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The Temptation Of St Anthony (Schongauer)
''The Temptation of St. Anthony'' is an engraving, probably created c. 1470–75, by Martin Schongauer of this popular scene in 15th-century art. In it, grotesque demons swarm around Saint Anthony the Great, bursting with movement and energy as the saint calmly resists their temptations or blows. St. Anthony is shown with some of his signature attributes, dressed in a monk's religious habit and cowl, carrying a staff with a tau-shaped handle and his bound girdle book hanging from his belt. The literary source from which this image derives is debated. The image could depict chapter 65 from Athanasius's ''Life of St. Anthony'', where the hermit has a vision of himself floating through the air and undefined beings prevent him from ascending back to reality or it could show the ninth chapter of Athanasius's ''Life of St. Anthony'', where St. Anthony is attacked by the devil in the form of animals and beasts in the Egyptian desert and is levitated in the air by his practice of rigor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schongauer Anthony
Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsace, Alsatian engraver and painter. He was the most important printmaker north of the Alps before Albrecht Dürer, a younger artist who collected his work. Schongauer is the first German painter to be a significant engraver, although he seems to have had the family background and training in goldsmithing which was usual for early engravers. The bulk of Schongauer's surviving production is 116 engravings, all with his monogram but none dated, which were well known not only in Germany, but also in Italy and even made their way to England and Spain. Giorgio Vasari, Vasari says that Michelangelo copied The Temptation of St Anthony (Schongauer), one of his engravings, in the ''The Torment of Saint Anthony (Michelangelo), Trial of Saint Anthony''. His style shows no trace of Italian influence, but a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monogram
A monogram is a motif made by overlapping or combining two or more letters or other graphemes to form one symbol. Monograms are often made by combining the initials of an individual or a company, used as recognizable symbols or logos. A series of uncombined initials is properly referred to as a cypher (e.g. a royal cypher) and is not a monogram. History Monograms first appeared on coins, as early as 350 BC. The earliest known examples are of the names of Greek cities which issued the coins, often the first two letters of the city's name. For example, the monogram of Achaea consisted of the letters alpha (Α) and chi (Χ) joined together. Monograms have been used as signatures by artists and craft workers on paintings, sculptures and pieces of furniture, especially when guilds enforced measures against unauthorized participation in the trade. A famous example of a monogram serving as an artist's signature is the "AD" used by Albrecht Dürer. Christograms Over the centurie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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