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The Sound Of '65
''The Sound of 65'' is the debut album by rhythm & blues/jazz group The Graham Bond Organisation and featuring its best-known line-up of Graham Bond on vocals, alto saxophone, Hammond B-3 organ and Mellotron, Jack Bruce on vocals, acoustic and electric basses and harmonica, Dick Heckstall-Smith on tenor and soprano saxophone and Ginger Baker on drums. ''Melody Makers Chris Welch has suggested ''The Sound of '65'' "may have been the greatest album of the Sixties" and "one of the most exciting and influential of its time" given the respect paid by luminaries like Steve Winwood and Bill Bruford. This album and the group's second and last, ''There's a Bond Between Us'' are now considered "essential listening for anyone who is seriously interested in either British blues, The Rolling Stones' early sound, or the history of popular music, in England or America, during the late '50s and early '60s" and is also known among fans of Cream, which Bond's rhythm section joined in the nex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Graham Bond Organisation
The Graham Bond Organisation (GBO) were a British jazz/rhythm and blues group of the early 1960s consisting of Graham Bond (vocals, keyboards, alto-saxophone), Jack Bruce (bass), Ginger Baker (drums), Dick Heckstall-Smith (tenor/soprano saxophone) and John McLaughlin (guitar). They recorded several albums and further recordings were issued when the group's members achieved fame in progressive rock and jazz fusion. The spelling of the band's original name varied between releases, often depending on the intended audience. The British English spelled as "Organisation" or "ORGANisation" (Bond's original plan), while in some other countries outside the UK spelled "Organization". History At the start of the British rhythm and blues boom the Graham Bond Organisation earned a reputation for playing aggressive R & B with prominent jazz and blues. Bond was the primary songwriter but encouraged the other musicians to contribute material, including Dick Heckstall-Smith's "Dick's Instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Heckstall-Smith
Richard Malden Heckstall-Smith (26 September 1934 – 17 December 2004) was an English jazz and blues saxophonist. He played with some of the most influential English blues rock and jazz fusion bands of the 1960s and 1970s. He is known for primarily playing tenor soprano and baritone saxophones, as well as piano, clarinet and alto saxophone. Early years Dick Heckstall-Smith was born in the Royal Free Hospital, in Ludlow, Shropshire, England, and was raised in Knighton, Radnorshire, learning to play piano, clarinet and alto saxophone in childhood. He attended a York boarding school but refused a second term there, instead enrolling in Gordonstoun, where his father had accepted a job as headmaster of the local grammar school. Heckstall-Smith completed his education at Dartington Hall School, before reading agriculture – and co-leading the university jazz band – at Sidney Sussex College, Cambridge, from 1953. Aged 15, he had taken up the soprano sax while at Dartington, cap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wade In The Water
"Wade in the Water" (Roud 5439) is an African American jubilee song, a spiritual—in reference to a genre of music "created and first sung by African Americans in slavery." The lyrics to "Wade in the Water" were first co-published in 1901 in ''New Jubilee Songs as Sung by the Fisk Jubilee Singers'' by Frederick J. Work and his brother, John Wesley Work Jr., an educator at the historically black college in Nashville, Tennessee, Fisk University. Work Jr. (1871–1925)—who is also known as John Work II—spent thirty years collecting, promoting, and reviving the songcraft of the original Fisk Jubilee Singers, which included being a member and director of the Fisk Jubilee Quartet. The Sunset Four Jubilee Singers made the first commercial recording of "Wade in the Water" in 1925—released by Paramount Records. W. E. B. Du Bois called this genre of songs the Sorrow Songs. "Wade in the Water" is associated with songs of the Underground Railroad. Fisk Jubilee Singers John Wesl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janet Godfrey
Janet Godfrey is a British songwriter, known for being the first wife and occasional writing partner of bassist Jack Bruce. Early career Godfrey was the secretary of the fan club for the Graham Bond Organisation, a band that had started in 1963, with Ginger Baker on drums. Jack Bruce was the bassist in the band, and Godfrey teamed with Bruce to write "Baby Make Love To Me" and "Baby Be Good To Me". Godfrey and Bruce were engaged to be married when Marvin Gaye asked Bruce to join him in the US. Bruce declined because of his upcoming marriage. Following this, Bruce and Baker fought on stage, and Bruce left the Bond group. He gigged with John Mayall & the Bluesbreakers for a bit and then joined Manfred Mann, a more successful group named after its organist. Bruce made this switch so that he could purchase a home for Godfrey and himself. Writing partnership During Bruce's tenure with Cream, Godfrey co-wrote two songs that were included on their debut album ''Fresh Cream''. She wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoochie Coochie Man
"Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter. The song is a classic of Chicago blues and one of Waters' first recordings with a full backing band. Dixon's lyrics build on Waters' earlier use of ''braggadocio'' and themes of fortune and sex appeal. The stop-time riff was "soon absorbed into the ''lingua franca'' of blues, R&B, jazz, and rock and roll", according to musicologist Robert Palmer, and is used in several popular songs. When Bo Diddley adapted it for " I'm a Man", it became one of the most recognizable musical phrases in blues. After the song's initial success in 1954, Waters recorded several live and new studio ver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cream (band)
Cream were a British rock band formed in London in 1966. The group consisted of bassist Jack Bruce, guitarist Eric Clapton, and drummer Ginger Baker. Bruce was the primary songwriter and vocalist, although Clapton and Baker also sang and contributed songs. Formed from members of previously successful bands, they are widely regarded as the world's first supergroup. Cream were highly regarded for the instrumental proficiency of each of their members. During their brief three-year career together, the band produced four albums, ''Fresh Cream'' (1966), ''Disraeli Gears'' (1967), ''Wheels of Fire'' (1968), and ''Goodbye'' (1969). Beginning with ''Disraeli Gears'', the band was joined in the studio by producer and multi-instrumentalist Felix Pappalardi, who became an important influence on the band's sound. Cream's music spanned many genres of rock music, including blues rock (" Crossroads", "Born Under a Bad Sign"), psychedelic rock (" Tales of Brave Ulysses", " White Room ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Bruford
William Scott Bruford (born 17 May 1949) is an English former drummer and percussionist who first gained prominence as a founding member of the progressive rock band Yes. After leaving Yes in 1972, Bruford spent the rest of the 1970s recording and touring with King Crimson (1972–1974) and Roy Harper (1975), and touring with Genesis (1976) and U.K. (1978). In 1978, he formed his own group ( Bruford), which was active until 1980. In the 1980s, Bruford returned to King Crimson for three years (1981–1984), collaborated with several artists (including Patrick Moraz and David Torn), and formed his own electric jazz band Earthworks in 1986. He then played with his former Yes bandmates in Anderson Bruford Wakeman Howe, which eventually led to a very brief second stint in Yes. Bruford played in King Crimson for his third and final tenure from 1994–1997, after which he continued with a new acoustic configuration of Earthworks. On 1 January 2009, Bruford retired from professional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Winwood
Stephen Lawrence Winwood (born 12 May 1948) is an English musician, singer, and songwriter whose genres include blue-eyed soul, rhythm and blues, blues rock, and pop rock. Though primarily a keyboard player and vocalist prominent for his distinctive, soulful high tenor voice, Winwood plays other instruments proficiently, including drums, mandolin, guitar, bass, and saxophone. Winwood was an integral member of three seminal musical ensembles of the 1960s and 1970s: the Spencer Davis Group, Traffic, and Blind Faith. Beginning in the 1980s, his solo career flourished and he had a number of hit singles, including "While You See a Chance" (1980) from the album ''Arc of a Diver'' and "Valerie" (1982) from ''Talking Back to the Night'' ("Valerie" became a hit when it was re-released with a remix from Winwood's 1987 compilation album ''Chronicles''). His 1986 album ''Back in the High Life'' marked his career zenith, with hit singles including "Back in the High Life Again", "The Finer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repertoire Records
Repertoire Records is a German record label from Hamburg, Germany, specialising in reissues of classic pop and rock albums originally issued in the 1960s and 1970s. The chairman is Thomas Neelsen. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... References External links Official site German record labels Pop record labels Rock record labels Reissue record labels Culture in Hamburg Companies based in Hamburg IFPI members Repertoire Records {{hamburg-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Welch
Chris Welch (born 12 November 1941) is an English music journalist, critic, and author who is best known for his work from the late 1960s as a reporter for ''Melody Maker'', ''Musicians Only'', and ''Kerrang!''. He is the author of over 40 music books. Early life Welch was raised in Catford, south east London. He left school at 16 and became a messenger for a national daily newspaper in Fleet Street. Career In 1960, Welch started work for ''The Kentish Times''. In October 1964, after writing for a local newspaper, Welch became a reporter for ''Melody Maker'' at age 22. At Google Books. Retrieved 16 June 2013. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
