prefix of nouns in certain Bantu languages *Augment, a name sometimes given to the verbal ''ō-'' prefix in Nahuatl grammar Technology *Augmentation (obstetrics), the process by which the first and/or second stages of an already established labour is accelerated or potentiated by deliberate and artificial means *Augmentation (pharmacology), the combination of two or more drugs to achieve better treatment results *Augmented reality, a live view of a physical, real-world environment whose elements are ''augmented'' by computer-generated sensory input *Augmented cognition, a research field that aims at creating revolutionary human-computer interactions *Augment (Tymshare), a hypertext system derived from Douglas Engelbart's oN-Line System, renamed "Augment" b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequential Circuits Prophet-5
The Prophet-5 is an analog synthesizer manufactured by the American company Sequential. It was designed by Dave Smith and John Bowen in 1977, who used microprocessors, then a new technology, to create the first polyphonic synthesizer with fully programmable memory. This allowed users to store sounds and recall them instantly rather than having to reprogram them manually; whereas synthesizers had once created unpredictable sounds, the Prophet-5 moved synthesizers to producing "a standard package of familiar sounds". Between 1978 and 1984, about 6,000 units were produced across three revisions. In 1981, Sequential released a 10-voice, double-keyboard version, the Prophet-10. Sequential introduced new versions in 2020, and it has been emulated in software synthesizers and hardware. The Prophet-5 has been widely used in popular music and film soundtracks. Development The Prophet-5 was created in 1977 by Dave Smith and John Bowen at Sequential Circuits. At the time, Smith had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Of My Turns
"One of My Turns" is a song by Pink Floyd, appearing on their 1979 album ''The Wall''. The song was also released as a B-side on the single of "Another Brick in the Wall (Part 2)". Composition The song is split into distinct segments: a groupie (Trudy Young) performs a monologue (''"Oh my God, what a fabulous room!"'') while a television plays, under which a synthesizer makes atonal sounds, which eventually resolve into a quiet song in C major in 3/4 time (''"Day after day / Love turns grey / Like the skin of a dying man."''). Finally, the song abruptly leaps into a hard rock song in B-flat major in 4/4 time. The song features some of Waters' most strenuous recorded vocal workouts, with him ending at a relatively high A above middle C. Plot ''The Wall'' is the story of Pink, an embittered and alienated rock star, whose sanity is failing as he isolates himself behind a psychological barrier. "One of My Turns" finds Pink inviting a groupie into his room after learning of his wife's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flashback (narrative)
A flashback (sometimes called an analepsis) is an interjected scene that takes the narrative back in time from the current point in the story. Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory. In the opposite direction, a flashforward (or prolepsis) reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop a character, or add structure to the narrative. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". Flashbacks are important in film noir and melodrama films. In films and television, several camera techniques, editing approaches and special effects have evolved to alert the v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concept Album
A concept album is an album whose tracks hold a larger purpose or meaning collectively than they do individually. This is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Sometimes the term is applied to albums considered to be of "uniform excellence" rather than an LP with an explicit musical or lyrical motif. There is no consensus among music critics as to the specific criteria for what a "concept album" is. The format originates with folk singer Woody Guthrie's ''Dust Bowl Ballads'' (1940) and was subsequently popularized by traditional pop/jazz singer Frank Sinatra's 1940s–50s string of albums, although the term is more often associated with rock music. In the 1960s several well-regarded concept albums were released by various rock bands, which eventually led to the invention of progressive rock and rock opera. Since then, many concept albums have been released across numerous musical genres. Definiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Flesh?
"In the Flesh?" and "In the Flesh" are two songs by the English rock band Pink Floyd, released on their 1979 album, ''The Wall''. "In the Flesh?" is the opening track, and introduces the story concept of the album. "In the Flesh" is the twenty-first song of the album, and is a reprise of the first with a choir, different verses and more extended instrumentation. The title is a reference to the band's 1977 In the Flesh Tour, during which Roger Waters, in frustration, spat at a fan attempting to climb the fence separating the band from the crowd. Composition The majority of the songs are in the key of A Major and its time signature is 6/8. The arrangement is highly dynamic and dramatic. The first few seconds of the first song ("In the Flesh?") are very quiet, and feature the melody of the song " Outside the Wall", which is the album's closing track. The recording begins abruptly as a man quietly speaks the phrase "...we came in?" completing the sentence cut off at the end of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Megalomania
Megalomania is an obsession with power and wealth, and a passion for grand schemes. Megalomania or megalomaniac may also refer to: Psychology * Narcissistic personality disorder * Grandiose delusions * Omnipotence (psychoanalysis), a stage of child development Albums * ''Megalomania'' (Aqua album), 2011 * '' Mania velichia'' or ''Megalomania'', a 1985 album by Aria * ''Megalomania'' (Enslavement of Beauty album), 2001 * ''Megalomania'', a 2014 album by Kissin' Dynamite Songs * "Megalomaniac" (Incubus song), 2004 * "Megalomaniac" (KMFDM song), 1997 * "Megalomania" (Muse song), a 2001 song by Muse from ''Origin of Symmetry'' * "Megalomania", a 1975 song by Black Sabbath from ''Sabotage'' * "Megalomania", a 1983 song by the Blood from '' False Gestures for a Devious Public'' * "Megalomania", a 1992 song by Pele from ''Fireworks'' * "Megalomania", a 1991 song by Therion from '' Of Darkness...'' Other * ''Mega-Lo-Mania'', a 1991 real-time strategy game by Sensible Soft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Another Brick In The Wall
"Another Brick in the Wall" is a three-part composition on Pink Floyd's 1979 rock opera ''The Wall,'' written by bassist Roger Waters. "Part 2", a protest song against corporal punishment, and rigid and abusive schooling, features a children's choir. At the suggestion of producer Bob Ezrin, Pink Floyd added elements of disco. "Part 2" was released as a single, Pink Floyd's first in the UK since " Point Me at the Sky" (1968). It sold over four million copies worldwide and topped singles charts in fourteen countries, including in the UK and United States. It was nominated for a Grammy Award and was ranked number 384 on ''Rolling Stone''s list of "The 500 Greatest Songs of All Time". Concept The three parts of "Another Brick in the Wall" appear on Pink Floyd's 1979 rock opera album ''The Wall''. They are essentially one verse each, although Part 2 sees its own verse sung twice: once by Floyd members, and the second time by the guest choir. During "Part 1", the protagonist, P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fade (audio Engineering)
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)). A recorded song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and crossfades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio is smooth, without any prominent glitches.Langford, S. 2014. Digital Audio Editing. Burlington: Focal Press. pp. 47-57. It is necessary that there is a clear section of silence prior to the audio. Fade-ins and -outs can also be used to change the characteristics of a sound, such as to soften the attack in vocals where very plosive (‘b’, ‘d’, and ‘p’) s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Distortion (music)
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Chord
A power chord (also fifth chord) is a colloquial name for a chord in guitar music, especially electric guitar, that consists of the root note and the fifth, as well as possibly octaves of those notes. Power chords are commonly played on amplified guitars, especially on electric guitar with intentionally added distortion or overdrive effects. Power chords are a key element of many styles of rock, especially heavy metal and punk rock. Analysis When two or more notes are played through a distortion process that non-linearly transforms the audio signal, additional partials are generated at the sums and differences of the frequencies of the harmonics of those notes (intermodulation distortion). When a typical chord containing such intervals (for example, a major or minor chord) is played through distortion, the number of different frequencies generated, and the complex ratios between them, can make the resulting sound messy and indistinct. This effect is accentuated as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
