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The Shaming Of The True
''The Shaming of the True'' is a rock opera by Kevin Gilbert. It is Gilbert's second solo album, released posthumously in 2000. The album was first released in 2000 as a limited edition and later as a conventional jewel-case CD. A remastered version followed in 2008, and another in 2011 as a limited edition. The album name is a play on words referencing the Shakespeare comedy ''The Taming of the Shrew''. Story The album follows the rise and fall of a singer/musician named Johnny Virgil, whose career follows an arc common to many stars of rock and roll. The narrative introduces a gifted young Johnny dreaming of success, before his fall into the trap of exploitation at the hands of record companies, seduced by fame and substance abuse. As his career becomes larger than life, the many compromises he made provoke a sense of disconnection with his former self. He becomes increasingly burned out and withdrawn, eventually experiencing a break down of the psyche. He steps away from his c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kevin Gilbert (musician)
Kevin Matthew Gilbert (also known as Matthew Delgado and Kai Gilbert; November 20, 1966 – May 18, 1996) was an American singer, songwriter, musician, composer and producer. He was best known for his solo progressive rock projects, Toy Matinee and his contributions to ''Tuesday Night Music Club'', the debut album by Sheryl Crow. Early life Kevin Matthew Gilbert was born in Sacramento, California, on November 20, 1966, later living in Scotch Plains, New Jersey and San Mateo, California, where he attended Abbott Middle School and Junipero Serra High School.More Than 'The Piano Player'. . Retrieved December 30, 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolts (album)
''Bolts'' is an album by Kevin Gilbert, which was released posthumously in 2009. It is a collection of unreleased material from Gilbert's career, which was released simultaneously with '' Nuts''. at kevingilbert.com Track listing # "Waking The Sun" - 3:44 # "Jenny Ledge" (Acoustic) - 4:44 # "Something Nice for My Dog" - 3:16 # "Souvenir" - 4:06 # "God's Been Tapping My Phone" - 3:54 # "Goodness Gracious" (Acoustic) - 3:57 # "The Best of Everything" - 4:58 # "Blank Page" - 2:23 # "Taxi Ride" - 4:07 # "Lonely Road" - 5:25 # "Finale" - 1:53Personnel *Kevin Gilbert – vocals, guitar, bass, piano, keyboards, programming, sequencing *Nick D'Virgilio
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Brian MacLeod (U
Brian MacLeod may refer to: * Brian MacLeod (U.S. musician) (born 1962), American recording drummer and songwriter *Brian MacLeod (Canadian musician) Brian Oliver MacLeod (June 25, 1952 – April 25, 1992), nicknamed "Too Loud" MacLeod, was a Canadian musician, songwriter and music producer, best known as a member of the bands Chilliwack and Headpins. History Born in Halifax, Nova Sco ... (1952–1992), songwriter and music producer, best known as a member of the bands Chilliwack and The Headpins See also * Bryan McLeod, Canadian politician and unsuccessful candidate for municipal, provincial, and federal offices in the 2000s decade {{hndis, Macleod, Brian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamie DeWolf
Jamie DeWolf (born October 28, 1977) is an American slam poet, film director, writer, spoken word artist, and circus ringmaster from Oakland, California. DeWolf is best known for his early career as a slam poetry champion, his award-winning films for Youth Speaks Bigger Picture Project, live tours with the performance trio The Suicide Kings, hosting the monthly Tourettes Without Regrets at the Oakland Metro OperaHouse, and for his work as a producer and performer on NPR's '' Snap Judgment''. DeWolf has appeared on HBO's ''Def Poetry'', ''60 Minutes'', UPN, ''Inside Edition'', and CBS. DeWolf directed, wrote and starred in the feature film ''Smoked. The Movie'' (2012). He is also the great-grandson of author and Scientology founder L. Ron Hubbard and an outspoken critic of the Church of Scientology. In 2000 he hosted the first ever anti-Scientology summit in Clearwater, Florida. He was named one of the "Top 25 People Crippling Scientology" by ''The Village Voice'' in 2011. Early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limiting
In electronics, a limiter is a circuit that allows signals below a specified input power or level to pass unaffected while attenuating (lowering) the peaks of stronger signals that exceed this threshold. Limiting is a type of dynamic range compression. Clipping is an extreme version of limiting. Limiting is any process by which the amplitude of a signal is prevented from exceeding a predetermined value. Limiters are common as a safety device in live sound and broadcast applications to prevent sudden volume peaks from occurring. Limiters are also used as protective features in some components of sound reinforcement systems (e.g., powered mixing boards and power amplifiers) and in some bass amplifiers, to prevent unwanted distortion or loudspeaker damage. Types Limiting can refer to a range of treatments designed to limit the maximum level of a signal. Treatments in order of decreasing severity range from clipping, in which a signal is passed through normally but sheared off when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equalization (audio)
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric equalizers have much more flexibility in tailoring the frequency content of an audio signal. Broadcast and recording studios use sophisticated equalizers capable of much more detailed adjustments, such as eliminating unwanted sounds or making certain instruments or voices more prominent. Since equalizers "adjust the amplitude of audio signals at particular frequencies" they are, "in other words, frequency-specific volume knobs." Equalizers are used in recording studios, radio studios and production control rooms, and live sound reinforcement and in instrument amplifiers, such as guitar amplifiers, to correct or adjust the response of mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pro Tools
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) for Microsoft Windows and macOS. It is used for music creation and production, sound for picture (sound design, audio post-production and mixing) and, more generally, sound recording, editing, and mastering processes. Pro Tools operates both as standalone software and in conjunction with a range of external analog-to-digital converters and PCIe cards with on-board digital signal processors (DSP). The DSP is used to provide additional processing power to the host computer for processing real-time effects, such as reverb, equalization, and compression and to obtain lower latency audio performance. Like all digital audio workstation software, Pro Tools can perform the functions of a multitrack tape recorder and a mixing console along with additional features that can only be performed in the digital domain, such as non-linear and non-destructive editing (most of aud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Audio Workstation
A digital audio workstation (DAW) is an electronic device or application software used for Sound recording and reproduction, recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece. DAWs are used for producing and recording music, songs, human speech, speech, Radio broadcasting, radio, television, soundtracks, podcasts, sound effects and nearly any other situation where complex recorded audio is needed. Hardware Early attempts at digital audio workstations in the 1970s and 1980s faced limitations such as the high price of storage, and the vastly slower processing and disk speeds of the time. In 1978, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SADiE
Sadie may refer to: People Given name or nickname Women * Sadie Tanner Mossell Alexander (1898–1989), first African-American woman to earn a Ph.D. in the United States and to practice law in Pennsylvania * Sadie Benning (born 1973), American video maker, visual artist and musician * Sadie Bjornsen (born 1989), American cross-country skier * Sadie Bonnell (1888–1993), British ambulance driver and winner of the Military Medal * Sadie Coles (born 1963), British art dealer * Sadie Peterson Delaney (1889–1958), American librarian who pioneered bibliotherapy * Sarah Louise Delany (1889–1999), American author, educator and civil rights pioneer * Josephine Earp (1860–1944), common-law wife of American Old West lawman Wyatt Earp * Sadie Farrell (fl. 1869), American criminal, gang leader and river pirate also known as "Sadie the Goat" * Sadie Frost (born 1965), English actress, producer and fashion designer * Sarah Sadie Irvine (1885–1970), American artist and educator * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loudness War
The loudness war (or loudness race) is a trend of increasing audio levels in recorded music, which reduces audio fidelity and—according to many critics—listener enjoyment. Increasing loudness was first reported as early as the 1940s, with respect to mastering practices for 7-inch singles. The maximum peak level of analog recordings such as these is limited by varying specifications of electronic equipment along the chain from source to listener, including vinyl and Compact Cassette players. The issue garnered renewed attention starting in the 1990s with the introduction of digital signal processing capable of producing further loudness increases. With the advent of the compact disc (CD), music is encoded to a digital format with a clearly defined maximum peak amplitude. Once the maximum amplitude of a CD is reached, loudness can be increased still further through signal processing techniques such as dynamic range compression and equalization. Engineers can apply an incre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
HDCD
High Definition Compatible Digital (HDCD) is a proprietary audio encode-decode process that claims to provide increased dynamic range over that of standard Compact Disc Digital Audio, while retaining backward compatibility with existing compact disc players. Originally developed by Pacific Microsonics, the first HDCD-enabled CD was released in 1995. In 2000, the technology was purchased by Microsoft, and the following year, there were over 5,000 HDCD titles available. Microsoft's HDCD official website was discontinued in 2005; by 2008, the number of available titles had declined to around 4,000. A number of CD and DVD players include HDCD decoding, and versions 9 and above of Microsoft's Windows Media Player on personal computers are capable of decoding HDCD. HDCD was a favorite for several artists such as Neil Young, the Beach Boys and the Grateful Dead, all of whom have had multiple titles in their catalogs reissued in this format. Technical overview HDCD encodes the equivale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stop Consonant
In phonetics, a plosive, also known as an occlusive or simply a stop, is a pulmonic consonant in which the vocal tract is blocked so that all airflow ceases. The occlusion may be made with the tongue tip or blade (, ), tongue body (, ), lips (, ), or glottis (). Plosives contrast with nasals, where the vocal tract is blocked but airflow continues through the nose, as in and , and with fricatives, where partial occlusion impedes but does not block airflow in the vocal tract. Terminology The terms ''stop, occlusive,'' and ''plosive'' are often used interchangeably. Linguists who distinguish them may not agree on the distinction being made. The terms refer to different features of the consonant. "Stop" refers to the airflow that is stopped. "Occlusive" refers to the articulation, which occludes (blocks) the vocal tract. "Plosive" refers to the release burst (plosion) of the consonant. Some object to the use of "plosive" for inaudibly released stops, which may then instead be ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
