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The Six Days' Adventure
''The Six Days' Adventure; Or, The New Utopia'' is a 1671 comedy play by the English writer Edward Howard. First performed by the Duke's Company at the Lincoln's Inn Fields Theatre in London, the original cast included Cave Underhill as Sir Adam Meridith, Matthew Medbourne as Sir Grave Solymour, Henry Harris as Sir Franckman, John Crosby as Featlin, John Young as Polidor, James Nokes as Foppering, Edward Angel as Peacock, Samuel Sandford as Orlando Curioso, Mary Betterton as Serina, Anne Shadwell as Celinda, Jane Long as Crispina, Elinor Dixon Elinor Leigh was a British stage actor of the seventeenth century. Born Elinor Dixon, she was billed as Mrs Leigh or Mrs Lee after she married the actor Anthony Leigh in 1671. This has led to some difficulty distinguishing on playbills between he ... as Petilla and Mary Lee as Eugenia.Van Lennep p.181 References Bibliography * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. Southern Illinois University Pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Howard (playwright)
Edward Howard (baptised 1624 – 1712) was an English dramatist and author of the Restoration era. He was the fifth son of Thomas Howard, 1st Earl of Berkshire, and one of four playwriting brothers: Sir Robert Howard, Colonel Henry Howard, and James Howard were the others. The brothers were sometimes confused in their own era, and Edward was sometimes given credit for his brother Henry's play ''The United Kingdoms''. Biography Edward Howard was christened on 2 November 1624, at St. Martin-in-the-Fields. Howard had a reputation as an exacting and difficult author. In their famous satire '' The Rehearsal'', the Duke of Buckingham and his collaborators mocked Howard for being demanding and contentious during the actors' rehearsals of his plays. Howard himself acknowledged his reputation; he wrote a Prologue to his ''Man of Newmarket'' in which the actors Robert Shatterell and Joseph Haynes criticize Howard for not allowing cuts or improvisations in his dramas. Howard complai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Angel (actor)
Edward Angel (died 1673) was an English stage actor of the early Restoration Era. Along with James Nokes and Cave Underhill he was one of the leading comedians of the period. It is possible he began his career as a boy actor during the pre-English Civil War era, but he was an experienced actor by the time he was a member of John Rhodes's troupe in 1660. From 1662 he acted with the Duke's Company, initially at Lincoln's Inn Fields and after 1671 at the new Dorset Garden Theatre.Highfill, Burnim & Langhans p.83 Selected roles * Pyropus in ''Ignoramus'' by William Davenant (1662) * Friskin in '' The Unfortunate Lovers'' by William Davenant (1664) * Viche in '' Mustapha'' by Roger Boyle (1665) * Woodcock in '' The Sullen Lovers'' by Thomas Shadwell (1668) * Fallatius in '' The Forc'd Marriage'' by Aphra Behn (1670) * Peacock in ''The Six Days' Adventure'' by Edward Howard (1671) * Leftwell in ''The Town Shifts'' by Edward Revet (1671) * Landlord in ''Juliana'' by John Crowne (167 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1671 Plays
Events January–March * January 1 – The Criminal Ordinance of 1670, the first attempt at a uniform code of criminal procedure in France, goes into effect after having been passed on August 26, 1670. * January 5 – The Battle of Salher is fought in India as the first major confrontation between the Maratha Empire and the Mughal Empire, with the Maratha Army of 40,000 infantry and cavalry under the command of General Prataprao Gujar defeating a larger Mughal force led by General Diler Khan. * January 17 – The ballet ''Psyché'', with music composed by Jean-Baptiste Lully, premieres before the royal court of King Louis XIV at the Théâtre des Tuileries in Paris. * January 28 – The city of Nuestra Señora de la Asunción de Panamá, founded more than 150 years earlier at the Isthmus of Panama by Spanish settlers and the first permanent European settlement on the Pacific Ocean, is destroyed by the Welsh pirate Henry Morgan. The last surviving o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Slingsby
Mary, Lady Slingsby, born Aldridge (perhaps died 1693), was an English actress. After a marriage lasting 1670 to 1680 to John Lee, an actor, during which she was on the stage as Mrs. Lee, she was widowed. She then married Sir Charles Slingsby, 2nd Baronet, a nephew of Sir Robert Slingsby, and performed as Lady Slingsby. Theatre historians have pointed out the difficulty in identifying her roles in the period when Elinor Leigh, wife of Anthony Leigh, was performing as Mrs. Leigh, because the homophones "Lee" and "Leigh" were not consistently spelled at the time. Stage career In 1671 Mrs Lee appeared at Lincoln's Inn Fields in the character of Daranthe in Edward Howard's tragi-comedy ''Woman's Conquest'', and as Leticia in ''Town-Shifts, or the Suburb-Justice'', attributed to Edward Revet, and licensed on 2 May 1672. Next, at Dorset Garden, where Mrs Lee remained for ten years, she played opposite Æmilia in Joseph Arrowsmith's ''Reformation'' (1672). In ''Henry VI, Part I, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elinor Dixon
Elinor Leigh was a British stage actor of the seventeenth century. Born Elinor Dixon, she was billed as Mrs Leigh or Mrs Lee after she married the actor Anthony Leigh in 1671. This has led to some difficulty distinguishing on playbills between her and the actress Mary Slingsby who also acted under her married name of Lee at the time. In addition another actress with the name Elizabeth Leigh was also active during the period. She was a member of the Duke's Company in the 1670s which was then merged into the United Company from 1682, acting mainly at Drury Lane. Her husband died in 1692, and in 1695 she joined those who left to form a new company under Thomas Betterton at the Lincoln's Inn Fields TheatreThe Routledge Anthology of Restoration and Eighteenth-Century Drama p.lvi Selected roles * Melvissa in ''The Women's Conquest'' by Edward Howard (1670) * Petilla in ''The Six Days' Adventure'' by Edward Howard (1671) * Orinda in ''Cambyses, King Of Persia'' by Elkanah Settle (16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Long (actress)
Jane Long was an English stage actor of the seventeenth century. She was recruited into the Duke's Company after the theatres were repopened following the Restoration and became a noted comedienne, at a time when the Restoration comedy genre was flourishing.Howe p.75-76 Selected roles * Laughing Jane in ''The Cutter of Coleman Street'' by Abraham Cowley (1661) * Flora in ''The Adventures of Five Hours'' by Samuel Tuke (1663) * Diacelia in '' The Slighted Maid'' by Robert Stapylton (1663) * Brianella in '' The Stepmother'' by Robert Stapylton (1663) * Widow in ''The Comical Revenge'' by George Etheredge (1664) * Leucippe in ''The Rivals'' by William Davenant (1664) * Zarma in '' Mustapha'' by Roger Boyle (1665) * Mandanda in ''The Women's Conquest'' by Edward Howard (1670) * Mrs Brittle in '' The Amorous Widow'' by Thomas Betterton (1670) * Crispina in ''The Six Days' Adventure'' by Edward Howard (1671) * Fickle in ''The Town Shifts'' by Edward Revet (1671) * Paulina in ''Jul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Shadwell
Anne Shadwell was an English stage actor of the seventeenth century. She was one of the first English actresses to appear on stage following the Restoration She was one of six actors recruited in 1660 by William Davenant for the new Duke's Company, acting under her maiden name Anne Gibbs. Sometime between 1663 and 1667 she married the playwright Thomas Shadwell with whom she had four children. While some sources have her acting late into the century, it may be she effectively retired with the formation of the United Company in 1682. Her appearances had decreased since 1672. Following her husband's death in 1692 she was left the bulk of his estate. She had an investment in the Drury Lane Theatre in 1709, when she joined a petition to Queen Anne by the manager Christopher Rich, but nothing is known about her after this point.Highfill, Burnim & Langhans p.275-277 Selected roles * Lucia in ''The Cutter of Coleman Street'' by Abraham Cowley (1661) * Decio in '' The Slighted Maid'' by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Betterton
Mary Saunderson (1637–1712), later known as Mary Saunderson Betterton after her marriage to Thomas Betterton, was an actress and singer in England during the 1660s and 1690s. She is considered one of the first English actresses. Stage career Her most notable accomplishments are her being the first female actress to portray several of Shakespeare's woman characters on the professional stage. She was the first to portray Juliet in ''Romeo and Juliet'', Lady Macbeth in ''Macbeth'', and other female roles in '' The Tempest'', ''Hamlet'' (as Ophelia), ''Measure for Measure'', ''Much Ado About Nothing'', ''Twelfth Night'', ''King Lear''. In Shakespeare's day, female roles were played by teenage boys, as women and young girls were not allowed on the stage. By the 1660s, however, the laws in England had changed, allowing females to act professionally. Mary's connections through her husband, Thomas, who was also a famous actor, allowed her to play several significant roles. Saunderso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Sandford
Samuel Sandford ( fl. 1661–1699) was an English character actor, known for his roles as villains. Career He joined William D'Avenant's company at Lincoln's Inn Fields about a year after its formation, and was, on 16 December 1661, the original Worm in Abraham Cowley's ''Cutter of Coleman Street''. On 1 March 1662 he was Sampson in ''Romeo and Juliet'', and on 20 October Maligni (the villain) in Thomas Porter's ''The Villain''. Early in January 1663 he was Ernesto in Samuel Tuke's ''Adventures of Five Hours'', and on 28 May Vindex in Robert Stapylton's ''Slighted Maid''. During the same season he was Sylvanus in the ''Stepmother'', also by Stapleton, and in 1664 was Wheadle in George Etherege's ''Comical Revenge, or Love in a Tub'', and Provost in ''The Rivals'', D'Avenant's alteration of ''The Two Noble Kinsmen''. After the break of performances on account of the Great Plague, Sandford on 26 March 1668, sang with Harris, as two ballad singers, the epilogue to D'Avenant's ''Man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Nokes
James Nokes (Noke, Noak, Noakes) (died c.1692) was an English actor, whose laughter-arousing genius was attested by Cibber and other contemporaries. Life Nokes was one of the male actors who played female roles in the newly reopened playhouses shortly after the Restoration of Charles II. This practice didn't last long, as Thomas Killigrew's King's Company put the first English actress on the stage on December 1660, and from then on they appeared more and more frequently, until in 1662 Charles II ordered that only women should play female roles. There was a brief period in late 1660 and early 1661 when both men and women were playing female roles. On 29 January 1661, the diarist Samuel Pepys went to the Duke’s playhouse, where "after great patience and little expectation, from so poor beginning, I saw three acts of ‘The Mayd in ye Mill’ acted to my great content." It was Nokes who was playing the title female role of the Mayd. Sir Martin Mar-all, Sir Davy Dunce and Sir Cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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